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Archived: Bunji, Fay Ann To Hit Glastonbury Festival With Soca In June

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News today that Trinidad and Tobago soca star, Bunji Garlin will headline one of the key dance stages at the legendary Glastonbury Festival in England this June.

The festival, which has been active for over 40 years and has been voted the world’s number one event by music magazines, boasts a number of key arenas, which showcase star talent. This year’s headline acts include Kanye West, Foo Fighters, Pharrell Williams and The Who. Bunji will join these globally recognised acts at the festival, which is expected to attract in excess of 185,000 patrons. The man who has soared to stardom across the Caribbean and is fast becoming a popular artiste in the United States, will be joined on stage at Glastonbury by his wife and fellow soca hit maker, Fay Ann Lyons. The duo will perform with production outfit, Jus Now, who’ve collaborated with Bunji on “Truck on De Road” and “Tun Up”.

Bunji Garlin and Fay Ann Lyons will join Jus Now on stage at the Glastonbury Festival in England.

In a statement issued to the media, Bunji said, “Playing in Glastonbury will be a special moment for me not only as I get to present the culture of Trinidad and Tobago from a certain and maybe different perspective but also because I don’t get to do it alone, as in most cases on occasions like these with artistes from Trinidad and Tobago. This time I am equalized by the dynamic feminine version of musical aggression in the body of Fay- Ann Lyons and my collaborative family Jus now, responsible for Truck on D Road and Tun Up that received marvellous mainstream play in the UK. We look forward to simply smashing the stage.”

Bunji’s popularity in the UK has been at an all time high, with his sold out London show last year as well as record levels of radio airplay across the board with a number of his hit singles from his album “Differentology”. In addition to the Glastonbury show Bunji and Fay Ann will also be headlining their own show at The Coronet in London on Saturday, June 20th. That show is called,  “The Face-Off”.

The Glastonbury Festival takes place from June 24th-June 28th.

Ebuzz News

‘I Am Legend’ Concert Promoter, Glenroy Watson Has Passed Away.

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Well known event promoter, Glenroy Watson, has passed away. He died of natural causes on April 1st, in Port -of- Spain, Trinidad. 

Watson’s legacy in the event landscape in Trinidad and Tobago stands as one rooted in the philosophy of delivering value to patrons, something that was the benchmark of every ‘I Am Legend’ concert in T&T and certainly countless other events hosted across the region and internationally. 

Hands on and meticulous in his approach, Watson prided himself as a no nonsense promoter. 

Most recently, in the aftermath of Carnival 2026, he hosted the Majah Hype comedy show, ‘Majah Issues’, at the Southern Academy for the Performing Arts, in Trinidad and was preparing for a major concert event in Trinidad, at the time of his passing. 

At this time, the bereaved extends gratitude to well- wishers and asks for privacy and understanding as preparations for Watson’s home-going ceremony get underway. 

All further details will be relayed at a later time. 

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Caribbean Buzz

Destra Delivers Powerfully at Reflections.

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“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA

Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.

From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.

Destra with King David Michael Rudder.

Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.

One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.

Destra’s daughter, Xaiya on the piano.

The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.

As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.

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