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Kes The Band Hits The West Coast With Pure Fire!

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Kes The Band kicked off its West Coast leg of the Liki Tiki Tour this week with a stirring showing on Wednesday September 28 at the House of Blues restaurant and bar in Anaheim, California.

Lead singer, Kees Dieffenthaller received a rousing cheer of approval as he invited the audience to rename the iconic “House of Blues” to the “House of Soca” during the performance.”Great to experience!” said Mixing Engineer, Dexter Simmons. He commented on the band’s IG page following the first show, adding, “Had an awesome time last night!”

Log on to www.miamicarnival.org for more info.

Additional shows on the West Coast are scheduled for September 30th at The Music Box in San Diego, October 1st at Ace of Spades in Sacramento and October 2nd at Cornerstone in Berkeley. 

These shows are carded to happen after thousands of Soca music-lovers came out recently to The Fillmore auditorium in Silver Springs, Maryland to experience the last East Coast stop of the ongoing Liki Tiki US Tour. Following successful stops and sets at the Theatre of Living Arts in Philadelphia and The Underground at Ink Block in Boston, opening act, L’shun “Jimmy October” Emmanuel and Haitian collaborator, Jonathan “JPerry” Perry joined Kes for a sold out show at The Fillmore.

“We played Maryland last night, which was insane!” Stated Emmanuel afterward. “Like for real, like.. Last night was really special. It was a sold out show and I was able to meet up with people and fans after, who were so enthusiastic and happy to see me for the first time and to experience us. 

“Just seeing the energy of the people filling up a room and they’re all loving the music, our culture and loving the new things that we’re doing and it’s also me seeing Kes doing his thing at the same time too. That man is a legend 100%,” he said.

Emmanuel collaborated with Kes in 2020 on the hit single, “Magic” and revealed that he was thrilled to be included on the band’s current US Tour dates.

“Mind blown! For me, this is my first real tour – like series of shows back to back to back,” explained October, “which is a crazy experience for me – esp seeing people that are familiar with my music, being able to connect with people who are now being introduced to me and kinda being able to play my stuff for them, yeah, it’s really been overwhelming but in a good way. Definitely one of my favorite experiences thus far in my career, yeah.

“I’m really grateful for this opportunity to tour with Kes.” He added. “There’s so much to learn from him and his skill set and the band and how they do what they do, so to be able to open up the show with my own 20-minute set as well as perform Magic with them is definitely a blessing. Like in my head I’m still this guy from Grande, who’s all the way over here just sharing the gift that God gave me with as many people as possible…”

Aside from the actual artistes involved, Kes’ new management team has also expressed great satisfaction with the completion of the first leg of the tour and is excited about taking Soca to new spaces and places.

Manager, Damon DeGraff said, “The goal is to continuously expand how our music touches various regions and cultures and by doing this successfully and selling out these venues, we’re showing that our sound and culture can be engaging in venues where traditionally, soca music had never been heard.”

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Caribbean Buzz

Caribbean Youths Zealously Welcome American Streamer, IShowSPEED.

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A Caribbean tour that started in Trinidad on Saturday and has continued in Grenada, this afternoon, has intrigued GenZ and GenAlphan fans across the Caribbean and internationally, all thanks to digital influencer, IShowSpeed, whose real name is Darren Jason Watkins Jr.

The 21-year-old Cincinnati, Ohio native who has racked up over 53 million YouTube subscribers touched down in Trinidad on Saturday, much to the excitement of local gaming and streaming fanatics, many of whom are teens and pre-teens.

Accompanied by several Trinidad and Tobago influencers and chaperoned by Machel Montano’s manager, Che Kothari, the vibrant young streamer was shown various parts of Port- of- Spain, Trinidad, and introduced to aspects of the culture often experienced by visitors to T&T, particularly at Carnival time.

From Saheena, to Roti, Bake and Shark and Doubles, IShowSpeed tried several Trinbagonian dishes and even some of the snacks manufactured locally. He was exposed to Carnival culture and traditional carnival characters and further to that, Trinidad and Tobago artistes like Lady Lava, Nessa Preppy and Jimmy October shared in the thrill of his visit. Many young, eager Trinbaonians, inclusive of parents who are familiar with the young influencer, engaged happily with Watkins Jr. throughout Saturday’s trip, all as he streamed the fun, live. Running through the streets as he moved through places like Tragarete Road and Charlotte Street in downtown Port-of-Spain, he was visibly excited to experience the country known especially for the Greatest Caribbean Carnival, the world over.

The trip, though quick, was streamed to some 7 millions online viewers and while some found it difficult to relate to the new wave of digital marketing and influencer branding potential for the small, twin island, others have since been marveling at the fact that this 21-year-old has managed to gift Trinidad and Tobago more publicity in mere hours, than that which Caribbean celebrities have been able to attain, over years in cultural ambassadorship.

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Caribbean Buzz

Destra Delivers Powerfully at Reflections.

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“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA

Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.

From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.

Destra with King David Michael Rudder.

Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.

One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.

Destra’s daughter, Xaiya on the piano.

The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.

As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.

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