Rhonda Knights is the undisputed female HipHop queen of Trinidad and Tobago and this incontestable fact facilitated her rise to acclaim in the 90’s in Trinidad and Tobago, but she’s far from done. As fierce as she’s ever been, Sistaron, as she’s popularly known, now delivers another hit single, this time with melody that’s intrinsically Soca. Even amid pandemic restrictions, Sistaron remained focused, bent on delivering her unique sound, and that she has. She’s made a point of blending her country’s sweet, Soca melody with a few lines that bring home the head- bopping fire she’s well known for. ‘Fwd’ is a lyrically sound piece of work that’s uplifted with the production skill of none other than producer, LL Cool Blaze, with mastering by Keron ‘Sherrif’ Thompson. Peter ‘Wildfire’ Noel is credited with vocal co-production, building on their relationship from her previous release, ‘Waiting for You.’
When she re-emerged onto the Caribbean music circuit two years ago, Sistaron received a warm welcome. Her single, ‘Look Ting Now’ was enough to prove that she was prepared to leave a lasting impression. Now, with a thirst to deliver music that fans and people from all walks of life can relate to, dance and sing along to, the former Keskidee Karavan hit maker, elevates with ‘Fwd.’
“It’s a track that anyone can relate to – men and women,” she explained, adding that this particular single isn’t being marketed specifically to the carnival season. “A lot of the artistes have changed that mindset of creating music with lyrics specific to carnival. The pandemic showed many of us what needed to change. We’re at a crossroads where we simply want to release music for consistency and we don’t want to be pressed for a certain time period,” she said. The Miami based artist highlighted the chaos often caused when music is released specifically for the Carnival season, with artistes all clamoring for radio airplay. “This situation may prove beneficial to the industry, since now we can all focus on delivering music anytime, irrespective of a festival per say.”
Still, the carnival lover maintains hope that Trinidad and Tobago will see brighter days ahead. “Many of us out here in the US are concerned because we know the strain the economy back home, is under. We know what our contribution annually, means to the economy,” she said, highlighting that no matter what, Trinidad and Tobago’s carnival is essential.
Equipped with her individual style and flair, Sistaron says it’s never easy to reinvent oneself and keep going, and for that, she’s immensely satisfied with her determination. “I’m shocking myself all the time,” she said, laughing at the moments she often finds herself pondering the fact that she wrote the music she just happens to be singing. “Someone once told me that I should keep adjusting my crown, because they’re watching, and that fueled me to keep going,” she admitted, adding, “reinventing myself and producing good stuff is giving me my own vibe right now.”
She tells up and coming creatives to avoid placing boundaries on themselves, saying that it’s good to broaden their perspective so they can see a wider spectrum of all that they can be. Her new single is testimony to that mindset- the artist explaining that it all came together as it needed to, after multiple random chats with friends and even a chance encounter with an Afro Beats mixtape she’d heard almost two years before. “This song is made up of a little of everything, meshed perfectly to deliver a huge something that’s not only relatable, but honest and real,” she said.
For the very latest on Sistaron, follow her on Instagram @sistaron.
Trinidad and Tobago gospel dancehall artiste JrDynamite is opening up about some of life’s toughest emotional battles on his latest single, Fake Energy.
Produced by Adrian “Always Kreative” Emily, the track blends smooth dancehall rhythms with JrDynamite’s signature sing-jay style to deliver a message that is both deeply personal and widely relatable. Through honest storytelling, the artiste explores feelings of disappointment, isolation, and self-doubt while encouraging listeners to remain grounded in faith.
At its core, Fake Energy examines the challenges of identifying genuine support in a world often filled with superficial connections. The song reflects on loyalty, appreciation, and the search for authentic relationships, all while asking difficult questions about who truly stands by us during life’s most challenging moments.
While the message is universal, the track also shines a light on the emotional struggles many men face as they carry responsibilities while feeling unseen or underappreciated. JrDynamite uses the song to create space for reflection, vulnerability, and healing without losing the uplifting spirit that defines his music.
Anchored by faith and resilience, Fake Energy reminds listeners that even when human relationships disappoint, strength and purpose can still be found through God’s unwavering love.
With its soulful melodies, introspective lyrics, and polished production, Fake Energy continues JrDynamite’s mission of creating music that not only entertains but also inspires listeners to protect their peace, recognize their worth, and keep moving forward.
The vibrant sounds of classic dancehall and contemporary reggaeton collide on “De Shot Call (Remix),” a dynamic new collaboration from Trinidad and Tobago recording artist General Grant and versatile entertainer Mr. Renzo.
.Designed to ignite dancefloors while honoring the rich musical heritage of the Caribbean, the track blends the raw, energetic spirit of early 1990s dancehall with the infectious grooves and global appeal of modern reggaeton. The result is a high-energy anthem that bridges generations, cultures, and musical styles.
Inspired by the golden era of dancehall that helped shape Caribbean music culture, “De Shot Call (Remix)” reimagines that signature sound through a contemporary lens. The production delivers nostalgic undertones while embracing the polished rhythms and vibrant energy that resonate with today’s audiences.
For General Grant, the project continues his commitment to preserving and evolving authentic Caribbean music. Widely respected for his contributions to the dancehall and reggae landscape, he brings his signature delivery and commanding presence to the remix, reinforcing the song’s connection to the genre’s roots.
Joining him is Mr. Renzo, a singer, songwriter, and entertainer whose career spans more than two decades. Recognized for his ability to blend Caribbean, Latin, pop, and urban influences, Mr Renzo adds a fresh and modern dimension to the track, helping to create a sound that transcends borders and appeals to a broad international audience.
Together, the two artists showcase how Caribbean music continues to evolve while remaining grounded in its traditions. “De Shot Call (Remix)” serves as a celebration of that journey, highlighting the seamless transition from dancehall’s formative years to Reggaeton’s current global prominence.
The single was executive produced by Lawrence Adams – Mr. Renzo, who also co-wrote the track alongside Curtis Grant – General Grant. Recording and editing duties were handled by Stephon Gabriel, while engineer Ovy Thouni delivered the song’s polished mix and master.
With its infectious rhythm, energetic performances, and cross-generational appeal, “De Shot Call (Remix)” is positioned to become a favourite among fans of Caribbean music and lovers of dancefloor-ready hits alike.
Whether you’re a longtime dancehall enthusiast or a fan of today’s reggaeton movement, this collaboration offers the perfect soundtrack to turn up the volume and celebrate the enduring influence of Caribbean music.
“De Shot Call (Remix)” is now available for audiences ready to experience the fusion of old-school dancehall energy and modern reggaeton flavor.
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