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Archived: Farmer Nappy Recruits Sweet-Voice Bajan Singer, Damian Marvay

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New artiste alert! The carnival bug seems to be biting really hard. In fact, seems like new artistes are popping up from every corner of the Caribbean, every day. Barbados is home to the latest soca newbie and with a brand new single called, “Survive The Weekend”, Damian Marvay’s hoping that this will be his lucky break.

Barbados singer, Marvay
Barbados singer, Damian Marvay

The Barbados born singer/songwriter/performer is dubbed a “full package”, with his public relations team assuring that he’s got the talent, personality and charisma to fit seamlessly into T&T’s carnival arena. Mavay has, in the past, lent vocals as background to several artistes, among them, Bunji Garlin, Rupee, Fadda Fox and Farmer Nappy. His breakthrough on the soca circuit during Cropover 2015 was said to be well-received with the single, “Survive The Weekend” being lapped up by many.

The song was produced by De Red Boyz – the infamous Bajan soca production outfit that has made Farmer Nappy the groovy soca hit maker he is, no doubt. Marvay’s team says background vocals done for Nappy by him, immediately impressed Scott Galt of De Red Boyz and the conversations that followed led to the recording of “Survive The Weekend.”

ETCETERABUZZ has learnt that already the song title and various lines have become popular hashtags. It’s also been used for two different advertising campaigns in Barbados during the Crop Over season. Added to that Marvay  was recruited by Farmer Nappy to form part of his band, which includes De Red Boyz.

In the past few months, the up and comer has been traveling with Farmer, performing on stages in various territories. He says the experience has been humbling and notes that the highlight so far was his debut in Canada for Virgin Mobile’s Indie Fridays finale in Toronto.

Now, Marvay is officially under Farmer’s Management Company ‘Country Life Entertainment’ and is working on new material for release in the coming months so guess what!? Seems like by all accounts, Damian Marvay will be chilling in T&T for Carnival 2016! Get familiar!

SURVIVE THE WEEKEND

Ebuzz News

‘I Am Legend’ Concert Promoter, Glenroy Watson Has Passed Away.

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Well known event promoter, Glenroy Watson, has passed away. He died of natural causes on April 1st, in Port -of- Spain, Trinidad. 

Watson’s legacy in the event landscape in Trinidad and Tobago stands as one rooted in the philosophy of delivering value to patrons, something that was the benchmark of every ‘I Am Legend’ concert in T&T and certainly countless other events hosted across the region and internationally. 

Hands on and meticulous in his approach, Watson prided himself as a no nonsense promoter. 

Most recently, in the aftermath of Carnival 2026, he hosted the Majah Hype comedy show, ‘Majah Issues’, at the Southern Academy for the Performing Arts, in Trinidad and was preparing for a major concert event in Trinidad, at the time of his passing. 

At this time, the bereaved extends gratitude to well- wishers and asks for privacy and understanding as preparations for Watson’s home-going ceremony get underway. 

All further details will be relayed at a later time. 

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Destra Delivers Powerfully at Reflections.

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“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA

Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.

From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.

Destra with King David Michael Rudder.

Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.

One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.

Destra’s daughter, Xaiya on the piano.

The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.

As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.

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