Social media was abuzz overnight as soca scientists and their cohorts contemplated over when ‘soca would reach’. It’s a question that has bounced around for years and with one common answer often given, the question we at ETCETERABUZZ now pose is whether soca enthusiasts have supported soca music and their stakeholders enough in the past, to give it that boost that would encourage international recognition. Bunji Garlin, among other entertainers in past conversations with us have consistently remarked that they firmly believe the Caribbean genre will only stand alongside dancehall and other well recognised genres on the international scene, when locals truly rally in support of the music throughout the year. The 2013 BET awards highlighted Jamaica’s dancehall culture in a performance that rocked the venue and even saw stars like Gabrielle Union, India Arie and Trinidad and Tobago born rapper, Nicki Minaj singing and dancing along to the music of big name Caribbean acts like Beenie Man, Elephant Man, Dawn Penn and Chaka Demus & Pliers who were supported on stage by the Massive B duo of Jabba and Bobby Konders. Caribbean energy prevailed as Jamaica showed its authentic vibe, bringing the Nokia Centre in Los Angeles, to life like nothing else could.
The stage was all about Jamaica when the spotlight focused on the Caribbean.
In recent weeks, local entertainers have been releasing new soca music. Destra Garcia dropped a wicked single called ‘Handle The Ride’. Likewise, Cassi has released “Whole Day” and Shurwayne Winchester, “Wine Gyal Wine”. Ravi B has released the GBM produced, “Gyul Wukkin” and Kerwin Du Bois “Forget About It” while Soca taipan, Machel Montano has delivered a track called, “Bruk It”. These songs are however receiving a less than welcoming embrace at home in Trinidad by radio powerhouses who are tasked with the job of delivering the music to the people. This in itself, according to Trinidad and Tobago artistes, has been at the centre of the Soca music stagnancy.
Jamaica’s Beenie Man and Elephant Man perform at the 2013 BET Awards.
Today, after a night that has left many talking about Jamaica, Trinidad and Tobago’s people bemoan the reality that the island’s precious creation that is Soca music, has once again been left behind. Recent inroads made by Bunji Garlin and certainly Machel Montano have given hope but is it enough? Carnival 2014 will be launched by the National Carnival Commission in T&T in July – offering an eight month long season ahead of the actual parade dates of March 3rd and 4th. What is now left to be seen is whether a longer season will bear a longer span for Soca airplay accommodation on the various frequencies… a larger mixture of artistes and a greater possibility that the music can create a greater buzz throughout the Caribbean and internationally, than ever before. The onus, is on us!
She may be a Trinbagonian soca artiste but she’s also a proud Caribbean woman, so it was only right that rapper, Drake’s team at October’s Very Own – OVO, deliver to the entertainer, an OVO branded dominos set. It was quite possibly the package inclusion that brought out Belfon’s excitement earlier this week, when she received and opened it up.
Denise has been basking in the joy of being a part of Drake’s recently released, Maid of Honor’ album – her single ‘Work’ sampled on a track called, ‘BBW’. Fans, pretty much elated by the news, have been expressing their congratulations to the New York based singer, many saying it was only a matter of time before this type of breakthrough came for her.
Denise’s journey in music began decades ago, and even though her presence on the Soca circuit in the Caribbean has been limited for some time, her past hits have proven to be legacy-leavers, with DJs, artistes and social media users quite often returning to her sound.
The OVO gift package included merchandise and the special Dominos game set, something Denise automatically hailed out her Jamaican friends on, noting that they’d me meeting up for a game soon. When news of the sample emerged in May, many questioned whether Belfon had agreed to the use of her work. She has since allayed all concerns, saying all is above board on the project.
A riddim built on pure Jamaican nostalgia that’s dominating with several acclaimed artistes releasing hit singles, the ‘Hill And’ Gully’ folk riddim is undeniably a major influencer this year. Like butter, several releases smoothly resonate, with artistes like Masicka, Mr. Vegas, Kees Dieffenthaller, Valiant, Elephant Man and Sheneil Muir delivering catchy singles for the masses.
Outside of multiple releases produced by Jamaican DJ/ Singer/ Songwriter/ Stephen ‘Di Genius’ McGregor, Trinidad and Tobago artiste, Anisha, has risen to the occasion, urging social transformation using her creativity as the vessel. “Plea for Peace is meant to uplift communities and spark conversation because I believe music can preserve tradition, while creating space for meaningful dialogue,” said the Belmont,Trinidad native.
Known in creative spaces as The Goddess of Love, Anisha was raised in Belle-Eau Road in Belmont. She understands the need for thought provoking messages through music. “I compose my own songs and I’ve been involved in music for several years,” she said, explaining that she uses music as a tool to express herself, tell stories and tap into her emotions while addressing issues that affect communities.
For Anisha, the Hill and Gully Riddim offers music lovers a timeless cultural connection. “I felt it was a riddim that could help carry this message of peace to both the young and the old in a way that’s relatable and impactful,” said the singer. Acknowledging the criticism by veteran Jamaican broadcaster, Fae Ellington over some of the lyrics sung by artistes on the traditional folk riddim, Anisha says she respects Ms. Ellington’s perspective. “I respect her perspective because cultural and musical traditions are important and should always be valued.” She however admits that music continues to evolve as a reflection of society. “Each artiste chooses to use music to express himself/herself based on personal experience, however my approach with ‘Plea for Peace,’ was to honor the riddim’s cultural significance by using it to address an issue that is affecting my country, Trinidad and Tobago.”
The song was born out of Anisha’s concern for the people of T&T. “It’s really a mixture of concern, frustration and hope. This song addresses the growing impact that crime and violence continues to have on families, communities and the youth,” she declared, adding that it serves as a heartfelt appeal for the population to reflect on what society has become, while establishing a blueprint for a better future. “If this song encourages even one young person to choose a different path, or reminds communities that love, respect and unity still matter, then I’d consider it a success,” she said.
Anisha says she admires the dedication to peace, shown by fellow T&T artiste, Orlando Octave. “We share a similar passion for spreading positive messages through music. I often refer to him as ‘The Prince of Peace,” she said, noting that she would be honored to work with Orlando, if the opportunity presents itself. “My mission as an artiste is to use my music as a bridge that brings people together, rather than divides humanity. ‘Plea for Peace is more than just a song. It’s a reminder that despite the challenges we face, peace, love and unity are still very possible if we choose to lift each other up.”
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