Known for his involvement in the Zess music fraternity in Trinidad and Tobago, producer DNyce of DNyce Nation has made us look, unleashing something far from the norm, and proving his ability to masterfully go beyond the typical. He sings on the single, collaborated on with none other than multiple title holder, Shurwayne Winchester- something he says, is a first for him. What’s funny is, his first vocal effort, is pretty extraordinary.
D Nyce believes the Zess style can reach far, but appealed for all involved to be mindful of the need for the music to be commercially viable.
Speaking with Ebuzztt following the release of “Ring De Bell”, DNyce, who’s real name is Dike David Pererria, said the song came from a place of gratitude. He explained that his single with Shurwanyne sits on the Colours Riddim and features several other artistes, among them, Potential Kid, Ace Boss and Vice, Bass, Skem and Melick. “It’s an honour to be able to sing alongside such a great artist like Shurwayne himself and it’s an honour to be able to produce a song like this,” said the young producer. He noted that the track was meant for Shurwayne and he had no intention of singing on it however, upon realising a need for a second voice, he offered to give it a try. “The song really came about due to me being so grateful and so happy about life itself and knowing that I am blessed with the opportunity to still have something to do, knowing that there are other people who aren’t as fortunate,” he said. DNyce acknowledged the support given by Shurwayne over time, saying, “Shurwayne being a person who has taught me so many things in terms of the music industry and how to go forward with my business, I couldn’t think of anybody else to sing something like this.”
The single encapsulates the concepts of spirituality and life; “It connects both life and God in one song,” said the writer and producer. Speaking on the Zess movement, he made it clear that it is not a new genre but rather, something created by Trinidad and Tobago, that he believes, once packaged properly, could have global impact. “A lot of the new acts coming up, I’m behind,” he admitted, noting that Zess is a new style of Caribbean music, that has originated from T&T. “It’s a taste of Soca with a branch of dancehall,” he clarified, adding, “I know where I can see this style going- I know what I see and what my passion when it comes to the production of the sound is, the whole happy side of the Zess thing. I can see that reaching very far as a new style of our music; I believe it can reach global markets but yet, we still have the negative side so while I can see it going global, I can only hope that the other artistes that support the style, turn their direction into a more commercial side of things.”
DNyce told EBUZZTT that this single is one of the most positive singles delivered out of the Zess style. “For the 90% of the time that T&T’s dancehall has been getting a hearing, the radio stations and the people in charge have only been promoting the negative side of the movement,” he said, going on to say, “This is one of the most positive crossovers ever to be created within the whole Zess forum. I’m not saying that there haven’t been positive songs before that have gotten a hearing but this is something that a lot of people have been trying to do, which is to make the whole cross between the Soca and the Zess. I feel this is one of the real openings that could affect these young people’s lives not just by telling them what’s the right thing to do, but by giving it to them in a way that they can enjoy.”
“This is one of the most connecting songs of the last three years. It has connected life and God in one message.”
DNyce
A part of the music and production business for over 15 years, the DNyce Nation boss told us that he had to move his business from his home in St. Barbs, Laventille, to Belmont, noting that many artistes refused to enter Laventille, to work at his studio. “I had to use Belmont as my address for artistes to be attracted to come to the studio. For years it was a fight. I was unable to reach where I wanted to reach because nobody wasn’t coming to me so I really can’t forget Belmont,” he said. Confronting his truth, the young producer lamented that Laventille- his home, remains a crime hot spot, something that saddens him. “Being born and raised in a high risk, crime riddled community, I had to move my business to attract my clientele. I hope and pray for change one day.”
DNyce Nation is now located at SW Limited, Darceuil Lane, Arima.
‘Ring De Bell’ has been unleashed, complete with a video. Be sure to check it out below.
As Trinidad and Tobago prepares to usher in another Independence anniversary a daughter of the soil is paying tribute in a most fitting way- in song. Sabrina Marks has released her new single, “Sweet Pan Morning”- a tribute to the national instrument and the country that birthed it.
This sweeping musical tribute to the history, culture, resilience, and spirit of Trinidad and Tobago was skillfully curated by Executive Producer, Michael St. John. The song offers a timely reminder of what unites T&T, celebrating the people, traditions, and cultural contributions that have shaped the twin island nation.
Combining grand orchestral arrangements with rich Caribbean rhythms, the music takes listeners on a journey through Trinidad and Tobago’s evolving history, tracing a path from the cocoa fields and industrial landscape, to the vibrant culture that defines the country today.
The track recognizes the diverse communities that form the cultural fabric of the twin islands including people of African, East Indian, European, Chinese, Syrian-Lebanese, and First Peoples heritage. At its heart, “Sweet Pan Morning” celebrates two of Trinidad and Tobago’s most influential cultural gifts: Calypso and the Steelpan. It captures the uniquely national spirit, that allows its people to transform hardship into music, adversity into strength, and everyday life into celebration.
For audiences at home and abroad, the song is an invitation to honour Caribbean roots, celebrate what makes the twin-island nation unique, and recognize a creative spirit that continues to resonate globally.
“Sweet Pan Morning” performed by Sabrina Marks and Executive Produced by Michael St John is available now for radio airplay, global syndication, and streaming across major digital music platforms.
The sweetest berry, Anika Berry reached a major milestone in her career with the successful staging of SO SWEET:The Concert, last weekend, in Brooklyn, New York. It was the entertainer’s first self-produced headline concert in the US.
Artistes backed by a live band, the event brought together generations of Caribbean music and featured performances and appearances by GBM Nutron, Lyrikal, the legendary Tigress, Denise ‘Saucy Wow’ Belfon, Imani Ray, and many others, creating a night that celebrated not only Berry’s journey, but the music and artistes who helped shape the culture she so proudly represents.
Anika Berry’s event was years in the making. Her journey in the Soca space has been built one performance at a time – the young artiste developing her sound, building her audience, releasing music, traveling to perform, and continuing to push forward in an industry where longevity must be earned. Over the years, she has grown from an emerging voice in Soca, into an international performer, while remaining committed to creating opportunities and moments that honor the culture. For that reason, the Brooklyn concert was especially significant.
Stepping into the role of headliner and producer, Anika brought her own vision to life with a full live band, guest artistes, production, and marketing dedicatedly to an audience that answered the call and came together to support the next chapter of her career.
Denise Belfon was one of the featured artistes at So Sweet.
One of the most meaningful moments of the evening came when Berry shared the stage with two women whose contributions helped pave the way for generations of female Soca artistes- that moment was standing on stage with both Tigress and Denise Belfon. “The appearance by Tigress became an emotional connection between Soca’s past and present,” said the artiste. “Hearing and reliving “Wo Donkey”, the unforgettable United Sisters classic, on a Brooklyn stage was more than a nostalgic moment,” she added. It was an opportunity to give flowers to a generation of women who helped establish a space for female voices in Calypso and Soca, long before many of today’s artistes entered the industry.
For Berry, being on stage beside Tigress was a full circle experience. The music of the United Sisters – Tigress, Singing Sandra, Lady B and Marvellous Marva, represented strength, personality and fearless female expression. Their impact continues to live through the women who came after them. The presence of Denise Belfon, another woman whose unmistakable style, stage presence and catalogue have influenced generations of Soca performers, made the tribute even more meaningful. Rather than simply celebrating her own milestone, Berry used her first headline concert to recognize the women who helped make moments like hers possible. The night also represented the range of Soca itself, the event connecting different generations, sounds and audiences under one roof while keeping the focus on live Caribbean music.
For Berry and her team, successfully producing a headline concert in Brooklyn represents more than another performance credit. It marks a transition from being an artiste, working for opportunities, to becoming an artiste capable of creating the opportunity, building the platform and bringing other artistes onto it.
SO SWEET was a celebration of progress, but it was equally a celebration of gratitude.
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