Connect with us

Ebuzz News

Archived: More Power Soca Hits the Airwaves. Road March Race Gets Interesting. BUT Are There Enough?

Published

on

Approx. 2 min read

Ricardo Drue is pushing hard again in 2018.

Ricardo Drue has unleashed a brand new Power Soca anthem that has the potential to cause some serious anarchy on the streets of Port-of-Spain and wherever else a street parade may be held in the heat of the Greatest Show on Earth. With not a single thought of slowing down, the young father and front line vocalist of the All Starz is once again proving that he’s an extreme force to be reckoned with in the Carnival.

                                  ARMY FETE.
                               FEBRUARY 2ND.
                        PAID ADVERTISEMENT.

Drue appeared on RED 96.7FM on Wednesday where he unleashed, “Intensity”- a track written by Nadia Batson and produced by producer extraordinaire, Neil Bernard. He said Bernard sent him back to the drawing board repeatedly, telling him that he had to rough up the track a bit more, each time. He eventually got it. Admitting that his love affair with soca had, for the most part, centred around the Groovy Soca vibe, Drue yesterday told radio personalities, Richard Trumpet, Rachel Price and Tim Tim that he is now a big fan of the Power Soca energy. Questioned on the fact that he is now in direct competition with his daughter’s mother, Patrice Roberts, for the Road March crown, Drue shrugged it off saying that whoever is successful, his daughter, Lily, would ‘eat’.

the Ultimate Rejects have some of the most powerful anthems of the season.

A few Power Soca contenders have emerged. We’re loving the Ultimate Rejects’ “Vex” and “Brimstone”, Destra and Nadia’s “Now,” Patrice Roberts’ “Sweet Fuh Days” and certainly this brand new single from Drue, “Intensity.”

The energy of Carnival, the revelry that the season calls for, can only be truly express and felt with the right music. Many have called for the return of  the hardcore feting vibe and while there has been a re-emergence of Power Soca, the question still remains, are there enough contributions to pool for a genuine monster Road March anthem? You tell us. Comment below this story for a chance to win tickets to Army Fete in the days ahead.

Ebuzz News

‘I Am Legend’ Concert Promoter, Glenroy Watson Has Passed Away.

Published

on

By

Approx. < 1 min read

Well known event promoter, Glenroy Watson, has passed away. He died of natural causes on April 1st, in Port -of- Spain, Trinidad. 

Watson’s legacy in the event landscape in Trinidad and Tobago stands as one rooted in the philosophy of delivering value to patrons, something that was the benchmark of every ‘I Am Legend’ concert in T&T and certainly countless other events hosted across the region and internationally. 

Hands on and meticulous in his approach, Watson prided himself as a no nonsense promoter. 

Most recently, in the aftermath of Carnival 2026, he hosted the Majah Hype comedy show, ‘Majah Issues’, at the Southern Academy for the Performing Arts, in Trinidad and was preparing for a major concert event in Trinidad, at the time of his passing. 

At this time, the bereaved extends gratitude to well- wishers and asks for privacy and understanding as preparations for Watson’s home-going ceremony get underway. 

All further details will be relayed at a later time. 

Continue Reading

Caribbean Buzz

Destra Delivers Powerfully at Reflections.

Published

on

By

Approx. 3 min read

“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA

Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.

From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.

Destra with King David Michael Rudder.

Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.

One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.

Destra’s daughter, Xaiya on the piano.

The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.

As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.

Continue Reading

Trending

error: This content is protected. if you wish to use this content in anyway please contact us.