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Etienne Charles’ ‘Creole Orchestra’ Makes Big Impression.

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The Journey

Long hailed for his work as a trumpeter, composer, and improviser, as well as for his deep knowledge of rhythms from his native Trinidad & Tobago and around the Eastern Caribbean, Charles has mostly worked with small combos over his nearly 20-year career. 

He had written only a few pieces for large ensembles when vocalist Rene Marie tasked him with arranging for a full set of big band tunes to take on the road. Since then, he’s gone on to write for ensembles such as the New York Philharmonic, Airmen of Note, Charleston Jazz Orchestra, Chicago Jazz Ensemble, Carnegie Hall’s National Youth Jazz Orchestra, and UK All Steel & Percussion Orchestra (UKASPO). 

That was “baptism by fire,” Charles recalls. “Okay, now I’m a big band writer.” And, as Creole Orchestra makes clear, he is a shrewd and inventive one. It’s not just anyone who can orchestrate both the classic swing anthem “Stompin’ at the Savoy” and Bell Biv Devoe’s new jack swing hit “Poison” with equal flair and crispness. Those are just two of the many dimensions Charles explores on the album. 

Marie herself is a featured guest, taking the vocal spotlight for four of the 13 tracks, including “I Wanna Be Evil,” Eartha Kitt’s theme song that was the centerpiece of Marie and Charles’s first collaboration (her 2013 album of the same name), as well as the jazz standard “Centerpiece” and two of her originals. Rapper Brandon Rose and turntablist DJ Logic appear together on “Poison,” connecting Charles’s arrangement with the song’s hip-hop roots.

The ensemble and its various soloists put in exemplary work as well. Lead trumpeter Jumaane Smith and trombonist Michael Dease both give standout performances on Monty Alexander’s reggae-spiced “Think Twice”; bassist Ben Williams wows with his soulful improv on the hard-swinging “Night Train”; while Charles, alto saxophonist Godwin Louis, and pianist Sullivan Fortner illuminate the leader’s calypso “Douens.” Of course, the real stars of Creole Orchestra are Charles’s sterling charts. “In many musical situations the Arranger has become the ghost,” he writes in the album notes. “One of the first working on a project and often the last to be recognised.” 

In 2013, his album Creole Soul reached number one for three weeks on the Jazzweek chart and was eventually named number three Jazz Album of the Year by Jazzweek.

A Man of Many Accolades

Charles has many accolades. In 2012, he was written up in theUS Congressional Record for his musical contributions to Trinidad & Tobago and the World, in 2013 he received the Caribbean Heritage Trailblazer award from the Institute of Caribbean Studies (Washington, DC) and in 2015 became a Guggenheim Fellow. In 2016 he received the Michigan State University Teacher Scholar Award and the Jazz at Lincoln Center Millennial Swing Award.

He made his debut as producer and songwriter on the album Petite Afrique by Somi (Sony/Okeh 2017) which won Outstanding Jazz Album at the 2018 NAACP Image Awards and he has been featured as a bandleader at the Newport Jazz Festival (RI), Monterey Jazz Festival (CA), Atlanta Jazz Festival (GA), Pittsburgh Jazz Live International Festival (PA), San Jose Jazz Festival (CA), Java Jazz Festival (Indonesia), Ottawa Jazz Festival (Canada), St. Lucia Jazz Festival, Barbados Jazz Festival, Library of Congress (DC), Carnegie Hall (NY) and Koerner Hall (Canada).

As an educator and conductor, he has done residencies at the Juilliard School, Stanford University, Columbia College Chicago, Oakland University, Kent State University, Walnut Hills High School, Cultural Academy for Excellence, and the US Military Academy. Charles currently serves as Professor of Studio Music and Jazz at the University of Miami, Patricia L. Frost School of Music.

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Denise Belfon’s OVO Package from Drake, Included a Dominos Game.

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She may be a Trinbagonian soca artiste but she’s also a proud Caribbean woman, so it was only right that rapper, Drake’s team at October’s Very Own – OVO, deliver to the entertainer, an OVO branded dominos set. It was quite possibly the package inclusion that brought out Belfon’s excitement earlier this week, when she received and opened it up.

Denise has been basking in the joy of being a part of Drake’s recently released, Maid of Honor’ album – her single ‘Work’ sampled on a track called, ‘BBW’. Fans, pretty much elated by the news, have been expressing their congratulations to the New York based singer, many saying it was only a matter of time before this type of breakthrough came for her.

Denise’s journey in music began decades ago, and even though her presence on the Soca circuit in the Caribbean has been limited for some time, her past hits have proven to be legacy-leavers, with DJs, artistes and social media users quite often returning to her sound.

The OVO gift package included merchandise and the special Dominos game set, something Denise automatically hailed out her Jamaican friends on, noting that they’d me meeting up for a game soon. When news of the sample emerged in May, many questioned whether Belfon had agreed to the use of her work. She has since allayed all concerns, saying all is above board on the project.

CLICK HERE TO SEE HER REACTION.

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Belmont, Trinidad Delivers On ‘Hill and Gully’ Riddim. Anisha Pleas for Peace.

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A riddim built on pure Jamaican nostalgia that’s dominating with several acclaimed artistes releasing hit singles, the ‘Hill And’ Gully’ folk riddim is undeniably a major influencer this year. Like butter, several releases smoothly resonate, with artistes like Masicka, Mr. Vegas, Kees Dieffenthaller, Valiant, Elephant Man and Sheneil Muir delivering catchy singles for the masses.

Outside of multiple releases produced by Jamaican DJ/ Singer/ Songwriter/ Stephen ‘Di Genius’ McGregor, Trinidad and Tobago artiste, Anisha, has risen to the occasion, urging social transformation using her creativity as the vessel. “Plea for Peace is meant to uplift communities and spark conversation because I believe music can preserve tradition, while creating space for meaningful dialogue,” said the Belmont,Trinidad native.

Known in creative spaces as The Goddess of Love, Anisha was raised in Belle-Eau Road in Belmont. She understands the need for thought provoking messages through music. “I compose my own songs and I’ve been involved in music for several years,” she said, explaining that she uses music as a tool to express herself, tell stories and tap into her emotions while addressing issues that affect communities.

For Anisha, the Hill and Gully Riddim offers music lovers a timeless cultural connection. “I felt it was a riddim that could help carry this message of peace to both the young and the old in a way that’s relatable and impactful,” said the singer. Acknowledging the criticism by veteran Jamaican broadcaster, Fae Ellington over some of the lyrics sung by artistes on the traditional folk riddim, Anisha says she respects Ms. Ellington’s perspective. “I respect her perspective because cultural and musical traditions are important and should always be valued.” She however admits that music continues to evolve as a reflection of society. “Each artiste chooses to use music to express himself/herself based on personal experience, however my approach with ‘Plea for Peace,’ was to honor the riddim’s cultural significance by using it to address an issue that is affecting my country, Trinidad and Tobago.”

Anisha says she admires the dedication to peace, shown by fellow T&T artiste, Orlando Octave. “We share a similar passion for spreading positive messages through music. I often refer to him as ‘The Prince of Peace,” she said, noting that she would be honored to work with Orlando, if the opportunity presents itself. “My mission as an artiste is to use my music as a bridge that brings people together, rather than divides humanity. ‘Plea for Peace is more than just a song. It’s a reminder that despite the challenges we face, peace, love and unity are still very possible if we choose to lift each other up.”

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