The theme of Carnival 2014 is ‘Many People, One Carnival.’ This was revealed yesterday at the launch of the festival at the Queen’s Park Savannah in Port-of-Spain, Trinidad. The island, revered worldwide as the mecca of Carnival, will also see the addition of several events, inclusive of a pre-j’ouvert fete to herald in the early morning dirty mas. ETCETERABUZZ has also learnt that there will be the addition of something called, ‘Karnivala’, an all- inclusive event to be hosted by the National Carnival Commission. This event, named after the Hindi word for Carnival, will, according to the organizers, feature the best that Indo-Trinidad has to offer through color, culture and the culinary arts.
NCC CEO, Allison Demas has indicated there will be several new events added to the 2014 Carnival calendar,
The budget allotted to the NCC to host next year’s festival is reported to be $289 million dollars. We spoke with Big Mike Antoine, bandleader of Legacy Mas who said while the nation and the stakeholders of the festival often hear of the budget, on what exactly the money is spent, is another question.
In 2014, The NCC has included on its agenda of events, a Film Festival Series which will be organized by the TTFF and will focus on representations of Trinidad and Tobago’s Carnival in film. There’ll also be a Carnival Art Exhibition to be organized and curated by the Trinidad and Tobago Art Society. The aim of this is to allow visitors the opportunity to see the festival of carnival through the eyes of the country’s artists.
Big Mike Antoine seen here with Juliet De La Bastide, says the NCC should meet with stakeholders separately.
Today, in our chat with Big Mike, he admitted that he did not attend the launch of the 2014 season on Wednesday. He said from a band leader’s perspective, he would like the NCC to meet with, and listen to the many concerns of band leaders specifically, on an annual basis, explaining that far too often, the people who make the decisions that affect the two day parade itself, are not masqueraders nor bandleaders and as such, they are out of touch with the real issues of the masquerader’s experience. He admitted that following Carnival annually, a meeting is held with all stakeholders of carnival, but for Mike, this is viewed as time wasted. “If you invite TUCO with band leaders in a meeting it makes no sense. The mas men and the calypso and soca stars would hear the problems the band leaders have on the road and really, that isn’t their interest,” he argued. He said it makes no sense having all of the carnival stakeholders airing their concerns at one event, at the same time.
On the parade route and issues surrounding it, the NCC yesterday noted that the carnival route is still under study and the organization is currently working with C&H Associates and the National Carnival Bands Association to figure out the best way forward. On a lighter note, a new carnival competition called the Monday Night Groovy Soca Explosion will make its way into the season in 2014. The first prize winner of that competition will be $20,000 richer at the end of the night, with a graded prize structure to be determined based on the number of entries.
Trinidad and Tobago’s 2014 Carnival parade is merely 108 days away.
She may be a Trinbagonian soca artiste but she’s also a proud Caribbean woman, so it was only right that rapper, Drake’s team at October’s Very Own – OVO, deliver to the entertainer, an OVO branded dominos set. It was quite possibly the package inclusion that brought out Belfon’s excitement earlier this week, when she received and opened it up.
Denise has been basking in the joy of being a part of Drake’s recently released, Maid of Honor’ album – her single ‘Work’ sampled on a track called, ‘BBW’. Fans, pretty much elated by the news, have been expressing their congratulations to the New York based singer, many saying it was only a matter of time before this type of breakthrough came for her.
Denise’s journey in music began decades ago, and even though her presence on the Soca circuit in the Caribbean has been limited for some time, her past hits have proven to be legacy-leavers, with DJs, artistes and social media users quite often returning to her sound.
The OVO gift package included merchandise and the special Dominos game set, something Denise automatically hailed out her Jamaican friends on, noting that they’d me meeting up for a game soon. When news of the sample emerged in May, many questioned whether Belfon had agreed to the use of her work. She has since allayed all concerns, saying all is above board on the project.
A riddim built on pure Jamaican nostalgia that’s dominating with several acclaimed artistes releasing hit singles, the ‘Hill And’ Gully’ folk riddim is undeniably a major influencer this year. Like butter, several releases smoothly resonate, with artistes like Masicka, Mr. Vegas, Kees Dieffenthaller, Valiant, Elephant Man and Sheneil Muir delivering catchy singles for the masses.
Outside of multiple releases produced by Jamaican DJ/ Singer/ Songwriter/ Stephen ‘Di Genius’ McGregor, Trinidad and Tobago artiste, Anisha, has risen to the occasion, urging social transformation using her creativity as the vessel. “Plea for Peace is meant to uplift communities and spark conversation because I believe music can preserve tradition, while creating space for meaningful dialogue,” said the Belmont,Trinidad native.
Known in creative spaces as The Goddess of Love, Anisha was raised in Belle-Eau Road in Belmont. She understands the need for thought provoking messages through music. “I compose my own songs and I’ve been involved in music for several years,” she said, explaining that she uses music as a tool to express herself, tell stories and tap into her emotions while addressing issues that affect communities.
For Anisha, the Hill and Gully Riddim offers music lovers a timeless cultural connection. “I felt it was a riddim that could help carry this message of peace to both the young and the old in a way that’s relatable and impactful,” said the singer. Acknowledging the criticism by veteran Jamaican broadcaster, Fae Ellington over some of the lyrics sung by artistes on the traditional folk riddim, Anisha says she respects Ms. Ellington’s perspective. “I respect her perspective because cultural and musical traditions are important and should always be valued.” She however admits that music continues to evolve as a reflection of society. “Each artiste chooses to use music to express himself/herself based on personal experience, however my approach with ‘Plea for Peace,’ was to honor the riddim’s cultural significance by using it to address an issue that is affecting my country, Trinidad and Tobago.”
The song was born out of Anisha’s concern for the people of T&T. “It’s really a mixture of concern, frustration and hope. This song addresses the growing impact that crime and violence continues to have on families, communities and the youth,” she declared, adding that it serves as a heartfelt appeal for the population to reflect on what society has become, while establishing a blueprint for a better future. “If this song encourages even one young person to choose a different path, or reminds communities that love, respect and unity still matter, then I’d consider it a success,” she said.
Anisha says she admires the dedication to peace, shown by fellow T&T artiste, Orlando Octave. “We share a similar passion for spreading positive messages through music. I often refer to him as ‘The Prince of Peace,” she said, noting that she would be honored to work with Orlando, if the opportunity presents itself. “My mission as an artiste is to use my music as a bridge that brings people together, rather than divides humanity. ‘Plea for Peace is more than just a song. It’s a reminder that despite the challenges we face, peace, love and unity are still very possible if we choose to lift each other up.”
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