It’s just not cute…. DON’T FIGHT AFTER A BOAT RIDE..
What may have been the most epic cruise in Trinidad, in recent time, according to some, has been sullen by social media propagation of a video that has amassed thousands, perhaps millions of views by now. The video shows a woman being attacked- three adults rolling around like pigs in mud, on top of her, as others look on, many filming the incident, rather than making moves to stop it. Credit must however be given to the few people who did make some attempt to save the poor victim, despite what in essence was the ruin of a good memory for most. The cruise, hosted by popular media and entertainment hub, Scorch, was branded by CIROC vodka and hosted a number of notable socialites, among them Soca stars, Bunji Garlin and Fay-Ann Lyons. Thankfully though, the power couple was not the centre of attraction this time around.
The incident took place after the event had ended on Sunday, in the parking lot where many had been assembling to head to their next destination. The circumstances surrounding the beating- we don’t know, but here’s what we DO know… FIGHTING AFTER A RIDE, IS BAD…
Here are EBUZZTT’S top 3 Things NEVER to do, after a boat ride….
1. Never claim a man or woman you just met, danced a few songs with and had some shots with, as your new BAE.. nope.. That’s a definite NO NO. Leave it all right there. If you’re meant to meet up again and start a romance, you’ll have that unexpected encounter at least a few times down the road…
2. Never post your drunk ass selfies with friends to social media when the WiFi becomes active as you hop off the boat. Blurry eyes should never be given that kind of leeway. Just keep the cell phone in your pocket or clutch and keep it moving.
3. AND FOR GOD’S SAKE… No damn fighting after the ride. Wasn’t the enjoyment enough excitement for one night? God ‘dammit’…. Why do you people embarrass yourselves like that? STOP YUH NONSENSE and be sensible enough to know that the next day, week, month, year, lifetime, you’ll be the laughing stock of the country if you’re dumb enough to get involved in a fight-especially if your ass is drunk!
Ebuzztt.com refuses to post the video. We see no sense in adding to the degradation it has already caused Trinidad and Tobago.
“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA
Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.
From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.
Destra with King David Michael Rudder.
Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.
One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.
Destra’s daughter, Xaiya on the piano.
The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.
As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.
Reflections certainly delivered a powerful blend of music, filled with deep messages and meaning. In what is a very spiritual season, Destra, through the delivery of ‘Reflections,’ has carved out a space for inspiration and connection within Trinidad and Tobago’s cultural landscape – something that many would agree, is a necessity more than an option.
On the heels of the release of new material, Buju Banton recently rode through Brooklyn with comedian, Queensflip on a dollar cab. The candid discourse has however landed the veteran reggae and dancehall artiste in a viral war of words it would appear, as someone speaking on behalf of fellow entertainer, Wayne Wonder is now challenging Buju’s utterances.
In a post shared on social media on Monday, Buju Banton is lambasted on behalf of Wayne Wonder, with the spokesperson alleging that Buju was responsible for the removal of Wayne Wonder’s name on credits for his 1992 hit single, ‘Murderer.’
Buju’s utterances was owed to questions asked by QueensFlip on the matter of his relationship with Wayne Wonder.
In response, a representative, now understood to be the wife of Wayne Wonder, countered Buju’s sentiments, harshly criticizing Buju’s character and alluding to dishonesty and unfair treatment meted out to her husband.
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