Amid an onslaught of social media criticism and defamation, the attorney for Sean P Diddy Combs says the artiste, nor any of his children have been arrested or barred from traveling. Aaron Dyer, is also firing back after federal agents raided Diddy’s homes in Los Angeles, New York and Miami on Monday, calling it a “gross overuse of military-level force.”
Monday’s actions came just one month after Combs was sued for sex trafficking and other allegations. Dyer said Combs cooperated with authorities after his homes were raided by Federal agents, but said the “unprecedented ambush [was] paired with an advanced, coordinated media presence.
A representative for Homeland Security Investigations, New York said in a statement that the raids were executed “as part of an ongoing investigation, with assistance from HSI Los Angeles, HSI Miami and our local law enforcement partners.”
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In a response to the situation, Dyer said, “Yesterday, there was a gross overuse of military-level force as search warrants were executed at Mr. Combs’ residences. There is no excuse for the excessive show of force and hostility exhibited by authorities or the way his children and employees were treated. Mr. Combs was never detained but spoke to and cooperated with authorities. Despite media speculation, neither Mr. Combs nor any of his family members have been arrested nor has their ability to travel been restricted in any way.”
“This unprecedented ambush — paired with an advanced, coordinated media presence — leads to a premature rush to judgment of Mr. Combs and is nothing more than a witch hunt based on meritless accusations made in civil lawsuits. There has been no finding of criminal or civil liability with any of these allegations. Mr. Combs is innocent and will continue to fight every single day to clear his name,” he continued.
The events come about one month after Combs was served a sexual assault lawsuit from producer Rodney “Lil Rod” Jones, who accused Combs of harassing and trafficking him. The complaint was the fifth suit filed against the rapper since his former longtime partner and recording artist Cassie, who sued him in November for sexual assault, said he repeatedly raped and physically abused her for nearly a decade. They later reached a settlement.
Well known event promoter, Glenroy Watson, has passed away. He died of natural causes on April 1st, in Port -of- Spain, Trinidad.
Watson’s legacy in the event landscape in Trinidad and Tobago stands as one rooted in the philosophy of delivering value to patrons, something that was the benchmark of every ‘I Am Legend’ concert in T&T and certainly countless other events hosted across the region and internationally.
Hands on and meticulous in his approach, Watson prided himself as a no nonsense promoter.
Most recently, in the aftermath of Carnival 2026, he hosted the Majah Hype comedy show, ‘Majah Issues’, at the Southern Academy for the Performing Arts, in Trinidad and was preparing for a major concert event in Trinidad, at the time of his passing.
At this time, the bereaved extends gratitude to well- wishers and asks for privacy and understanding as preparations for Watson’s home-going ceremony get underway.
All further details will be relayed at a later time.
“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA
Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.
From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.
Destra with King David Michael Rudder.
Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.
One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.
Destra’s daughter, Xaiya on the piano.
The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.
As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.
Reflections certainly delivered a powerful blend of music, filled with deep messages and meaning. In what is a very spiritual season, Destra, through the delivery of ‘Reflections,’ has carved out a space for inspiration and connection within Trinidad and Tobago’s cultural landscape – something that many would agree, is a necessity more than an option.
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