South gem, Kees Dieffenthaller reunited with his South people at D’Vibez Lounge, San-Fernando on Tuesday night as part of the prelude to his Tuesday on the Rocks 2016 concert. Dieffenthaller has been changing Trinidad’s regularly scheduled weekly vibes one Tuesday at a time as part of his Tuesday tours. He kicked things off at La Habana on Ariapita avenue on Tuesday 5th January and on the 12th all roads led to his hometown, the Southland, for another exhilarating showcase.
Kees shone on stage in South on Tuesday night.
Kees is scheduled to perform at two more Tuesday limes before his Tuesday on the Rocks 2016 concert, which usually attracts a pretty impressive crowd. He will perform on Tuesday 19th January at The Rise in Chaguanas and on Tuesday 26th at the pretty down-home and popular Hereford’s Bar on Maraval Road.
Kees is delivering performances each Tuesday leading up to his concert.
Adored by his Southern home base, no one can argue that Kees’ performance at D’Vibez Lounge was a special event, one that was near and dear to his heart and that of his fans. EBUZZ took in the action and we can safely say that despite the fact that the week had only just begun, loyal Kees fans made their way to the venue from as early as 8pm. Te artiste too, made sure that his people were warmly welcomed with no cover charge throughout the entire night. Lucky patrons even received free tickets to his concert and free t-shirts!
At 10:30 pm Kees graced the stage and sent the already anxious crowd wild. A beaming Kes reminisced on his days growing up in South and shouted out the Secondary Schools like Naparima Boys College, Naparima Girls High School, ASJA Girls College, ‘Modsec’ and lots more. He belted out his hits while getting on “Wotless” and letting his “Body Talk”, much to the appreciation of his female fans.
Kees certainly continued his efforts to engage the audience, making everyone feel as though they’d known him for ages. At the end of his performance he jumped into the crowd and posed for pictures with his fans. We found his humility and passion for performing shone through from where he stood on the stage and every single person, we’re certain, would have felt it too. He’s been branded a people person by many and on Tuesday, in South, the former Groovy Soca champ definitely proved it to be true.
Well known event promoter, Glenroy Watson, has passed away. He died of natural causes on April 1st, in Port -of- Spain, Trinidad.
Watson’s legacy in the event landscape in Trinidad and Tobago stands as one rooted in the philosophy of delivering value to patrons, something that was the benchmark of every ‘I Am Legend’ concert in T&T and certainly countless other events hosted across the region and internationally.
Hands on and meticulous in his approach, Watson prided himself as a no nonsense promoter.
Most recently, in the aftermath of Carnival 2026, he hosted the Majah Hype comedy show, ‘Majah Issues’, at the Southern Academy for the Performing Arts, in Trinidad and was preparing for a major concert event in Trinidad, at the time of his passing.
At this time, the bereaved extends gratitude to well- wishers and asks for privacy and understanding as preparations for Watson’s home-going ceremony get underway.
All further details will be relayed at a later time.
“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA
Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.
From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.
Destra with King David Michael Rudder.
Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.
One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.
Destra’s daughter, Xaiya on the piano.
The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.
As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.
Reflections certainly delivered a powerful blend of music, filled with deep messages and meaning. In what is a very spiritual season, Destra, through the delivery of ‘Reflections,’ has carved out a space for inspiration and connection within Trinidad and Tobago’s cultural landscape – something that many would agree, is a necessity more than an option.
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