There’s so much happening in Caribbean entertainment these days. Nailah Blackman’s launched her new band, SOAKAH, Konshens tied the knot, Bunji Garlin’s been teasing us about some vintage Garlin and Rihanna’s in Barbados bubbling to Sizzla Kalonji’s music. We can’t forget though that Trinidad and Tobago’s Shradah, a relatively young and less known female soca artiste, has been making some pretty strong and long- winded accusations, much of which surround an alleged sexual situation of which she was an alleged victim. Her Facebook LIVE outbursts have left some bewildered, but there are others who are concerned that her accusations could hurt their image and reputation, especially since, they don’t know what she’s speaking about.
Shradah has been silent on the music scene for a few years. Her sudden emergence is shrouded by sexual assault undertones.
Lyrikal’s name was subliminally called in one of Shradah’s videos and Lyro’s not happy about it at all. A great season likely ahead, the Brooklyn based carnival mainstay has been churning out the hits. He recently collaborated with Patrice Roberts on a single called, “Criminal Wine” – a Millbeatz Entertainment production. That tune’s been a favorite across the urban airwaves and as Lyro told us, the collaboration came quite unexpectedly with David Millien approaching him with news that he’d created something he thought would be perfect for him and Patsy. “What was crazy was that a few weeks prior, I had met Patrice in the Virgin Islands and she said to me, ‘aye Lyro we should collaborate on something some time’ and I agreed. We never planned anything,” he said. Lyrikal’s one of the most down to earth entertainers and with a humble persona that’s very approachable, the New Yorker’s name certainly isn’t one to be called in any kind of media scandal. At least up until now. “I don’t like my name being affiliated with anything like this, ” he said to us, referring to the videos posted by Shradah, and while he admits that the young mother and artiste did not directly say he assaulted her in any way, her remark that she had reached out to ‘Lyrikal’ for comfort after being allegedly assaulted by a local producer whose name she directly mentions in one of the videos, has Lyrikal stumped. “I know of her- I know her as an artiste. That’s it. We have never had a personal relationship of any kind for her say she would call me!,” said Martin. He said he recalls meeting Shradah once, years ago at Synergy TV, prior to an interview and was introduced to her by producer, Wendell Naipaul. “Wendell said he wanted us to do a song together but that never happened. That was 3 or 4 years ago,” said Lyrikal. We could hear the concern in his voice- the questions as to why Shradah would call his name of all people.
Lyrikal, the artiste who has given fans of soca songs like Loner, Freedom and Dip and Roll, is bothered by recent statements that implicate his name.
Lyrikal told EBUZZTT that if he could speak with Shradah now, he would ask her just that, “why would you say that you called me for comfort and that’s not true? That’s what I would ask her because everyone in my circle, whether artistes or DJs or whatever, know each other and the people who I deal with aren’t familiar with her like that,” said Lyrikal. He said despite everything, he is concerned about the young woman, lamenting that if she was in fact assaulted, he would hope that the authorities intervene and she gets the help she needs to deal with the situation. “I just did a show in New York with Nicki Minaj’s mother. It was all about empowering women and fighting against domestic violence and the abuse of women. I was actually the only soca artiste on that cast. I have a lot of female fans and I have seven sisters. I could never condone any kind of ill treatment against women,” said the entertainer.
Lyrikal’s looking forward to Carnival 2018 but admits that the numerous recent phone calls and enquiries about this particular situation, has bothered him. “I mean, I have feelings too. This definitely bothered me,” he said.
Martin’s already released four tracks ahead of C2K18 and says he has a couple more to come. Shradah meanwhile, has unleashed yet another social media video. In this one, she attempts to clear the air on what she says are her statements being misconstrued. “I never made sexual assault claims against Anson or Lyrikal,” she expresses.
It might be a complete surprise to see James Saunders on your television screen delivering the sports news and then hear his voice in song, on the radio. For the average fan who grew to love his bubbly personality as one of Trinidad and Tobago’s most popular sport anchors, the transition may feel sudden. The truth is, the Moruga-born media personality has been balancing both worlds for nearly two decades – it’s just that, finally, more people are catching on.
“Fake Energy,” a track released in June that recognised Men’s Mental Health, received a lot of love on social media and introduced him to a whole new audience. Speaking with Ebuzztt, the singer pointed out that very rarely are men asked, “How are you… really?” He hopes his new single helps create space for genuine vulnerability, and aids in changing the narrative about what being “strong” really means.
“If we can make those conversations normal, we’ll save lives. We smile publicly while privately carrying disappointment, rejection, loneliness, or self-doubt. If this song gives someone permission to check on a friend, or realize they aren’t alone, then it’s already a success in my eyes,” he shared.
The lyrics hit home on a personal level; he has endured stretches of having to show up for work and family while masking private pain. “It reminds me that music is about more than just entertainment; it sparks the kind of dialogue people have been dodging for years, including me.”
Known by followers for his fire freestyling talent, the entertainer who goes by the sobriquet Jr. Dynamite traces his musical gift back to his late father who was a DJ. Growing up around his record collection exposed him to everything from reggae and dancehall to soul, gospel and calypso. He soon realised music was a tool to tell stories, create memories and bring people together. Today he lists Bunji Garlin, Tiko Angelos, and Vybz Kartel as his “lyrical heroes,” while crediting Papa San, Prodigal Son and Damian Marley for influencing him inspirationally. Over the years James has performed at The Pilgrimage (Trinidad’s biggest gospel festival), The Lime Tobago, and across the Caribbean including Barbados, Anguilla, Grenada, St. Vincent and Saint Martin. He’s also sung on stages as far as Canada and Brazil.
Juggling all of thathas meant sleep often takes a backseat. The sacrifice, he says, feels worth it. “When you’re passionate about something, you make time for it. I never wanted to look back one day and wonder, ‘What if I had given my music a real chance?”
Guided by his Christian faith, he’s careful not to make his music feel like a lecture. He keeps it real; highlighting anxiety, disappointment, and relationships. Nothing is off limits. On the hardest day of their lives, he wants his listeners to press play and feel inspired, believing that “tomorrow can be better.”
Never one to sit still, James, who has penned more songs than he could recall during this interview, is already putting the finishing touches on his new project, an EP due to drop later this year. He calls it his most personal body of work: a collection of melodic stories tackling purpose, perseverance, faith, and identity meant to make you reflect and even shed some tears. “There are songs that will remind you that no matter what life throws at you, there is always hope on the other side.”
When he looks back at his journey, he is proud to have had the courage to pursue his passions despite the setbacks and the naysayers. He even teased that a few international collabs are coming soon. “I don’t want to say too much on that right now,” he said. “I knew this was bigger than a hobby when I found myself writing songs to process life’s experiences and encourage people. Music isn’t just something I do, it is part of who I am.”
Want more? Check out his brand new love release titled “You & Me.”
After three celebrated years at Brooklyn’s historic Kings Theatre, the Caribbean Music Awards (CMA) expands beyond the awards stage with the launch of the inaugural Caribbean Music Awards Elite Weekend Experience, a destination celebration taking place September 18-20, 2026, in Trinidad & Tobago.
This year’s celebration unfolds under the theme, Sounds of the Caribbean, honoring the rhythms, voices, and cultural traditions that have shaped generations and continue to influence music around the world.
Machel Montano and Full Blown Photo Credit: Nikita Small
The Fourth Annual Caribbean Music Awards will take place on Saturday, September 19, 2026, at the National Academy for the Performing Arts (NAPA) in Port of Spain, marking a milestone moment as the celebration expands into the Caribbean region for the first time.
The Caribbean Music Awards Elite Weekend Experience will transform CMA from a single-night awards ceremony into a multi-day celebration bringing together artists, fans, industry professionals, creators, tastemakers, media, and cultural leaders from across the Caribbean and around the world.
What’s In Store
The Elite Weekend Experience will feature a series of events celebrating music, culture, and community throughout the destination. Festivities will include an exclusive Welcome Reception, pre-show experiences, the Fourth Annual Caribbean Music Awards, the official after-party, a special steelpan concert presented by Stars and Steel, and additional programming designed to celebrate Trinidad & Tobago’s cultural influence. Additional programming, partnerships, performers, presenters, and special announcements will be unveiled in the coming weeks.
The move to Trinidad & Tobago marks the beginning of an exciting new chapter for the Caribbean Music Awards, while honoring the city where it all began. New York was the ideal birthplace for the Awards, home to one of the world’s largest and most influential Caribbean diaspora communities. It was there that the Caribbean Music Awards established its identity, built its audience, and proved there was a global appetite for a world-class celebration dedicated solely to Caribbean music and culture.
Lady Lava Photo Credit: Nikita Small
Over the past three years, Brooklyn’s iconic Kings Theatre became more than just the home of the Caribbean Music Awards. It became the launchpad for a movement that united artists, industry leaders, fans, and cultures from across the Caribbean and beyond, under one roof. The energy, ambition, entrepreneurial spirit, and relentless hustle that define New York City helped shape the DNA of the Caribbean Music Awards, and that spirit will remain embedded in the brand no matter where it travels.
Now, with a strong foundation established, the Caribbean Music Awards begins the next phase of its evolution by bringing the celebration directly to the Caribbean. As the inaugural host destination for the Caribbean Music Awards Elite Weekend Experience, Trinidad & Tobago sets the stage for a long-term vision that will see the Awards partner with tourism boards and host destinations to spotlight a different Caribbean nation in future years. By rotating throughout the region, the Caribbean Music Awards aims to celebrate each destination’s unique culture, support tourism, create economic impact, and further strengthen the Caribbean’s creative economy while continuing to unite the global diaspora through music.
Majah Hype Returns, This Time With Nailah.
Bringing even more excitement to this year’s celebration, internationally celebrated Caribbean artiste, Nailah Blackman and acclaimed comedian, entertainer, and cultural personality Majah Hype will host the Fourth Annual Caribbean Music Awards, bringing their unique energy, charisma, and deep connection to Caribbean culture to the stage.
Majah Hype Photo Credit: Nikita Small
For Majah Hype, the 2026 ceremony marks his fourth consecutive year hosting the Caribbean Music Awards, making him one of the longest-standing personalities connected to the celebration. Having witnessed the Awards grow from its early years at Brooklyn’s Kings Theatre into a global platform for Caribbean excellence, Majah continues to bring the humor, passion, and cultural pride that have made him one of the Caribbean diaspora’s most beloved entertainers.
“Four years hosting the Caribbean Music Awards? Mi feel like dem haffi give me my own seat at this point!” said Majah Hype. “But seriously, being part of this journey from day one has been a blessing. I’ve watched this celebration grow, seen the incredible talent come through, and witnessed how much this moment means to our people. To see it expand from Brooklyn’s Kings Theatre to Trinidad & Tobago is something special. Caribbean culture is powerful, the talent is endless, and mi ready fi celebrate everybody who continues to carry our music and our culture to the world.”
For Nailah Blackman, this year’s ceremony represents a new chapter in her relationship with the Caribbean Music Awards. Having experienced the event as an attendee, performer, nominee, and winner, Nailah now steps into the role of host while continuing to be recognized as one of the leading voices in Caribbean music.
Nailah Blackman Photo Credit: Nikita Small
“The Caribbean Music Awards has been a special part of my journey,” said Nailah Blackman. “I’ve experienced this celebration as a fan, as a performer, as a nominee, and as a winner, and now being able to step into the role of host is truly an honor. To do it in Trinidad, surrounded by our people and our culture, makes this moment even more meaningful. I’m excited to celebrate the incredible artists who continue to push Caribbean music forward.”
Since launching in 2023, the Caribbean Music Awards has grown into one of the premier platforms celebrating Caribbean musical excellence, honoring artists across Dancehall, Reggae, Soca, Konpa, Chutney Soca, Zess, Dennery, Gospel, and emerging Caribbean genres. Last year’s ceremony marked a historic milestone with its BET broadcast debut, further expanding the Awards’ reach and strengthening its position as a leading global celebration of Caribbean music.
Following the announcement of more than 250 nominees across more than 40 categories earlier this year, anticipation continues to build toward what promises to be one of the biggest Caribbean Music Awards celebrations yet. This September, the Caribbean Music Awards Elite Weekend Experience will bring together the sounds, stories, and cultures that have defined generations of Caribbean creativity, inviting audiences from around the world to experience this year’s theme, Sounds of the Caribbean, from the heart of one of the region’s most influential cultural destinations.
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