It’s taken him some time spent in reflection for songwriter and artiste, Jamesy P to re-emerge, more certain than he’s ever been about his life’s purpose and musical mission. Accomplished as a songwriter already, having written Soca hits like Blaxx’s ‘Hulk,’ Machel Montano’s ‘Brace Up’ and other memorable songs Farmer Nappy and Fadda Fox, the St. Vincent and the Grenadines native is set to unleash a nine-track EP – something he says is like nothing anyone has ever heard.
A businessman, a part from his career in music, James Morgan is certain about his gift. He understands that remaining grounded spiritually means accepting the task of using the gifts given, in a positive and meaningful way.
When he had written ‘Hulk’ in 2017, he had been struggling with various life challenges. Through even the darkness of those moments, he said he heard a voice encouraging him to look at himself and understand how resilient he could be. That was just how the song, eventually shared with, and later sang and performed by Dexter ‘Blaxx’ Stewart, was birthed. His gift of songwriting would make way for him, as beyond that year, Jamesy P suddenly emerged as one of the few artistes who could both deliver on stage and behind the scenes, with the pen.
The entertainer whose last major release came in 2019, has re-surfaced and is ready to showcase another side of himself. “You will never hear Jamesy P like this,” he admitted, explaining that his new tracks, while still delivering bits of his cheeky humour and personality, are much ‘sweeter’ on the ear.
The EP, which is called ‘Flipside,’ is set for complete release by the first week in July and will feature producers from as far as Kenya and certainly from across the Caribbean, including Jamaica, St. Lucia and Trinidad and Tobago. Jamesy says the sound is a crossover of sorts, ushering in a sweetness that sits on a vein between dancehall and a slower version of Ragga Soca. “I can hardly describe the sound and basically this is the flipside of Jamesy P,” he said.
The first single off the EP has already been released – a track called, “Run Away,” with production work by St Lucia’s Ramsum Records. As promised, the sweetness is undeniable. “This is music filled with substance. I think this is what music is really supposed to be like – songs you can just slip on while you’re in the car and bop your head along to, all the way. You can play these songs with your entire family. There are some singles that have a bit of a double meaning,” he said with a laugh, “but all in all, you can look forward to Jamesy P a little bit on the softer side.”
As to whether he has plans to return to the fete and carnival scene in a major way, Jamesy says he is uncertain, but has even bigger dreams. “I have these big dreams. I have dreams of hitting big festival stages,” he admitted, letting it be known that he is by no means, thinking small.
For now, his focus is set on delivering music with people in mind, music that can lift the vibration and influence people in a good way. “We have to be careful with how we use our platforms. There are some people whose minds may not be able to deal with the negative lyrics and dark sounds. We have to create timeless music,” he shared, assuring that this is what he will continue to do, as his mission continues.
“Runaway” is now streaming on all digital platforms- Apple Music, Spotify, Tidal, Amazon Music and wherever else you get your music.
Jamesy P is online digitally, via social media @jamesypmusic.
Well known event promoter, Glenroy Watson, has passed away. He died of natural causes on April 1st, in Port -of- Spain, Trinidad.
Watson’s legacy in the event landscape in Trinidad and Tobago stands as one rooted in the philosophy of delivering value to patrons, something that was the benchmark of every ‘I Am Legend’ concert in T&T and certainly countless other events hosted across the region and internationally.
Hands on and meticulous in his approach, Watson prided himself as a no nonsense promoter.
Most recently, in the aftermath of Carnival 2026, he hosted the Majah Hype comedy show, ‘Majah Issues’, at the Southern Academy for the Performing Arts, in Trinidad and was preparing for a major concert event in Trinidad, at the time of his passing.
At this time, the bereaved extends gratitude to well- wishers and asks for privacy and understanding as preparations for Watson’s home-going ceremony get underway.
All further details will be relayed at a later time.
“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA
Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.
From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.
Destra with King David Michael Rudder.
Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.
One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.
Destra’s daughter, Xaiya on the piano.
The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.
As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.
Reflections certainly delivered a powerful blend of music, filled with deep messages and meaning. In what is a very spiritual season, Destra, through the delivery of ‘Reflections,’ has carved out a space for inspiration and connection within Trinidad and Tobago’s cultural landscape – something that many would agree, is a necessity more than an option.
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