Will Machel Montano defend his International Soca Monarch title in 2015? This just might be the question on every person’s lips in Trinidad and Tobago and the Caribbean right now. The question arises as the International Soca Monarch committee last evening issued a statement indicating that the defending champion in each category of the competition is no longer obligated to defend his/her title.
Machel Montano is not obligated to defend his crown in 2015.
The amended rule comes ahead of the Soca Monarch semi final competition carded for January 25th at the Queen’s Park Savannah- a semi final that has seen former Groovy champ, Machel Montano choose not to enter the race to run against reigning Groovy monarch, Kerwin Du Bois. Many have already begun speculating that Montano’s general desire is to remove himself from the competition entirely. Now comes word of this latest move by the Soca Monarch big wigs, leaving wondering minds questioning, why now…
Head of The International Soca Monarch Peter Scoon says Machel will have to announce whether he will be defending his title in 2015.
Peter Scoon- the head boss at the International Soca Monarch Competition told ETCETERABUZZ.COM exclusively that Machel Montano will have to make the announcement as to whether he will be defending his title or not, in 2015. “The organization is under new management and the former regime had a different mindset. We don’t want to bind anyone and force anyone to come back into the competition. We are about building the industry and young artistes,” said Scoon.
With some level of skepticim about the production of the show in 2014 still lingering in the air, Scoon told us the plan this year is to generally tighten things up. He said artistes will have to address their time issues, noting that many gaps experienced in the show last year, were due in part to artistes not being ready to hit the stage. He also said props used must be more technically inclined, arguing that the props need to be more in line with international standards.
Kerwin Du Bois will also have the choice as to whether or not to defend his Groovy Monarch title.
Assuring that it is focused on the development of the industry, Peter Scoon explained that the Soca monarch organization will seek to better the writing ability of music writers in Trinidad and Tobago following Carnival 2015. “We want the writing to improve so we’ll be hosting writing seminars after carnival. We intend to build the industry. It’s not about money only,” he said.
Dispelling public perception that Soca Monarch makes millions in profits following the show annually, Scoon told ETCETERABUZZ.COM that the show costs $25 million to produce and it in fact a myth that the organization is making a lot of money. “The prize monies is dependent on government. The show doesn’t make $5 million or $10 million or $20 million as some people think. Just because a venue is full, doesn’t mean that the profits are high. Whatever profit is made remains in the organization to develop the industry,” he said.
The prize monies in this year’s competition will remain the same as in recent years with the Power Monarch winner receiving $2 million dollars and the Groovy king walking away with $1 million dollars. Scoon said all artistes appearing in the finals will receive appearance fees, the least of which is $150,000.
She may be a Trinbagonian soca artiste but she’s also a proud Caribbean woman, so it was only right that rapper, Drake’s team at October’s Very Own – OVO, deliver to the entertainer, an OVO branded dominos set. It was quite possibly the package inclusion that brought out Belfon’s excitement earlier this week, when she received and opened it up.
Denise has been basking in the joy of being a part of Drake’s recently released, Maid of Honor’ album – her single ‘Work’ sampled on a track called, ‘BBW’. Fans, pretty much elated by the news, have been expressing their congratulations to the New York based singer, many saying it was only a matter of time before this type of breakthrough came for her.
Denise’s journey in music began decades ago, and even though her presence on the Soca circuit in the Caribbean has been limited for some time, her past hits have proven to be legacy-leavers, with DJs, artistes and social media users quite often returning to her sound.
The OVO gift package included merchandise and the special Dominos game set, something Denise automatically hailed out her Jamaican friends on, noting that they’d me meeting up for a game soon. When news of the sample emerged in May, many questioned whether Belfon had agreed to the use of her work. She has since allayed all concerns, saying all is above board on the project.
A riddim built on pure Jamaican nostalgia that’s dominating with several acclaimed artistes releasing hit singles, the ‘Hill And’ Gully’ folk riddim is undeniably a major influencer this year. Like butter, several releases smoothly resonate, with artistes like Masicka, Mr. Vegas, Kees Dieffenthaller, Valiant, Elephant Man and Sheneil Muir delivering catchy singles for the masses.
Outside of multiple releases produced by Jamaican DJ/ Singer/ Songwriter/ Stephen ‘Di Genius’ McGregor, Trinidad and Tobago artiste, Anisha, has risen to the occasion, urging social transformation using her creativity as the vessel. “Plea for Peace is meant to uplift communities and spark conversation because I believe music can preserve tradition, while creating space for meaningful dialogue,” said the Belmont,Trinidad native.
Known in creative spaces as The Goddess of Love, Anisha was raised in Belle-Eau Road in Belmont. She understands the need for thought provoking messages through music. “I compose my own songs and I’ve been involved in music for several years,” she said, explaining that she uses music as a tool to express herself, tell stories and tap into her emotions while addressing issues that affect communities.
For Anisha, the Hill and Gully Riddim offers music lovers a timeless cultural connection. “I felt it was a riddim that could help carry this message of peace to both the young and the old in a way that’s relatable and impactful,” said the singer. Acknowledging the criticism by veteran Jamaican broadcaster, Fae Ellington over some of the lyrics sung by artistes on the traditional folk riddim, Anisha says she respects Ms. Ellington’s perspective. “I respect her perspective because cultural and musical traditions are important and should always be valued.” She however admits that music continues to evolve as a reflection of society. “Each artiste chooses to use music to express himself/herself based on personal experience, however my approach with ‘Plea for Peace,’ was to honor the riddim’s cultural significance by using it to address an issue that is affecting my country, Trinidad and Tobago.”
The song was born out of Anisha’s concern for the people of T&T. “It’s really a mixture of concern, frustration and hope. This song addresses the growing impact that crime and violence continues to have on families, communities and the youth,” she declared, adding that it serves as a heartfelt appeal for the population to reflect on what society has become, while establishing a blueprint for a better future. “If this song encourages even one young person to choose a different path, or reminds communities that love, respect and unity still matter, then I’d consider it a success,” she said.
Anisha says she admires the dedication to peace, shown by fellow T&T artiste, Orlando Octave. “We share a similar passion for spreading positive messages through music. I often refer to him as ‘The Prince of Peace,” she said, noting that she would be honored to work with Orlando, if the opportunity presents itself. “My mission as an artiste is to use my music as a bridge that brings people together, rather than divides humanity. ‘Plea for Peace is more than just a song. It’s a reminder that despite the challenges we face, peace, love and unity are still very possible if we choose to lift each other up.”
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