It’s taken him some time spent in reflection for songwriter and artiste, Jamesy P to re-emerge, more certain than he’s ever been about his life’s purpose and musical mission. Accomplished as a songwriter already, having written Soca hits like Blaxx’s ‘Hulk,’ Machel Montano’s ‘Brace Up’ and other memorable songs Farmer Nappy and Fadda Fox, the St. Vincent and the Grenadines native is set to unleash a nine-track EP – something he says is like nothing anyone has ever heard.
A businessman, a part from his career in music, James Morgan is certain about his gift. He understands that remaining grounded spiritually means accepting the task of using the gifts given, in a positive and meaningful way.
When he had written ‘Hulk’ in 2017, he had been struggling with various life challenges. Through even the darkness of those moments, he said he heard a voice encouraging him to look at himself and understand how resilient he could be. That was just how the song, eventually shared with, and later sang and performed by Dexter ‘Blaxx’ Stewart, was birthed. His gift of songwriting would make way for him, as beyond that year, Jamesy P suddenly emerged as one of the few artistes who could both deliver on stage and behind the scenes, with the pen.
The entertainer whose last major release came in 2019, has re-surfaced and is ready to showcase another side of himself. “You will never hear Jamesy P like this,” he admitted, explaining that his new tracks, while still delivering bits of his cheeky humour and personality, are much ‘sweeter’ on the ear.
The EP, which is called ‘Flipside,’ is set for complete release by the first week in July and will feature producers from as far as Kenya and certainly from across the Caribbean, including Jamaica, St. Lucia and Trinidad and Tobago. Jamesy says the sound is a crossover of sorts, ushering in a sweetness that sits on a vein between dancehall and a slower version of Ragga Soca. “I can hardly describe the sound and basically this is the flipside of Jamesy P,” he said.
The first single off the EP has already been released – a track called, “Run Away,” with production work by St Lucia’s Ramsum Records. As promised, the sweetness is undeniable. “This is music filled with substance. I think this is what music is really supposed to be like – songs you can just slip on while you’re in the car and bop your head along to, all the way. You can play these songs with your entire family. There are some singles that have a bit of a double meaning,” he said with a laugh, “but all in all, you can look forward to Jamesy P a little bit on the softer side.”
As to whether he has plans to return to the fete and carnival scene in a major way, Jamesy says he is uncertain, but has even bigger dreams. “I have these big dreams. I have dreams of hitting big festival stages,” he admitted, letting it be known that he is by no means, thinking small.
For now, his focus is set on delivering music with people in mind, music that can lift the vibration and influence people in a good way. “We have to be careful with how we use our platforms. There are some people whose minds may not be able to deal with the negative lyrics and dark sounds. We have to create timeless music,” he shared, assuring that this is what he will continue to do, as his mission continues.
“Runaway” is now streaming on all digital platforms- Apple Music, Spotify, Tidal, Amazon Music and wherever else you get your music.
Jamesy P is online digitally, via social media @jamesypmusic.
It’s about to be a memorable night for the nostalgic as the once hottest nightspot in West Trinidad, reopens its doors, welcoming the King of Steam, Yung Bredda for ‘SoDa.’
Akhenaton “Yung Bredda” Lewis headlines the event launch which synergies soca and dancehall music and culture. Once dubbed Club Coconuts and later, Fuzion, the event takes place tonight at the famous Trinidad and Tobago venue which is home to the Cascadia Hotel in St. Ann’s. “This is the only place to see Yung Bredda perform all his Steamy hits and get familiar with all his new releases before the Christmas and Carnival takes over,” said organisers in a media statement. “We’re looking forward to seeing all the fans of Steam link up with all the Soca lovers the Dancehall crews, so we can all represent for Caribbean music and culture to close off 2026.”
The SoDa Movement is building a database and will showcase a synergy of Soca and Dancehall music and culture via a series of events, collaborations and music recordings designed in distinctly unique and symbiotic formats. SoDa aims to showcase and highlight the harmony, versatility, similarities and diversity between Soca and Dancehall.
Event Coordinator, Jerome Antoine is a noted, dynamic and enterprising music producer, a Tribe Music Truck Manager and former radio DJ at RED 96.7 FM. He explained that SoDa is NOT another genre, but a social and cultural movement. “The SoDa movement is designed to create, explore and amplify synergies within the Soca and Dancehall industries,” Antoine explained. He said that for more than four decades, the public has listened to and created, enjoyed, made memories with, and celebrated their achievements with tons of Dancehall and Soca music as the soundtrack. “We have even created our own sub-genres like Trinibad and Steam and the artistes and citizens of the Caribbean continue to explore and enjoy both genres and cultures all the time” He noted the effect of the pandemic. “A few years ago and coming out of the pandemic, we saw a void in the entertainment scene and felt the need to blend the two worlds and apply a more engaging and edu-taining approach to presenting their similarities and strengths. Now, we feel like the time is right to celebrate these two genres and cultures, as we prepare for The Greatest Show on Earth in a few months and celebrate the Christmas season and the end of a highly eventful 2025 year.”
SoDa will feature a special performance by Yung Bredda, as well as several guest acts representing Soca and Dancehall. DJs Travis World and Salty, DJ Prodigy and the official SoDa DJ, Lord Hype will provide the soundtrack leading up to and in-between the live action.
Welcome Drinks will be provided by Rudeboy, with Hennessy flowing in the VIP Section, but there will be a fully-stocked bar and HybridTT cocktails available for purchase as well. Social media ravens can prepare for live video interviews on site by Overtime Media, ET&T, Scorch TV, EbuzzTT and MYOB.Enttt.
The cheat code to succeeding at everything you touch as a creative, is passion – pure, lingering passion. That’s one Trinbagonian creative’s final analysis of the inroads he’s personally made over the years. Now, jumping from behind the engineering of sounds we know and love from Soca artistes across the length and breadth of the region, to expressing his very own internal truths, Stephon Gabriel is once again following passion.
Stephon has produced for many artists and has released a project of his own.
Gabriel Creative Studios in Couva, is the playground created by this sound engineer. He left his position at Microsoft years ago, to follow his passion, he says, this after returning to T&T, having studied music at USC. “I’ve been in the music industry for over 15 years. From the age of 14, I knew music lived in me. I was the guy at school everyone would come to, to record love songs for their girlfriends,” he recalled with a chuckle. He says those formative years influenced what he would later become. “I got a guitar for my 14th birthday and it was set from there. Since that time, I’ve been heavily involved in both music and film. I’ve worked on a few featured films, including work done as part of the crew on ‘Home and Again’ here in Trinidad,” he said, adding that on the music side of things, he’s worked in some capacity with most of the big names in Soca.
Jumping head-first now into territory he has strongly assisted with, but has never been in the spotlight for, Gabriel releases a new single called, ‘Soft Touch.’ “This song came about because I wanted to express myself. It started with one of my producers I work with – Jumaane, who sent me a couple tracks and I put aside a particular one and then on one random night I listened to it and got to writing. That was three months ago,” he recalled. Now, the track finally completed, after great collaboration with like-minded musicians, Gabriel says he’s eager for the world to hear it.
A mixture of exploration and passion, Gabriel’s latest creative effort adds to his ongoing dedication to effectively positioning Caribbean artistes for international opportunities. “I have a publishing arm of my company called ‘Just In Time Music,’ which aims to bridge the gap between Caribbean creatives and Hollywood and the world,” Gabriel explained, adding, “I have agents out there who work with me to get our music placed into movies and television shows.”
The music producer said he began creating independent songs strictly for film and because it was so well received, he was able to secure several deals, in a relatively short space of time. “I went on to extend the service to creatives here in Trinidad and Tobago but part of the challenge has been educating others on publishing and other aspects of that side of the business,” he admitted.
Optimistic and dedicated, Stephon Gabriel has proceeded to do what he can, to teach others about the ins and outs of the global music industry. He set up a TikTok account, educating fellow Caribbean creatives with tips and other valuable information pertinent to royalties, masters, publishing and the like. “StephanGabrial868 is the channel and as I continue with that effort, I’ll say one of my goals is to one day be able to go to my distributor and choose “Soca” as the genre for the music I deliver,” he said.
Armed with his skills as a music and film professional, Stephon Gabriel’s pushing every envelope – passionately following his heart even into artistry, understanding that anything is possible in today’s world. “I’ve worked on hundreds, maybe thousands of songs for people. My voice is in a lot of songs as well. As a creative you love to do what you love and there are limitations on what you can do on someone else’s song,” he said, noting that doing this new single of his own, offered him the opportunity to do it his way.
“Earlier this year I did what I call a re-imagine of Kees’ ‘Cocoa Tea’ and I went left with it, changing the instruments and posting it online in January. It was surprising to see that it was so well received; I got a lot of engagement online,” he recalled.
Passionate and ready for whatever may come, Stephon has gone all out on the release of ‘Soft Touch.’ “It’s being released with a video and I just want to say the song isn’t a release for ‘carnival’ per say. It’s a song for global appreciation. It’s a groove that can be enjoyed all year long.”
‘Soft Touch’ was written by Gabriel with production collaboratively done by Jumaane, Jaydot, Amiel Duncan and Gabriel himself. The song was mastered by Andre Stewart.
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A CLASS
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