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Archived: Love In COVID. Imaginary or Not, We’re Here for It.

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Versatile. It’s just one of the words that can be used to describe Soca music, and with artistes like Erphaan Alves steering the art form, it isn’t impossible to think that Soca music will very soon, make it to mainstream markets around the world.

Alves is in Trinidad, even as many other soca artistes have chosen to venture outside to the US, in a bid to build momentum heading into 2022. One thing he’s not, however, is idle. New music released, Erphaan’s maintaining his promise of releasing soca music year round. His latest single, “Imaginary Love’ sits on a riddim dubbed the LaVean Project. The new single is fresh and sexy to say the least.

In a little one on one with Ebuzztt, the young entertainer said he’s grateful for the love from fans all around the world, despite the restrictions and pause in traditional entertainment, over past year plus. “During this time I see myself as a creative vested with the responsibility to entertain, uplift and restore that sense of hope for all the listeners of the music. Right after Carnival last year we kept the momentum going. We dedicated a song called ‘Hold On’ as a sign of solidarity to the nation and the world by extension,” he recalled.

Like so many of our Caribbean artistes and creatives, Covid-19 has placed them in a precarious position. Despite it all, Alves told us that he and his team remain grateful for everything. “It kind of stems from me being able to rise above all that’s going on and supply the people with music, and that love is reciprocated by the consumers of the music,” he said, adding, “I had the ‘Grateful’ concert last November and the ‘Grateful mixtape’ where I collaborated with DJ Private Ryan and saw one of the singles, “So Sweet,” make it to #2 on the iTunes Top 100 songs streamed in Trinidad and Tobago in February,” he said, explaining that these are just some of the things that keep his fire alive when it comes to soca music.

Over the next few months, Erphaan says he’ll be working on new projects. “I really can’t say whether there’ll be a Carnival 2022 or not, but for now, we just have to really continue to be safe and observe all protocols and do what we have to do as individuals, that would positively contribute to our nation’s wellbeing.”

Now, check out ‘Imaginary Love’

Ebuzz News

‘I Am Legend’ Concert Promoter, Glenroy Watson Has Passed Away.

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Well known event promoter, Glenroy Watson, has passed away. He died of natural causes on April 1st, in Port -of- Spain, Trinidad. 

Watson’s legacy in the event landscape in Trinidad and Tobago stands as one rooted in the philosophy of delivering value to patrons, something that was the benchmark of every ‘I Am Legend’ concert in T&T and certainly countless other events hosted across the region and internationally. 

Hands on and meticulous in his approach, Watson prided himself as a no nonsense promoter. 

Most recently, in the aftermath of Carnival 2026, he hosted the Majah Hype comedy show, ‘Majah Issues’, at the Southern Academy for the Performing Arts, in Trinidad and was preparing for a major concert event in Trinidad, at the time of his passing. 

At this time, the bereaved extends gratitude to well- wishers and asks for privacy and understanding as preparations for Watson’s home-going ceremony get underway. 

All further details will be relayed at a later time. 

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Destra Delivers Powerfully at Reflections.

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“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA

Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.

From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.

Destra with King David Michael Rudder.

Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.

One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.

Destra’s daughter, Xaiya on the piano.

The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.

As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.

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