Caribbean Buzz
Guyana’s Road March Queen, Omaiah Hall Is Ready to Take On T&T.
Guyana has Soca too.
The country’s reigning Road March Queen, 24-year-old Omaiah Hall says every Guyanese Soca artiste will admit, they have to love it, to remain true to it. The young, talented vocalist who also placed third in the Senior Soca Monarch competition last year, is in Trinidad and Tobago ahead of Carnival 2026 where she plans on making the right connections while having a bit of fun along the way.
Hall never imagined she’d fall this deeply in love with Soca music. In fact, she admits that throughout her life, her passion lied in singing RnB music. “I was never a person who sang Calypso or Soca music. My father is a pianist and jazz musician. I just never found an appeal for being on stage and wining up,” she said reflectively. In 2023 however, her outlook quickly changed.
In 2020 she had won the Junior Calypso Monarch competition in what’s called, ‘Mashramani’ in Guyana – a festival that takes place on Republic Day, February 23rd, annually. Omaiah said a couple years later, she began dabbling in Soca music and by 2023, the sound, rhythm and energy of the music had totally absorbed her. “In 2022, I realized I only wanted to do Soca music. Soca found me!” she said, explaining that by 2023 a song called, ‘We Fetting,’ followed by ‘R’ in 2024, had gotten the attention of the people of Guyana. “I was booked and busy and one year later in 2025, I won the Road March title, with ‘Breakway’ – dethroning Melissa “Vanilla” Roberts, who had been the Road March Queen for a decade.” Now, as she continues her effort to build catalogue, reputation and fanbase, Omaiah has released a 2026 track called, “Happy Feeling,’ which has been receiving tremendous love in Trinidad and Tobago. Additionally, a second single, “Foreva,’ which comes complete with a new video, is her 2026 Guyana Carnival Road March contender.
Explaining that Guyana’s actual Carnival takes place in May annually, Omaiah says both festivals should be experienced by anyone desirous of a great time among carefree people. “Guyana is becoming more open to Soca now because of the younger generation’s involvement in the genre,” she admitted, noting that dancehall takes precedence, and as such, Mashramani organizers have included a Dancehall Monarch over the past three years. “Guyana is all dancehall. Many say Soca music is too happy of a genre,” she highlighted, adding that artistes like O.K.C, Pahjo and Vinel Hinds have consistently stood firm in representing the genre and popularizing it in Guyana.
TALKING CARIBBEAN COLLABS
Eager to take her vibe and energy to venues across Trinidad and Tobago and certainly the world, Omaiah is hopeful for the opportunity to collaborate with other Caribbean artistes. She performed at Nailah Blackman’s concert in January. “I’ve also done A-Team Fridays, Vice Nightclub and the Eye Slam concert series,” she highlighted, explaining that her aim is to make the necessary connections along the way. “When it comes to my music, and my performance style, I’ll say, Omaiah Hall will always bring vocals. Added to that, I’m a strong performer. I will wine up!” she said cheerfully. In fact, those very traits may have been responsible for her walking away with the 2025 title of Female Soca Artiste of the Year, in Guyana.
A huge fan of Machel Montano, and extremely encouraged by the powerful personality and stage presence of T&T’s Fay Ann Lyons, Omaiah is pushing full speed ahead, truly encouraged. “I love Fay Ann. I have been compared to her many times. She is powerful- the way she commands the stage, the way she is unapologetic about who she is,” said the young artiste. She also gives tremendous credit to the late, Dexter ‘Blaxx’ Stewart, noting that he opened doors for many young, upcoming artistes. “I haven’t been able to make that solid, professional connection with Machel just yet but I am optimistic. I’ve met him before in Guyana at the CPL and at our Super Concert backstage, but I’m hopeful for greater opportunities to work with him, in the future,” she said.
Now in T&T for the season of revelry, Omaiah says 2026 will see her hit the streets in costume, and certainly enjoying every aspect of the festival. “I was here in 2025 but after winning the Road March in Guyana, being in Trinidad was more like a time for rest last year.”
Her Road March win was a big deal, she says, noting that unlike the Monarch, the Road March is completely chosen by the people. “The title holds weight because the people want to hear the song and that was the moment when I said, it wasn’t for the judges, or me, it was for the people. The people loved it!”
Patient, yet tremendously encouraged, Omaiah Hall is steadily pursuing her career in Soca. “I’m yet to travel internationally but I will soon. My music travels more than I have and that’s actually creating room for me to travel because I have a few places to go this year,” she said.
For more on Guyana’s Omaiah Hall, follow her on Instagram @omaiahhallofficial and Facebook @iamomaiahhall.
Caribbean Buzz
Grammy Nominee, Lila Ike to Perform in Opening Number At 2026 Grammy Awards.
Jamaican singer-songwriter Lila Iké, a first-time GRAMMY® nominee for Best Reggae Album, will kick off Music’s Biggest Day to perform in the opening number of the 2026 GRAMMY Awards® Premiere Ceremony on Sunday, February 1, live from the Peacock Theater in Los Angeles.
Iké will join fellow nominees Grace Potter, Israel Houghton, Maggie Rose, and Trombone Shorty in the opening ensemble performance. The ceremony will stream live at 3:30 PM ET / 12:30 PM PT on the Recording Academy’s YouTube channel and live.GRAMMY.com.
Iké is nominated for Best Reggae Album for her debut LP, Treasure Self Love (Wurl Iké Records / In.Digg.Nation Collective / Ineffable Records). She is the only woman nominated in the category, alongside an all-Jamaican slate including Vybz Kartel, Jesse Royal, Mortimer, andKeznamdi.
Executive produced by Protoje, Treasure Self Love blends reggae, soul, R&B, and dancehall while exploring themes of love, healing, and self-acceptance. The album features H.E.R. and Joey Bada$$, with “He Loves Us Both” (ft. H.E.R.) named one of The New York Times’ Best Songs of 2024.
The Recording Academy and the GRAMMY platform recently shared Lila’s journey to this Grammy nomination. Watch below. In addition to her GRAMMY recognition, Iké has appeared on COLORSxStudios, NPR Tiny Desk, Apple Music, ABC News Live and was recently announced as a 2026 MOBO Awards nominee for Best Caribbean Act—her third nomination in the category.
Caribbean Buzz
Shurwayne Says Talent Beats Hype. Artiste Focuses on Legacy.
The age-old adage, ‘talent over hype’ is a point of reference for one of Trinidad and Tobago’s most hard working and dedicated entertainers. From winning major carnival titles to representing Trinidad and Tobago at the World Cup and delivering masterful self-penned songs like ‘Carnival Please Stay’, ‘Band Coming’ and ‘Open De Gate,’ Shurwayne Winchester remains true to self and says no matter what’s happening around him, he is committed to being himself, and doing what he knows is the right thing for him.
In the midst of a short Carnival 2026 season, the artiste who has been a part of the Arima community for many years, says he is excited to once again, deliver one of the Borough’s best carnival fetes- ‘Addiction,’ on February 8th. While the rest of the entertainment fraternity is busy rocking fetes night after night, much like Shurwayne, he’s also been hard at work, building a solid and reputed brand. He believes in his character – and the importance of being an honest human being who places integrity above financial gain. As a direct result, Shurwayne’s event, ‘Addiction’ has adjusted the price of tickets this year to suit the economic times, and further to that, patrons have been offered a second ticket option this year which includes small coolers for their convenience.
Over 20 years in the game, Shurwayne has withstood scrutiny and despite it all, he says he will never compromise himself. In today’s entertainment and marketing landscape where fast talk, likes and social status equates to popularity, and talent I s thrown to the curb in exchange for 20 second TikTok engagement, Shurwayne says now more than ever he stands firm for talent over hype.
“I had to take a look at myself as Shurwayne Winchester – the individual, the man, and then Shurwayne Winchester- the artiste, the brand, and understand what is being asked of me,” he said. “I had to ask myself, ‘what is it I’m willing to give up in exchange for where I want to be, what must I give up to remain relevant in this market space and it all comes down to this – do you want to be a trend? Do you want to believe in your own hype or the hype of other persons around you, or do you want to be an artiste who stands for something?” he rationalized.
Shurwayne has had to revisit this reality countless times throughout his career. A small, close-knit circle of people who he trusts by his side, the Tobago born culture lover says his validation as a great entertainer could never be gained from hype, but rather, longevity and true creativity. “You put in the work, you sweat for it, you are in the pulse of the music, your material has quality and standard – that’s truly how it stands the test of time,” he shared. His perspective on music and artistry, recognition and popularity, fame and bright lights is vastly different from most in the Soca space and he’s fine with that. In fact, Shurwayne says he understands the desire by most, to run after trends. “The hype – you have a large entourage, you’re walking in, people going crazy; or in contrast, you’re walking in by yourself, you’re focused on what you want to do; I’ve never been the former,” he admitted, explaining that he has never wanted to be that person. “I’ve just always wanted to give my fans great music – not for today, but for many years to come.”
Two singles released for Carnival 2026, Shurwayne is humbled by the outpouring of love and support received following the release of the remake of Baron’s ‘Rock It So.’ The video for the collaborative track, which features young, rising Caribbean star, Yung Bredda, has been widely enjoyed across markets. “I will always give my people the best of me, not the hype – the best, not the noise. I must never come across as though I’m better than anybody else. My work must stand out because in the end what counts is the music – the music that represents Trinidad and Tobago, the music that puts us on the map so that when a foreigner decides to take a trip, they want to visit that place that they heard that artiste singing about,” he said.
His Power Soca track, ‘Until the End of the Road,’ is a song he believes has tremendous potential to make fetters move, if given the chance to. Visuals for the high-intensity track immaculately bridge the present-day Trinidad and Tobago, the Carnival experience and humanity, with a futuristic A.I generated concept that’s masterful. “I’m not on the hype. I’m on creativity, longevity and cultural respect,” Shurwayne reiterated, even as he highlighted this piece of creative genius. “I love being who I am. I am not going to change that. My parents said, peace of mind is more valuable than the shiniest penny in your pocket and that peace of mind comes first of all from being God-fearing because only then you’ll understand value.”
After decades in the business, the rag bender, the iron man Shurwayne Winchester remains a force when he takes any stage. His vocal ability, coupled with his knack for engaging audiences and generating memorable experiences in the belly of thick crowds, makes him stand in a category of his own. “There is no reason for me to fear anyone or believe in anything else but hard work, sacrifice and dedication. I believe with that discipline, in the end every goal and desire you have for yourself, will be attained.”
