The saga continues today, one day after a media conference called by Bunji Garlin, Fay-Ann Lyons and the Asylum band, to discuss the way forward following the very public announcement of former band manager, Ian Pantin’s elimination from the group. ETCETERABUZZ.COM, in our effort to bring you all the details, now delivers the very latest statement- from Mr. Pantin who suggests that the reason behind the entire fall out, was his decision to “drop” Fay-Ann from his management.
Lyons-Alvarez and her husband meanwhile, maintain that they will not allow this public break up to hinder the band’s overall progress. Efforts by ETCETERABUZZ.COM to contact Mr. Pantin for personal comment this morning proved futile.
ELECTRONIC STATEMENT
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Ian Pantin says he is still holding on to hope.
So I want to make this very clear Bunji Garlin fired me because I had enough of Fay- Ann dropped her from my management, we stopped talking and he felt he had to choose. As some of you may know by now, there was a press conference that was held by Bunji Garlin and Fay-Ann at Capital Plaza Port of Spain yesterday, Thursday October 3 rd 2013. Where by Fay-Ann made a number of disparaging remarks related to my dismissal and termination of my management contract with Bunji Garlin, whom I have managed for over fifteen years.And though I have kept silent since my dismissal, her latest attempt to assassinate my character and cause me harm in an industry that I have earned my living for so long and where I will have to continue to do so after all this hullabaloo ends, I thought it best that I say my peace before it’s all to late for me.You may not know this, but a gentleman named Daryl Braxton and myself founded the band as a marketing strategy to assist in Bunji’s growth as an artist because back then he was not a household name yet.Neither was he in a financial position or had the management acumen to foster his career. Asylum or the then named Censation band, in those early years were simply earning nothing.So for Fay-Ann to imply that since 1999 I was acting spuriously is simply untruthful and remember as she rightly said, she only joined the band in 2009. As a matter of fact, allot that was said by her at the conference is filled with hot air, lies and half-truths. Two years ago Fay-Ann threw a party in my honor to recognize my hard work and dedication and tireless commitment for getting Asylum to be part of,and one of, the most elite Soca bands worldwide. There were no questions then over my management deeds and now suddenly there are?Though I would have preferred not to get into a he say she say battle with Fay-Ann its tough not to when she implies questionable accounting, no bank account and non payment to band members from receipt of deposits. I have a personal management agreement with Bunji Garlin; the proceeds from all contracts are held in trust for which he is a signatory to.
The band members are always paid for their contractual engagements, on a timely basis “ask them”. Other band expenses are then deducted, I am paid a commission and the rest of monies are handed to him for their care and that’s a very tidy sum. He is submitted monthly, quarterly and seasonal reports or as when requested from time to time.I wrote Bunji Garlin 2 weeks ago asking him to meet with me so that we could work through a number of outstanding matters including those funds that are held in trust, he replied verbally that he would think about it. I have not heard from him since. The remaining funds in trust does not cover the outstanding debts that are due to the band creditors so there is a net deficit which unfortunately I am once again financing like I have always done in the band’s time of need. So this brings me to the question that most of you may have and that is why was I fired? Why does she have this personal vendetta to tarnish my good name and character, which I have had for all of my life in this industry and others.A few moths ago I quietly dropped Fay-Ann from my management. I did so because she attempted to (1) renegotiate my income downward (2)there was a major difference in philosophy and (3) we had a break down in communication. This all suspiciously occurred just as I was successful in negotiating on behalf of Bunji Garlin 2 record label deals internationally, one in Europe and the other for the rest of the world. I would have earned a sizeable income for that, not to mention,endorsements and international touring.Approximately one month ago I received a telephone call from Bunji Garlin asking me to reignite my relationship with Fay-Ann and I declined. He told me there and then in that case, my services were no longer required and that he was terminating my tenure effective immediately. Please note that my management agreement with him ends February 28th 2014. And therefore my termination was premature.
So I want to make this very clear Bunji Garlin fired me because Ihad enough of Fay- Ann dropped her from my management, we stopped talking and he felt he had to choose. I received a formal letter of termination a few days later on Sept 10th indicating that as of October 10th my services would no longer be required, but that I must relinquish my duties with immediate effect i.e.stop dealing with all his business matters or other wise. The Jamaica show that she is referring to took place after I was fired.I want everyone to know that I have always held Bunji Garlin in the highest regard and that I had up and until now nothing but love, respect and admiration for him as an artist and a personal friend. I am god father to his only child and close to most members of his family.I know that at the press conference you saw most of the band members,they had already confided in me that they had no choice but to attend,because they were in fear of their jobs. I was told that Fay-Ann indicated that they needed to be present or otherwise they could be faced with disciplinary action. I wont call any names because they all need “ to eat a food”; they all have families to support.
This is a trying time for my family and I and all in the Asylum. I am stillholding onto hope, fruitlessly I hope not. I still believe that this mattercan be resolved amicably, especially if Fay-Ann who he loves so dearly,were absent from any future conversations we may have.
After three celebrated years at Brooklyn’s historic Kings Theatre, the Caribbean Music Awards (CMA) expands beyond the awards stage with the launch of the inaugural Caribbean Music Awards Elite Weekend Experience, a destination celebration taking place September 18-20, 2026, in Trinidad & Tobago.
This year’s celebration unfolds under the theme, Sounds of the Caribbean, honoring the rhythms, voices, and cultural traditions that have shaped generations and continue to influence music around the world.
Machel Montano and Full Blown Photo Credit: Nikita Small
The Fourth Annual Caribbean Music Awards will take place on Saturday, September 19, 2026, at the National Academy for the Performing Arts (NAPA) in Port of Spain, marking a milestone moment as the celebration expands into the Caribbean region for the first time.
The Caribbean Music Awards Elite Weekend Experience will transform CMA from a single-night awards ceremony into a multi-day celebration bringing together artists, fans, industry professionals, creators, tastemakers, media, and cultural leaders from across the Caribbean and around the world.
What’s In Store
The Elite Weekend Experience will feature a series of events celebrating music, culture, and community throughout the destination. Festivities will include an exclusive Welcome Reception, pre-show experiences, the Fourth Annual Caribbean Music Awards, the official after-party, a special steelpan concert presented by Stars and Steel, and additional programming designed to celebrate Trinidad & Tobago’s cultural influence. Additional programming, partnerships, performers, presenters, and special announcements will be unveiled in the coming weeks.
The move to Trinidad & Tobago marks the beginning of an exciting new chapter for the Caribbean Music Awards, while honoring the city where it all began. New York was the ideal birthplace for the Awards, home to one of the world’s largest and most influential Caribbean diaspora communities. It was there that the Caribbean Music Awards established its identity, built its audience, and proved there was a global appetite for a world-class celebration dedicated solely to Caribbean music and culture.
Lady Lava Photo Credit: Nikita Small
Over the past three years, Brooklyn’s iconic Kings Theatre became more than just the home of the Caribbean Music Awards. It became the launchpad for a movement that united artists, industry leaders, fans, and cultures from across the Caribbean and beyond, under one roof. The energy, ambition, entrepreneurial spirit, and relentless hustle that define New York City helped shape the DNA of the Caribbean Music Awards, and that spirit will remain embedded in the brand no matter where it travels.
Now, with a strong foundation established, the Caribbean Music Awards begins the next phase of its evolution by bringing the celebration directly to the Caribbean. As the inaugural host destination for the Caribbean Music Awards Elite Weekend Experience, Trinidad & Tobago sets the stage for a long-term vision that will see the Awards partner with tourism boards and host destinations to spotlight a different Caribbean nation in future years. By rotating throughout the region, the Caribbean Music Awards aims to celebrate each destination’s unique culture, support tourism, create economic impact, and further strengthen the Caribbean’s creative economy while continuing to unite the global diaspora through music.
Majah Hype Returns, This Time With Nailah.
Bringing even more excitement to this year’s celebration, internationally celebrated Caribbean artiste, Nailah Blackman and acclaimed comedian, entertainer, and cultural personality Majah Hype will host the Fourth Annual Caribbean Music Awards, bringing their unique energy, charisma, and deep connection to Caribbean culture to the stage.
Majah Hype Photo Credit: Nikita Small
For Majah Hype, the 2026 ceremony marks his fourth consecutive year hosting the Caribbean Music Awards, making him one of the longest-standing personalities connected to the celebration. Having witnessed the Awards grow from its early years at Brooklyn’s Kings Theatre into a global platform for Caribbean excellence, Majah continues to bring the humor, passion, and cultural pride that have made him one of the Caribbean diaspora’s most beloved entertainers.
“Four years hosting the Caribbean Music Awards? Mi feel like dem haffi give me my own seat at this point!” said Majah Hype. “But seriously, being part of this journey from day one has been a blessing. I’ve watched this celebration grow, seen the incredible talent come through, and witnessed how much this moment means to our people. To see it expand from Brooklyn’s Kings Theatre to Trinidad & Tobago is something special. Caribbean culture is powerful, the talent is endless, and mi ready fi celebrate everybody who continues to carry our music and our culture to the world.”
For Nailah Blackman, this year’s ceremony represents a new chapter in her relationship with the Caribbean Music Awards. Having experienced the event as an attendee, performer, nominee, and winner, Nailah now steps into the role of host while continuing to be recognized as one of the leading voices in Caribbean music.
Nailah Blackman Photo Credit: Nikita Small
“The Caribbean Music Awards has been a special part of my journey,” said Nailah Blackman. “I’ve experienced this celebration as a fan, as a performer, as a nominee, and as a winner, and now being able to step into the role of host is truly an honor. To do it in Trinidad, surrounded by our people and our culture, makes this moment even more meaningful. I’m excited to celebrate the incredible artists who continue to push Caribbean music forward.”
Since launching in 2023, the Caribbean Music Awards has grown into one of the premier platforms celebrating Caribbean musical excellence, honoring artists across Dancehall, Reggae, Soca, Konpa, Chutney Soca, Zess, Dennery, Gospel, and emerging Caribbean genres. Last year’s ceremony marked a historic milestone with its BET broadcast debut, further expanding the Awards’ reach and strengthening its position as a leading global celebration of Caribbean music.
Following the announcement of more than 250 nominees across more than 40 categories earlier this year, anticipation continues to build toward what promises to be one of the biggest Caribbean Music Awards celebrations yet. This September, the Caribbean Music Awards Elite Weekend Experience will bring together the sounds, stories, and cultures that have defined generations of Caribbean creativity, inviting audiences from around the world to experience this year’s theme, Sounds of the Caribbean, from the heart of one of the region’s most influential cultural destinations.
There’s no box to be held in. Terri Lyons is proving that as she moves into the Monday Wear market, partnering with RC Mas ahead of Carnival 2027.
The reigning Calypso Monarch Queen of Trinidad and Tobago and multiple time Queen of Queens, on Thursday, revealed her creative ability in the mas making sector, sharing her design, ‘Purple Paradise’ – a carefully created design that’s all hers.
The entertainer told Ebuzztt she had the idea and went to the masterful, Kinaji Couture, admitting that Kinaji is a force in the market. “She does a lot of bathing suits and prototypes for bands locally, regionally and further abroad. I knew she could do it and she did execute it perfectly. I just added the flowers,” said Lyons.
In 2027, RC Mas will bring Mystical Garden to life and with the band’s theme considered, Lyons’ floral embellishment makes it abundantly clear that her creativity is disciplined and mindful. She shared her process exclusively with Ebuzztt, highlighting the time taken to design with pen and paper before sharing with Kinaji who brought it all together seamlessly. “This was a lot of work. I sat and drew it all out and I stuck every flower and the diamond studs myself,” said Terri, before adding, “I ain’t doing that again,” with a laugh. The artiste said she’ll have extra hands on board to assist in future.
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