He’s had a hell of a run. 2013 was the year Bunji Garlin made the world know that he wasn’t sleeping and it seems like he’s about to make even more noise as 2014 gets going. Already, the Viking’s name is front and centre on billboards and press ads for the carnival season but he isn’t the only one. With some amazing releases this year, a number of soca artistes will see their hard work pay off when they collect their cheques from promoters of several major carnival fetes they’re booked to perform at this year. Among the artistes expected to make a killing is, Cassi.
Cassi says he is moving to make his career a proper business.
ETCETERABUZZ learnt that Cassi is a bit nervous about the amount of attention he’s been receiving but even with the thought of having to live up to the expectations of thousands across the country, he is thankful for all that’s happening in his career right now. “I have grown since ‘Town Ting’ and I am a better vocalist now, and I know more now on the stage,” he admitted in an interview with us this afternoon. Cassi says he feels honored to be favored by many of the radio personalities and DJs this year and admits that he worked very hard in the past few months- something that is paying off. “The song being played on the radio stations is what got the attention of the promoters and I got a call from the Fire Fete promoters early, to perform,” he told us. He will hit the stage with artistes like Iwer George, Destra Garcia, Olatunji Yearwood, Bunji, Fay-Ann, Mr. Killa from Grenada, Onyan from Antigua, Lyrikal and others on January 25th. The venue- the Queen’s Park Savannah hosts some of the biggest carnival events annually and a massive crowd is expected next week Saturday.
Explaining that he was motivated after last year’s experience, Cassi noted that his 2013 season started off on a bit of a sour note- this after he failed to make it to the Soca Monarch semi finals. He however explained that at Machel Monday, he was uplifted by the words of Montano who told the crowd that Cassi’s hit, ‘Whistle and Horn’ was his favorite song for the season. “To hear those words from an artiste like Machel Montano- an international star, was an honor. Machel Monday was my Soca Monarch because everybody was there!,” he said.
Cassi says Bunji Garlin has cut the grass for all of the other soca artistes. He thanks him for all that he’s done, adding that Bunji has made the soca fraternity very proud.
Cassi says he’s ready for the next level in his career, explaining to us that he now feels accredited here at home by the people. “For the past three years, I’ve been working at getting the people of the region and overseas territories to know my music and who I am. The next step is for me to try to inject some international sounds into my music,” he explained, adding that he is thankful to Bunji Garlin for “cutting the grass” for the rest of the artistes who are a part of the soca industry. “I also want to to thank Machel Montano. He has been a mentor and a good advisor over the years,” he said. Cassi’s aim as he continues with his development as an artiste is to mould his career into a proper business format and admitting that he knows it may cost him some money to get things properly organized, he says he knows it will be worth it.
On the releases of 2014 and what he likes so far, Cassi said he’s a big fan of songs by both Bunji and Machel. “I like ‘All O’ Dem’ and Machel’s ‘Happiest Man Alive’,” he said. Both Machel and Bunji have several hits heading into Carnival 2014 and both artistes will be featured in concert length performances on separate dates this year.
Dominican Bouyon artiste Reo (Dario Sebastien) is heating up YouTube with his latest release, “Jolie BB,” a collaboration with Martinique’s Maurane Voyer. In just a week since its release, the official music video racked up an impressive 115,000 plus views on YouTube, drawing attention to the song among French-speaking audiences and highlighting the potential for Bouyon to reach new listeners across Martinque and the wider French Caribbean.
Building Connections In the Name of Music.
For Reo, this represents an opportunity to build stronger connections between Dominica and Martinique, expand Bouyon’s reach and open new markets for Dominican artistes. “It’s a good opportunity to connect Dominica and Martinique. We don’t have that much of a relationship musically, so let’s do it to push Bouyon in Martinique and build that relationship,” Reo explained.
Maurane Voyer x Reo
Voyer shares that vision. Already familiar with Reo’s music and a longtime admirer the Dominican genre, she saw the collaboration as an opportunity to bring their musical worlds together. “I was already familiar with Reo’s universe. I knew a lot of songs, and I always loved Bouyon music,” she said.
The two artistes met in July while performing at the same festival in Saint Barts. Voyer approached Reo about working together in the studio, and the idea soon became a reality when they reunited in Guadeloupe at HMC Studio, where the artistes began developing the song.
Reo developed the concept for the song with Voyer contributing her vocals. The beat was produced by Guadeloupe’s own YSN and mixed in Dominica by Dernz (Dernel Green). Reo insisted on the addition of live drums to preserve Bouyon’s Dominican identity in the bi-lingual song. That distinction was particularly important to the collaboration. Voyer explained that the Bouyon most familiar to audiences in Martinique has traditionally come from Guadeloupe, while interest in the original Dominican sound has grown in recent years.
Taking A Look at What Unifies.
“In Martinique, the first Bouyon that we know is from Guadeloupe. And it’s maybe since three years that we are more and more interested in the real Bouyon, the Bouyon from Dominica,” she said. For her, the recording process also offered a valuable opportunity to explore the similarities and differences between their cultures. “It was very interesting to see what differences we have and also what brings us together. I really enjoyed it,” she said.
The creative partnership extended to the music video, where Reo contributed ideas that helped the team bring their vision to life within a short timeframe. The response has been encouraging. “I get a lot of messages from different kinds of people, women, men, of all kinds of ages. And I’m happy to see that they like the song, the radios too,” said Voyer.
Beyond the immediate response, both artistes hope the collaboration will encourage more musical exchanges between Caribbean territories that do not always connect as frequently as they could. Stronger relationships with French Caribbean artistes, radio stations, DJs, promoters and audiences could create additional performance opportunities and revenue streams for Dominican Bouyon artistes seeking to expand their reach.
“Martinique for example, is another market for Bouyon artistes to build their fan base and get bookings. We can literally see Martinique from Dominica, it should not feel so far away,” he added.
The collaboration is particularly timely as Voyer prepares to visit Dominica for the World Creole Music Festival this weekend, where Reo will also perform. She described working with Reo ahead of her first visit to the island as an exciting opportunity to establish a musical connection before experiencing Dominica firsthand.
The release also builds on Reo’s recent international momentum following the success of his La Vie Dou Tour in New York and London. With previous million-view songs including “Sa Ka Bay” feat. DJ Bling (2.9m views), “Doudou” with Litleboy (3.8m views), “You Mad” (1.5m views), and La Vie Doux feat. T éhilah (2.8 m views), Reo continues to pursue opportunities to introduce his music to audiences outside Dominica.
With Jolie BB, Reo and Voyer have combined their respective musical influences to create a collaboration that celebrates both their differences and common ground. Its early YouTube performance provides an encouraging start, while the wider ambition is to turn that attention into lasting connections between the music communities of Dominica, Martinique and the wider Caribbean.
The official music video for “Jolie BB” by Reo featuring Maurane Voyer is available now on YouTube.
As Tobago Carnival looms, one artiste who wears the hat of DJ as well, is being singled out as an example of cultural ambassadors who seldom receive the love and support they tremendously deserve.
Trendsetter Goofy, a Soca artist and international DJ from Tobago. In 2025, he took a significant step forward with his first European tour, including an appearance at Munich Carnival in Germany, where he represented Tobago, alongside performances in Frankfurt, Amsterdam and Rotterdam. His international appearances also extended to Toronto and Miami. His efforts have gone by relatively unnoticed by the general public at home in T&T.
In a statement shared by Marion Nwankwo, she notes there is a strong will to change this sad reality. “They pay out of their own pockets. They sacrifice time with their families, take leave from their jobs, face financial setbacks and travel thousands of miles, all to share the music and culture of Trinidad and Tobago with the world. Yet, too often, their stories go untold,” Marion says.
Noting that people like Trendsetter Goofy are “a different kind of cultural ambassador,” she says they are quietly making an impact. “These are the independent artistes and DJs who believe in their music so deeply that they are willing to invest their own hard-earned money, take personal risks and create opportunities for themselves when the industry does not open its doors for them,”she adds.
Trendsetter Goofy is Daren Phillips. This season, he released ‘Take Ah Drink’ on the Bumper Sticker Riddim. He followed that up with ‘This Is Life.’ Marion, in her statement said, “His story raises a question that deserves our attention. Why do we so often celebrate our culture on the world stage without giving enough recognition to the people who personally sacrifice so much to bring it there?”
Trendsetter Goofy, a Soca artist and international DJ from Tobago who is building his career through determination, personal investment and an unwavering commitment to his craft. His journey is a powerful example of the dedication required to represent his homeland internationally, often without the financial rewards or public recognition that such efforts deserve.
Last year, he took a significant step forward with his first European tour, including an appearance at Munich Carnival in Germany, where he represented Tobago, alongside performances in Frankfurt, Amsterdam and Rotterdam. His international appearances also extended to Toronto and Miami. “Behind these achievements were not only performances and travel, but also the realities of everyday life: arranging time away from work, making family commitments work, investing personal resources and dealing with opportunities that did not always go to plan,” shared Marion.
This heartfelt plea for consideration to the less publicly known creatives and cultural ambassadors comes as Tobago announces its first ever Road March competition on the island. It begs the question : Who are the Tobago artistes in the race and are the contenders all known to the public at large who will be in attendance at this year’s Carnival in Tobago?
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