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Archived: Lyrikal Responds, Sets Things Straight as His Name Is Implicated in Online Scandal.

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There’s so much happening in Caribbean entertainment these days. Nailah Blackman’s launched her new band, SOAKAH, Konshens tied the knot, Bunji Garlin’s been teasing us about some vintage Garlin and Rihanna’s in Barbados bubbling to Sizzla Kalonji’s music. We can’t forget though that Trinidad and Tobago’s Shradah, a relatively young and less known female soca artiste, has been making some pretty strong and long- winded accusations, much of which surround an alleged sexual situation of which she was an alleged victim. Her Facebook LIVE outbursts have left some bewildered, but there are others who are concerned that her accusations could hurt their image and reputation, especially since, they don’t know what she’s speaking about.

Shradah has been silent on the music scene for a few years. Her sudden emergence is shrouded by sexual assault undertones.

Lyrikal’s name was subliminally called  in one of Shradah’s videos and Lyro’s not happy about it at all. A great season likely ahead, the Brooklyn based carnival mainstay has been churning out the hits. He recently collaborated with Patrice Roberts on a single called, “Criminal Wine” – a Millbeatz Entertainment production. That tune’s been a favorite across the urban airwaves and as Lyro told us, the collaboration came quite unexpectedly with David Millien approaching him with news that he’d created something he thought would be perfect for him and Patsy. “What was crazy was that a few weeks prior, I had met Patrice in the Virgin Islands and  she said to me, ‘aye Lyro we should collaborate on something some time’ and I agreed.  We never planned anything,” he said. Lyrikal’s one of the most down to earth entertainers and with a humble persona that’s very approachable, the New Yorker’s name certainly isn’t one to be called in any kind of media scandal. At least up until now. “I don’t like my name being affiliated with anything like this, ” he said to us, referring to the videos posted by  Shradah, and while he admits that the young mother and artiste did not directly say he assaulted her in any way, her remark that she had reached out to ‘Lyrikal’ for comfort after being allegedly assaulted by a local producer whose name she directly mentions in one of the videos, has Lyrikal stumped. “I know of her- I know her as an artiste. That’s it. We have never had a personal relationship of any kind for her say she would call me!,” said Martin. He said he recalls meeting Shradah once, years ago at Synergy TV, prior to an interview and was introduced to her by producer, Wendell Naipaul. “Wendell said he wanted us to do a song together but that never happened. That was 3 or 4 years ago,” said Lyrikal. We could hear the concern in his voice- the questions as to why Shradah would call his name of all people.

Lyrikal, the artiste who has given fans of soca songs like Loner, Freedom and Dip and Roll, is bothered by recent statements that implicate his name.

Lyrikal told EBUZZTT that if he could speak with Shradah now, he would ask her just that, “why would you say that you called me for comfort and that’s not true? That’s what I would ask her because everyone in my circle, whether artistes or DJs or whatever, know each other and the people who I deal with aren’t familiar with her like that,” said Lyrikal. He said despite everything, he  is concerned about the young woman, lamenting that if she was in fact assaulted, he would hope that the authorities intervene and she gets the help she needs to deal with the situation. “I just did a show in New York with Nicki Minaj’s mother. It was all about empowering women and fighting against domestic violence and the abuse of women. I was actually the only soca artiste on that cast. I have a lot of female fans and I have seven sisters. I could never condone any kind of ill treatment against women,” said the entertainer.

Lyrikal’s looking forward to Carnival 2018 but admits that the numerous recent phone calls and enquiries about this particular situation, has bothered him. “I mean, I have feelings too. This definitely bothered me,” he said.

Martin’s already released four tracks ahead of C2K18 and says he has a couple more to come. Shradah meanwhile, has unleashed yet another social media video. In this one, she attempts to clear the air on what she says are her statements being misconstrued. “I never made sexual assault claims against Anson or Lyrikal,” she expresses.

Music News

Grammy Award Winning, Morgan Heritage Salutes Jamaica with First Release Since Losing Peetah Morgan.

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Grammy Award-winning reggae band Morgan Heritage returns with “Come Feel The Love,” an uplifting new single written and produced by nine-time Grammy Award-winning artist, producer, and songwriter Stephen Marley.

Released on July 10th through Ghetto Youths International, the song serves as a vibrant musical invitation to experience Jamaica through its people, culture, landscapes, and unmistakable spirit. According to a media release the song celebrates the essence of Jamaica through authentic storytelling, using the universal language of reggae to capture the island’s warmth, resilience, beauty, and enduring sense of community.

Led by the unmistakable voices of Gramps Morgan and Mojo Morgan, the single paints vivid images of Jamaica’s natural beauty, from the iconic lignum vitae and soursop trees to Negril’s coastline, Lovers’ Leap, and the communities where generations have shaped one of the world’s most influential musical cultures.

Complementing the song is a visually stunning official music video produced by Filmaica and directed by Fernando Hevia. Filmed entirely on location throughout Jamaica, the visual showcases many of the island’s breathtaking landscapes and cultural landmarks. Gramps Morgan’s performance scenes were captured in Negril and at the iconic Lovers’ Leap in St. Elizabeth, both destinations referenced in the lyrics, bringing an added level of authenticity and emotional connection, while celebrating the beauty and diversity of Jamaica.

Built around the infectious refrain, “Come Feel The Love,” the record embodies Jamaica as more than a destination – it is a feeling rooted in family, music, community, and connection.

Celebrating Home.

“Come Feel The Love” marks Morgan Heritage’s first newly recorded release since the ascension of one of its founding members, Peetah Morgan, opening a new chapter for one of reggae’s most celebrated groups while honoring the legacy he helped build. The single reflects the band’s enduring commitment to carrying its message of unity, love, and cultural pride to audiences around the world.

Jamaica has given us so much, our identity, our music, our culture, and our purpose,” said Gramps Morgan. “This song celebrates everything we love about home and invites the world to experience the same warmth and inspiration that continues to shape who we are.”

Mojo Morgan added, “Reggae has always connected people across cultures and generations. ‘Come Feel The Love’ reminds us that Jamaica’s greatest gift isn’t just its beauty, it’s the love, unity, and positive spirit that people feel the moment they arrive.”

The record seamlessly blends Morgan Heritage’s signature harmonies with Stephen Marley’s timeless production, creating a contemporary roots,reggae anthem that honors Jamaica’s traditions while introducing its story to a new generation of listeners.

As one of reggae’s most celebrated families, Morgan Heritage has spent decades carrying Jamaican music to audiences around the world, earning a Grammy Award and building a legacy of socially conscious, spiritually uplifting recordings. Their collaboration with Stephen Marley, one of reggae’s most accomplished artists and producers, brings together two of Jamaica’s most influential musical legacies in a powerful celebration of the island, its people, and its culture.

More than the release of a new single, “Come Feel The Love” represents the beginning of Morgan Heritage’s next chapter, one rooted in the same values that have defined the band for generations while embracing a renewed purpose. As they honor Peetah Morgan’s enduring legacy, the group continues its mission of celebrating Jamaica through music and spreading love, unity, hope, and positivity to audiences around the world.

“Come Feel the Love” is available now on all major digital streaming platforms.

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Caribbean Buzz

Kes The Band’s ‘Roots, Rock, Soca’ Tour Concludes with Sold-Out International Success.

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Kes the Band has officially concluded its highly acclaimed Roots, Rock, Soca Tour, marking another groundbreaking moment in the band’s remarkable journey. The international tour captivated audiences across the United Kingdom, Europe and North America – making history as the first Soca act to sell-out stadium shows in the United States and to sell out the RBC Amphitheater in Toronto, Canada with 16,000 fans.

The tour featured sold-out shows in major music cities such as London, Vancouver, Los Angeles, New York, and its final stop in Toronto – with thousands of fans gathering night after night to experience the signature sound, musicianship, and infectious energy that have made KestheBand one of the Caribbean’s most influential live acts.

The ‘Roots, Rock, Soca’ Tour became a celebration of culture, connection, and community. Each performance in the concert series showcased the band’s ability to transcend borders and generations, bringing together audiences from diverse backgrounds through music rooted in Caribbean identity. With energetic performances spanning storied venues such as Forest Hills Stadium in New York and The Bellwether in California, Kes the Band continues to cement its place in history as an enduring, generational force that bridges rhythms, unites audiences, and elevates the heartbeat of Caribbean culture in communities across global borders.

KestheBand’s Frontman, Kees Dieffenthaller, serenades the sold-out audience at the RBC Amphitheater in Toronto, Canada to conclude the ‘Roots, Rock, Soca’ Tour. Photo; Jono Hirst

Led by charismatic frontman Kees Dieffenthaller, the band’s world-class lineup includes Dean Jameson drums, Jon Dieffenthaller on guitar, Riad Boochoon on bass, Mario Callender and Geiron Mangon keyboards, and Robert ‘Robbie Styles’ Persaud on DJ and Ableton. Together, they delivered dynamic performances that combined exceptional musicianship with the unmistakable spirit that has become synonymous with KestheBand.

Adding to the excitement throughout the tour were a number of memorable surprise guest appearances from some of soca’s most celebrated artists, including Coutain, Lady Lava, Barbados Soca legend Edwin Yearwood, Iwer George, London’s Haile of WSTRN, Haitian singer J Perry, and Ravi B. Their appearances created unforgettable moments for fans while highlighting the camaraderie and creative excellence that continue to define Caribbean music.

The overwhelming response to the tour underscores Kes the Band’s continued evolution from a beloved Caribbean band to a truly global cultural ambassador. Across every city, audiences embraced the music, creating an atmosphere that reflected the growing international appreciation for soca and Caribbean artistry.

Soca is joy: these fans could barely contain their excitement at the closing show of KestheBand’s ‘Roots, Rock, Soca’ Tour stop in Toronto, Canada.
Photo: Jono Hirst.

As the curtain closes on the Roots, Rock, Soca Tour, Kes the Band is already focused on the next chapter. The band will soon return to the studio to begin work on new music for an upcoming album, continuing its tradition of pushing creative boundaries while staying true to the sound that has resonated with fans around the world.

The momentum also continues for Kes the Band on stage over Labor Day Weekend as the iconic group takes the stage at the DC Jazz Festival (DCJF), one of the United States’ premier music festivals, taking place September 2–6, 2026. Following the band’s debut on NPR Tiny Desk in the capital of the United States earlier this year, the band continues to expand its reach and introduce Caribbean music to new audiences on some of the world’s most respected stages.

With decades of groundbreaking music, unforgettable live performances, and an unwavering commitment to cultural excellence, Kes the Band continues to redefine what’s possible for Caribbean artists on the global stage. The success of the Roots, Rock, Soca Tour is both a celebration of an extraordinary series of performances and a defining chapter in the band’s enduring legacy, setting the stage for an exciting new era of music and global performances.

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