Beyond tonight, all sights will be set on the Road March title. News today that one of the songs many would have been rooting for, Bunji Garlin’s “Touch De Stage”, is not registered for the coveted Road March title. Bunji told EBUZZTT that he never released the song with the intention of competing in the Road March race. “I just did the song. I just did it and left it to its own devices. I never did it with the intention to have it as a Road March contender. I haven’t even registered the song,” said the artiste.
Bunji says he did “Touch De Stage” on the request for a Power single, by the people.
On EBUZZTT’s online Road March poll, Bunji’s “Touch De Stage”, which we posted without the understanding that he had not registered to compete in the race, has stood firmly to the top of the pack, throughout. His song was followed by Machel Montano’s “Waiting on De Stage” and Kees’ “People” in third position. “The reason I did “Touch De Stage” is because the people said they wanted an authentic Power Soca song. If I was competing in Soca Monarch I could’ve gone with the song as well, but I didn’t do the song to compete or anything,” said Garlin.
Bunji and his wife, Fay-Ann Lyons meanwhile, will host their annual Children’s Show at the Arima Velodrome tomorrow from 2pm -6pm. Entry, for the first time ever, will be FREE. Bunji told EBUZZTT it was only fitting to accommodate the people that have supported the event annually, having assessed the situation unfolding in T&T with the cancellation of many popular events. “We understand that the recession mashing up everybody. We’ve been observing the events- the cancellations and one of the most important factors in culture on the whole, is the younger generation, and it is important for them to always have that. I mean, we hardly have the school tours anymore and we hardly have the facilities for the kids to partake in the culture and we are faced with the challenge of some songs that can be deemed inappropriate for kids of a certain age. With all that happening, we couldn’t take away the children’s show from them too, especially on the basis that people may not be able to afford it,” explained the artiste.
Bunji said he’s been speaking with his comrades in the entertainment industry and some have even reached out to him, without being approached, to be a part of the event. “I’ve put the notification out there that any of the artistes can come through and be a part of it for the kids. It’s like an open mic almost,” he said, adding, “the most important thing is to ensure that the kids enjoy themselves.”
Well known event promoter, Glenroy Watson, has passed away. He died of natural causes on April 1st, in Port -of- Spain, Trinidad.
Watson’s legacy in the event landscape in Trinidad and Tobago stands as one rooted in the philosophy of delivering value to patrons, something that was the benchmark of every ‘I Am Legend’ concert in T&T and certainly countless other events hosted across the region and internationally.
Hands on and meticulous in his approach, Watson prided himself as a no nonsense promoter.
Most recently, in the aftermath of Carnival 2026, he hosted the Majah Hype comedy show, ‘Majah Issues’, at the Southern Academy for the Performing Arts, in Trinidad and was preparing for a major concert event in Trinidad, at the time of his passing.
At this time, the bereaved extends gratitude to well- wishers and asks for privacy and understanding as preparations for Watson’s home-going ceremony get underway.
All further details will be relayed at a later time.
“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA
Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.
From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.
Destra with King David Michael Rudder.
Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.
One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.
Destra’s daughter, Xaiya on the piano.
The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.
As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.
Reflections certainly delivered a powerful blend of music, filled with deep messages and meaning. In what is a very spiritual season, Destra, through the delivery of ‘Reflections,’ has carved out a space for inspiration and connection within Trinidad and Tobago’s cultural landscape – something that many would agree, is a necessity more than an option.
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