The saga continues today, one day after a media conference called by Bunji Garlin, Fay-Ann Lyons and the Asylum band, to discuss the way forward following the very public announcement of former band manager, Ian Pantin’s elimination from the group. ETCETERABUZZ.COM, in our effort to bring you all the details, now delivers the very latest statement- from Mr. Pantin who suggests that the reason behind the entire fall out, was his decision to “drop” Fay-Ann from his management.
Lyons-Alvarez and her husband meanwhile, maintain that they will not allow this public break up to hinder the band’s overall progress. Efforts by ETCETERABUZZ.COM to contact Mr. Pantin for personal comment this morning proved futile.
ELECTRONIC STATEMENT
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Ian Pantin says he is still holding on to hope.
So I want to make this very clear Bunji Garlin fired me because I had enough of Fay- Ann dropped her from my management, we stopped talking and he felt he had to choose. As some of you may know by now, there was a press conference that was held by Bunji Garlin and Fay-Ann at Capital Plaza Port of Spain yesterday, Thursday October 3 rd 2013. Where by Fay-Ann made a number of disparaging remarks related to my dismissal and termination of my management contract with Bunji Garlin, whom I have managed for over fifteen years.And though I have kept silent since my dismissal, her latest attempt to assassinate my character and cause me harm in an industry that I have earned my living for so long and where I will have to continue to do so after all this hullabaloo ends, I thought it best that I say my peace before it’s all to late for me.You may not know this, but a gentleman named Daryl Braxton and myself founded the band as a marketing strategy to assist in Bunji’s growth as an artist because back then he was not a household name yet.Neither was he in a financial position or had the management acumen to foster his career. Asylum or the then named Censation band, in those early years were simply earning nothing.So for Fay-Ann to imply that since 1999 I was acting spuriously is simply untruthful and remember as she rightly said, she only joined the band in 2009. As a matter of fact, allot that was said by her at the conference is filled with hot air, lies and half-truths. Two years ago Fay-Ann threw a party in my honor to recognize my hard work and dedication and tireless commitment for getting Asylum to be part of,and one of, the most elite Soca bands worldwide. There were no questions then over my management deeds and now suddenly there are?Though I would have preferred not to get into a he say she say battle with Fay-Ann its tough not to when she implies questionable accounting, no bank account and non payment to band members from receipt of deposits. I have a personal management agreement with Bunji Garlin; the proceeds from all contracts are held in trust for which he is a signatory to.
The band members are always paid for their contractual engagements, on a timely basis “ask them”. Other band expenses are then deducted, I am paid a commission and the rest of monies are handed to him for their care and that’s a very tidy sum. He is submitted monthly, quarterly and seasonal reports or as when requested from time to time.I wrote Bunji Garlin 2 weeks ago asking him to meet with me so that we could work through a number of outstanding matters including those funds that are held in trust, he replied verbally that he would think about it. I have not heard from him since. The remaining funds in trust does not cover the outstanding debts that are due to the band creditors so there is a net deficit which unfortunately I am once again financing like I have always done in the band’s time of need. So this brings me to the question that most of you may have and that is why was I fired? Why does she have this personal vendetta to tarnish my good name and character, which I have had for all of my life in this industry and others.A few moths ago I quietly dropped Fay-Ann from my management. I did so because she attempted to (1) renegotiate my income downward (2)there was a major difference in philosophy and (3) we had a break down in communication. This all suspiciously occurred just as I was successful in negotiating on behalf of Bunji Garlin 2 record label deals internationally, one in Europe and the other for the rest of the world. I would have earned a sizeable income for that, not to mention,endorsements and international touring.Approximately one month ago I received a telephone call from Bunji Garlin asking me to reignite my relationship with Fay-Ann and I declined. He told me there and then in that case, my services were no longer required and that he was terminating my tenure effective immediately. Please note that my management agreement with him ends February 28th 2014. And therefore my termination was premature.
So I want to make this very clear Bunji Garlin fired me because Ihad enough of Fay- Ann dropped her from my management, we stopped talking and he felt he had to choose. I received a formal letter of termination a few days later on Sept 10th indicating that as of October 10th my services would no longer be required, but that I must relinquish my duties with immediate effect i.e.stop dealing with all his business matters or other wise. The Jamaica show that she is referring to took place after I was fired.I want everyone to know that I have always held Bunji Garlin in the highest regard and that I had up and until now nothing but love, respect and admiration for him as an artist and a personal friend. I am god father to his only child and close to most members of his family.I know that at the press conference you saw most of the band members,they had already confided in me that they had no choice but to attend,because they were in fear of their jobs. I was told that Fay-Ann indicated that they needed to be present or otherwise they could be faced with disciplinary action. I wont call any names because they all need “ to eat a food”; they all have families to support.
This is a trying time for my family and I and all in the Asylum. I am stillholding onto hope, fruitlessly I hope not. I still believe that this mattercan be resolved amicably, especially if Fay-Ann who he loves so dearly,were absent from any future conversations we may have.
She may be a Trinbagonian soca artiste but she’s also a proud Caribbean woman, so it was only right that rapper, Drake’s team at October’s Very Own – OVO, deliver to the entertainer, an OVO branded dominos set. It was quite possibly the package inclusion that brought out Belfon’s excitement earlier this week, when she received and opened it up.
Denise has been basking in the joy of being a part of Drake’s recently released, Maid of Honor’ album – her single ‘Work’ sampled on a track called, ‘BBW’. Fans, pretty much elated by the news, have been expressing their congratulations to the New York based singer, many saying it was only a matter of time before this type of breakthrough came for her.
Denise’s journey in music began decades ago, and even though her presence on the Soca circuit in the Caribbean has been limited for some time, her past hits have proven to be legacy-leavers, with DJs, artistes and social media users quite often returning to her sound.
The OVO gift package included merchandise and the special Dominos game set, something Denise automatically hailed out her Jamaican friends on, noting that they’d me meeting up for a game soon. When news of the sample emerged in May, many questioned whether Belfon had agreed to the use of her work. She has since allayed all concerns, saying all is above board on the project.
A riddim built on pure Jamaican nostalgia that’s dominating with several acclaimed artistes releasing hit singles, the ‘Hill And’ Gully’ folk riddim is undeniably a major influencer this year. Like butter, several releases smoothly resonate, with artistes like Masicka, Mr. Vegas, Kees Dieffenthaller, Valiant, Elephant Man and Sheneil Muir delivering catchy singles for the masses.
Outside of multiple releases produced by Jamaican DJ/ Singer/ Songwriter/ Stephen ‘Di Genius’ McGregor, Trinidad and Tobago artiste, Anisha, has risen to the occasion, urging social transformation using her creativity as the vessel. “Plea for Peace is meant to uplift communities and spark conversation because I believe music can preserve tradition, while creating space for meaningful dialogue,” said the Belmont,Trinidad native.
Known in creative spaces as The Goddess of Love, Anisha was raised in Belle-Eau Road in Belmont. She understands the need for thought provoking messages through music. “I compose my own songs and I’ve been involved in music for several years,” she said, explaining that she uses music as a tool to express herself, tell stories and tap into her emotions while addressing issues that affect communities.
For Anisha, the Hill and Gully Riddim offers music lovers a timeless cultural connection. “I felt it was a riddim that could help carry this message of peace to both the young and the old in a way that’s relatable and impactful,” said the singer. Acknowledging the criticism by veteran Jamaican broadcaster, Fae Ellington over some of the lyrics sung by artistes on the traditional folk riddim, Anisha says she respects Ms. Ellington’s perspective. “I respect her perspective because cultural and musical traditions are important and should always be valued.” She however admits that music continues to evolve as a reflection of society. “Each artiste chooses to use music to express himself/herself based on personal experience, however my approach with ‘Plea for Peace,’ was to honor the riddim’s cultural significance by using it to address an issue that is affecting my country, Trinidad and Tobago.”
The song was born out of Anisha’s concern for the people of T&T. “It’s really a mixture of concern, frustration and hope. This song addresses the growing impact that crime and violence continues to have on families, communities and the youth,” she declared, adding that it serves as a heartfelt appeal for the population to reflect on what society has become, while establishing a blueprint for a better future. “If this song encourages even one young person to choose a different path, or reminds communities that love, respect and unity still matter, then I’d consider it a success,” she said.
Anisha says she admires the dedication to peace, shown by fellow T&T artiste, Orlando Octave. “We share a similar passion for spreading positive messages through music. I often refer to him as ‘The Prince of Peace,” she said, noting that she would be honored to work with Orlando, if the opportunity presents itself. “My mission as an artiste is to use my music as a bridge that brings people together, rather than divides humanity. ‘Plea for Peace is more than just a song. It’s a reminder that despite the challenges we face, peace, love and unity are still very possible if we choose to lift each other up.”
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