The annual Caribbean Music Awards is set to unfold this Thursday from 8pm at Kings Theatre, in New York. Hosted by Caribbean Elite Group, the event is quickly becoming an anticipated celebration of Caribbean greatness, annually.
This year, Jamaican dancehall artiste, Bounty Killer will receive the Lifetime Achievement award at the Caribbean Music Awards. Busta Rhymes will also be honored with the Elite Icon award, recognizing his cultural influence, having blended his Jamaican roots with mainstream HipHop. Additionally, Trinidad and Tobago’s Austin ‘Superblue’ Lyons will be presented with Calypso Honors for his impact on the Soca music genre. On the production side of things, T&T’s Kerwin DuBois will also receive a special producer’s honor for his work over the years.
With a list of nominees that exceed 150 Caribbean creatives, The Caribbean Music Awards will once again recognize artists, producers and industry professionals who’ve significantly contributed to the growing Caribbean music landscape. Some 40 categories, multiple genres of music from the around the region, will highlight the tremendous work of Caribbean creatives over the past year.
Nailah Blackman – Devin Allen PhotographyAngela Hunte- Devin Allen PhotographyMachel Montano – Devin Allen PhotographyKees Dieffenthaller – Devin Allen PhotographyFarmer Nappy -Devin Allen PhotographySkinny Fabulous – Devin Allen Photography
This year, new categories include, Caribbean R&B and Zess-Steam Artiste of the Year, International DJ of the Year (Female), Reggae Collaboration of the Year, and Reggae, Gospel, and Caribbean Fusion Song of the Year. In the popular ‘People’s Choice’ category, artistes nominated include T&T’s Yung Bredda, Lady Lava, Kes The Band, Skillibeng, Shenseea, Skeng and Vybz Kartel.
Jamaican singer-songwriter Lila Iké, a first-time GRAMMY® nominee for Best Reggae Album, will kick off Music’s Biggest Day to perform in the opening number of the 2026 GRAMMY Awards® Premiere Ceremony on Sunday, February 1, live from the Peacock Theater in Los Angeles.
Iké will join fellow nominees Grace Potter, Israel Houghton, Maggie Rose, and Trombone Shorty in the opening ensemble performance. The ceremony will stream live at 3:30 PM ET / 12:30 PM PT on the Recording Academy’s YouTube channel and live.GRAMMY.com.
Jamaica’s Lila Ike performing at the Google Store.
Iké is nominated for Best Reggae Album for her debut LP, Treasure Self Love (Wurl Iké Records / In.Digg.Nation Collective / Ineffable Records). She is the only woman nominated in the category, alongside an all-Jamaican slate including Vybz Kartel, Jesse Royal, Mortimer, andKeznamdi.
Executive produced by Protoje, Treasure Self Love blends reggae, soul, R&B, and dancehall while exploring themes of love, healing, and self-acceptance. The album features H.E.R. and Joey Bada$$, with “He Loves Us Both” (ft. H.E.R.) named one of The New York Times’ Best Songs of 2024.
The Recording Academy and the GRAMMY platform recently shared Lila’s journey to this Grammy nomination. Watch below. In addition to her GRAMMY recognition, Iké has appeared on COLORSxStudios, NPR Tiny Desk, Apple Music, ABC News Live and was recently announced as a 2026 MOBO Awards nominee for Best Caribbean Act—her third nomination in the category.
The age-old adage, ‘talent over hype’ is a point of reference for one of Trinidad and Tobago’s most hard working and dedicated entertainers. From winning major carnival titles to representing Trinidad and Tobago at the World Cup and delivering masterful self-penned songs like ‘Carnival Please Stay’, ‘Band Coming’ and ‘Open De Gate,’ Shurwayne Winchester remains true to self and says no matter what’s happening around him, he is committed to being himself, and doing what he knows is the right thing for him.
In the midst of a short Carnival 2026 season, the artiste who has been a part of the Arima community for many years, says he is excited to once again, deliver one of the Borough’s best carnival fetes- ‘Addiction,’ on February 8th. While the rest of the entertainment fraternity is busy rocking fetes night after night, much like Shurwayne, he’s also been hard at work, building a solid and reputed brand. He believes in his character – and the importance of being an honest human being who places integrity above financial gain. As a direct result, Shurwayne’s event, ‘Addiction’ has adjusted the price of tickets this year to suit the economic times, and further to that, patrons have been offered a second ticket option this year which includes small coolers for their convenience.
Over 20 years in the game, Shurwayne has withstood scrutiny and despite it all, he says he will never compromise himself. In today’s entertainment and marketing landscape where fast talk, likes and social status equates to popularity, and talent I s thrown to the curb in exchange for 20 second TikTok engagement, Shurwayne says now more than ever he stands firm for talent over hype.
“I had to take a look at myself as Shurwayne Winchester – the individual, the man, and then Shurwayne Winchester- the artiste, the brand, and understand what is being asked of me,” he said. “I had to ask myself, ‘what is it I’m willing to give up in exchange for where I want to be, what must I give up to remain relevant in this market space and it all comes down to this – do you want to be a trend? Do you want to believe in your own hype or the hype of other persons around you, or do you want to be an artiste who stands for something?” he rationalized.
Shurwayne has had to revisit this reality countless times throughout his career. A small, close-knit circle of people who he trusts by his side, the Tobago born culture lover says his validation as a great entertainer could never be gained from hype, but rather, longevity and true creativity. “You put in the work, you sweat for it, you are in the pulse of the music, your material has quality and standard – that’s truly how it stands the test of time,” he shared. His perspective on music and artistry, recognition and popularity, fame and bright lights is vastly different from most in the Soca space and he’s fine with that. In fact, Shurwayne says he understands the desire by most, to run after trends. “The hype – you have a large entourage, you’re walking in, people going crazy; or in contrast, you’re walking in by yourself, you’re focused on what you want to do; I’ve never been the former,” he admitted, explaining that he has never wanted to be that person. “I’ve just always wanted to give my fans great music – not for today, but for many years to come.”
Shurwayne says he will always give the people the best of himself.
Two singles released for Carnival 2026, Shurwayne is humbled by the outpouring of love and support received following the release of the remake of Baron’s ‘Rock It So.’ The video for the collaborative track, which features young, rising Caribbean star, Yung Bredda, has been widely enjoyed across markets. “I will always give my people the best of me, not the hype – the best, not the noise. I must never come across as though I’m better than anybody else. My work must stand out because in the end what counts is the music – the music that represents Trinidad and Tobago, the music that puts us on the map so that when a foreigner decides to take a trip, they want to visit that place that they heard that artiste singing about,” he said.
His Power Soca track, ‘Until the End of the Road,’ is a song he believes has tremendous potential to make fetters move, if given the chance to. Visuals for the high-intensity track immaculately bridge the present-day Trinidad and Tobago, the Carnival experience and humanity, with a futuristic A.I generated concept that’s masterful. “I’m not on the hype. I’m on creativity, longevity and cultural respect,” Shurwayne reiterated, even as he highlighted this piece of creative genius. “I love being who I am. I am not going to change that. My parents said, peace of mind is more valuable than the shiniest penny in your pocket and that peace of mind comes first of all from being God-fearing because only then you’ll understand value.”
After decades in the business, the rag bender, the iron man Shurwayne Winchester remains a force when he takes any stage. His vocal ability, coupled with his knack for engaging audiences and generating memorable experiences in the belly of thick crowds, makes him stand in a category of his own. “There is no reason for me to fear anyone or believe in anything else but hard work, sacrifice and dedication. I believe with that discipline, in the end every goal and desire you have for yourself, will be attained.”
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