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Archived: New Year Resolution In Mind, Soca Track in Hand, Vetta's Set for 2014

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Wondering what some of the New Year resolutions of our Caribbean artistes might be? For some, it may simply be to take their careers up another notch, while to others like Hip-Hop crooner, Vetta, the idea of giving of himself in a more tangible way, to a cause, is more worthwhile. Vetta’s a young artiste out of Trinidad who’s been working hard at his craft and in 2014, he’s chosen to take a ride on the Soca train. In a recent media release issued on behalf of the entertainer, we found out that he plans on becoming more involved in Trinidad and Tobago’s anti bullying campaign.

In 2013, Machel Montano stood side by side 11-year-old, Jeromy Rodriguez- the current title holder of the Junior Soca Monarch title, to draw more awareness to the situation. Fay-Ann Lyons, months prior, had expressed strong sentiments against the act just the same. Now, with a strong desire to push things along even more, Vetta is assuring that he’ll be part and parcel of T&T’s anti bullying campaign and that’s definitely a great resolution.

Relative to his music, the Chaguanas native who’s been involved in music professionally since 2000, said he’s getting ready to unleash a brand new Soca track for the carnival season that’s upcoming.“I took a couple years off from the music, but I started back recording this year,” he said, explaining that earlier this year he released a track called, ‘Represent’- a hip hop track that used a sample from Biggie Smalls. That track, he said, was produced by DLL and recorded at Highway Records in Trinidad. The new single however, was done by local producers Star Blu Entertainment and Millbeatz Entertainment and according to Vetta, the music will speak for itself. “I just plan on putting out as much music as I can,” he told us, explaining that he’s been working a lot with some of the country’s younger producers.

Separately, the New Year looks to be one filled with great opportunities for the ambitious artiste as plans are already in place for him to travel to North America and Europe where foreign producers have indicated their strong desire to meet with him to discuss partnerships. Ready to rumble, we’re keeping our eyes on Vetta as he moves to make big strides in 2014. Hats off to him!

 

 

 

Ebuzz News

‘I Am Legend’ Concert Promoter, Glenroy Watson Has Passed Away.

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Well known event promoter, Glenroy Watson, has passed away. He died of natural causes on April 1st, in Port -of- Spain, Trinidad. 

Watson’s legacy in the event landscape in Trinidad and Tobago stands as one rooted in the philosophy of delivering value to patrons, something that was the benchmark of every ‘I Am Legend’ concert in T&T and certainly countless other events hosted across the region and internationally. 

Hands on and meticulous in his approach, Watson prided himself as a no nonsense promoter. 

Most recently, in the aftermath of Carnival 2026, he hosted the Majah Hype comedy show, ‘Majah Issues’, at the Southern Academy for the Performing Arts, in Trinidad and was preparing for a major concert event in Trinidad, at the time of his passing. 

At this time, the bereaved extends gratitude to well- wishers and asks for privacy and understanding as preparations for Watson’s home-going ceremony get underway. 

All further details will be relayed at a later time. 

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Destra Delivers Powerfully at Reflections.

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“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA

Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.

From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.

Destra with King David Michael Rudder.

Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.

One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.

Destra’s daughter, Xaiya on the piano.

The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.

As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.

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