Ebuzz News
Archived: Voice Wins Soca Monarch in T&T, But Why All The Online Protest?
The International Soca Monarch competition, held on Friday night in Trinidad, has received its fair share of condemnation with many taking to social media to firstly congratulate the chosen winner, Aaron ‘Voice’ St. Louis, who most, if not all soca lovers agree, deserved to cop the top spot. The second and third placements are however being frowned upon by some. The question on the tongues of many, “why wasn’t Ricardo Drue and Teddyson John among the top three in winners row?”
The competition got off to a lacklustre start at the Hasely Crawford Stadium on show night, many openly voicing their disdain over new rules announced by the competition’s organisers at the beginning of the carnival season and even up to the day prior to the show. Social media was the ranting hub for many Trinbagonians and Caribbean people generally, who were taken aback by the ISM’s mandate that no video, audio or photo footage could be posted to social media or any other media, from within the venue, unless it was being done by an ISM accredited person or institution. That led to heated debates online. Nonetheless, the competition got underway in Port-of-Spain and by all reports, by 11:30pm, the gates saw an influx of patrons, some having bought their tickets at a steal of a deal price, others having been afforded the luxury of a freebie. Social media all the while, was kept updated of the happenings at the stadium, after all, as was announced weeks prior, there would be no live broadcast of the 2016 International Soca Monarch competition.
Voice’s “Cheers To Life” was the refrain at the stadium on Saturday morning.
On stage, artistes worked their butts off- delivering what they felt were their best performances. One fell down, two brought trap drum sets on stage, one brought trees and endless bush, another brought Veteran calypsonian, King David Rudder to seal his second place position and one gave the ISM crowd some of the best props seen on the night. In the end however, Aaron ‘Voice’ St. Louis, who made the crowd sing to the top of their lungs, stole the show. He had looked the part of a winner and even as he walked off the stage, many had called it, his crown!
The second place has gone to newbie to the Soca spotlight, Akeem ‘Preedy’ Chance. His song, ‘Veteran’ has been enjoyed all season long by the young and mature alike, however for some, his first runner up position has come as quite a surprise. The third place is a tied result with veteran soca hit maker, Blaxx and the lone female finalist, Patrice Roberts sharing the rewards. Online, the rant continues among die hard soca and carnival lovers, many of whom took in the delayed broadcast of the competition earlier tonight (Saturday February 6th), via CNC3 television in Trinidad.
Drue says the sky’s the limit
For Ricardo Drue, the remarks uttered by those who believe he deserved a second or third placement in the competition, are humbling. He however told EBUZZTT, this is not his last hoorah! “Anyone who’s taken part in competition knows you win some and you lose some. It doesn’t mean you didn’t do your best. We gave it all we had and we’re happy with our efforts,” said the young entertainer who sang ‘BET’ for the judges. His team has worked arduously at establishing him as a strong contender on the soca circuit. “This doesn’t change anything. We just have to come better and work harder next time,” he remarked, in the end, wishing his supporters and all of T&T, a safe and enjoyable carnival.
On the social media pages of the third placed contenders, Patrice Roberts and Blaxx, gracious thanks were extended to members of their teams and congratulations to the first and second placed contestants.
RICARDO DRUE AT ISM 2016
Caribbean Buzz
Destra Delivers Powerfully at Reflections.
“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA
Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.
From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.
Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.
One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.
The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.
As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.
Reflections certainly delivered a powerful blend of music, filled with deep messages and meaning. In what is a very spiritual season, Destra, through the delivery of ‘Reflections,’ has carved out a space for inspiration and connection within Trinidad and Tobago’s cultural landscape – something that many would agree, is a necessity more than an option.
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