Ebuzz News
Archived: New Year, New Music, Big Things To Come From Blaxx!
What better way to celebrate your birthday than to release a brand new single? Well, at least that’s how soca artiste Blaxx chooses to start his celebration today. Blaxx celebrates with all of T&T and his fans overseas as he marks another year of life today and with that he’s releasing another 2014 contribution. The new release is called ‘Fete Away’ and was produced by production wiz, Kernal Roberts- yes, the man who delivered several Road March titles to Soca taipan, Machel Montano. In a chat with EBUZZ yesterday, Blaxx said this one is one of his masterpieces and in a bid to lift the standard of Soca music’s lyrical content, he has kept it clean…that is, no wine up, jam up or other suggestive lyrics.
‘Fete Up’ was produced by Kernal Roberts, the producer who made Machel’s ‘Pump Yuh Flag’ and others successes.
Blaxx celebrates his birthday today!
Now, while the focus should be on him, considering that it’s his birthday and all, the ever humble and down to earth entertainer couldn’t refrain from telling us how elated he is to see just how well Soca music is doing at this present time. “What Bunji does as an ambassador for soca music and Trinidad and Tobago, is wonderful. I am really proud of that brother,” he said, adding that just the same, he is always happy to see the hard work of artistes like Machel, Destra and others who continue to fly the country’s flag high. Blaxx, in a reiterated statement to us said his aim is to get to that standard and with the help of his band, Roy Cape All Stars who he has coined, ‘The best band in the world,’ Blaxx says nothing will hold him back.
Noting that all artistes must support each other, Blaxx said the big picture is getting Trinidad and Tobago the recognition it deserves. He said with the spotlight on T&T, the sky would be the limit. “I will be the next one they’ll be calling,” he said with a hint of humour; but he is serious. Blaxx plans on executing above par in 2014 and with returning band member, Ricardo Dru along with female vocalist, Danella Timmons at the forefront of Roy Cape with him, he says fans can expect spectacular shows from the band in the season ahead. “I’ve done a lot of collaborations for 2014 and there are still a few that we’re working on. I’ve been in studio with producers like Kernal, Maximus Dan, Peter Coppin and King Bubba out of Barbados and I still have to do some stuff with Neil Bernard and Julio,” he explained.
With a lot of surprises to come, the entertainer who has thrilled audiences time and time again, assures soca music lovers that all of this is just the beginning of greater things to come. Intent on being part and parcel of the mission to take Soca global, Blaxx, on his birthday delivers a single he hopes will demonstrate just how serious he is.
PROMO VIDEO
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Destra Delivers Powerfully at Reflections.
“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA
Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.
From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.
Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.
One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.
The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.
As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.
Reflections certainly delivered a powerful blend of music, filled with deep messages and meaning. In what is a very spiritual season, Destra, through the delivery of ‘Reflections,’ has carved out a space for inspiration and connection within Trinidad and Tobago’s cultural landscape – something that many would agree, is a necessity more than an option.