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Archived: US Based Soca Artist Comes Through for the Caribbean Community.

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The dark clouds are slowly rolling away for creatives in the US, among them, Caribbean entertainers who’ve been held up for over a year. For many in the entertainment industry around the world, the pandemic has caused devastation. International reports suggest that other than the aviation industry, the entertainment industry has been hardest hit. There is a glimmer of light now however, and for one Caribbean creative residing in New York city, a year of introspection and silence, has stimulated creativity in the most incredible way. 


Many would remember him as a child in the Caribbean, singing alongside Calypsonian David Michael Rudder- a song called, “The Future Belongs To Me.” Now, years later, Julius The Artist is offering his music to Soca lovers around the world at a time when he says he believes they need it most. 

Julius The Artist

A thoughtful artist, Julius who originally hailed from Pioneer Drive, Sealots, Trinidad, has effectively delivered thought provoking songs over the years. In 2018, he released a song called, “Good Morning Trinidad,” invoking emotions for persons on the receiving end of domestic abuse and irrational violations. He followed that track up with “What’s Your Name,” paying homage to the land of his birth. Julius however explained that this time around, as the anxiety surrounding the Covid-19 pandemic eases in the United States, with many now receiving vaccines, he felt a strong desire to give his Caribbean people an anthem that could lift their spirits. 

‘No Breather,’ was produced by famed New York based music producer, Brent Toussaint-the Trinidadian producer whose name stood out on Beyonce’s Lemonade album. He was also responsible for Machel Montano and Walker Hornung’s ‘With or Without You,’ and even Bunji Garlin’s ‘Gimme De Brass.’ “This song was held back for a year and a half because of what had been happening in the world,” admitted Julius. “Now, I’ve released the track because I think it’s the right time; people need something to take their mind off things,” he said. With US restrictions now easing, vaccination fetes are a thing. Added to that, bubble carnivals have emerged and Julius, like many artistes, is looking forward to taking the stage again.

As a dietary aid at a New York hospital by profession, Julius saw first-hand, and continues to witness the effects of the pandemic. He explained that his profession is possibly the ‘good news’ aspect of hospital-care these days, highlighting that he’s served patients who’ve gotten back on their feet after being diagnosed with Covid-19. “Over the past year, I’ve kept my focus on the brighter side of life, no matter how things were. I used the time to listen because sometimes you have to be still and go into a state of nothingness and meditate. I was always in my head,” he said. 

Despite the daunting reality most felt, Julius got creative. Together with Ian ‘Fojo’ Cobin, he penned ‘No Breather’ and has even been working with Jason ‘Shaft’ Bishop on a major project he’s extremely excited about. Giving kudos to his manager, Tamara George, Julius says there’s a lot happening musically that he is grateful for. “I have a lot of really good conscious material but the people need something to excite them again- get them living again, after the past year so this is it; this is my gift to my Caribbean people and I think they’ll enjoy it,” he said.

PRESS RELEASE: Etcetera The Company.

NO BREATHER

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T&T Gets The Gift of Music with ‘Sweet Pan Morning,’ Ahead of Independence.

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As Trinidad and Tobago prepares to usher in another Independence anniversary a daughter of the soil is paying tribute in a most fitting way- in song. Sabrina Marks has released her new single, “Sweet Pan Morning”- a tribute to the national instrument and the country that birthed it.

This sweeping musical tribute to the history, culture, resilience, and spirit of Trinidad and Tobago was skillfully curated by Executive Producer, Michael St. John. The song offers a timely reminder of what unites T&T, celebrating the people, traditions, and cultural contributions that have shaped the twin island nation. 

Combining grand orchestral arrangements with rich Caribbean rhythms, the music takes listeners on a journey through Trinidad and Tobago’s evolving history, tracing a path from the cocoa fields and industrial landscape, to the vibrant culture that defines the country today. 

The track recognizes the diverse communities that form the cultural fabric of the twin islands including people of African, East Indian, European, Chinese, Syrian-Lebanese, and First Peoples heritage. At its heart, “Sweet Pan Morning” celebrates two of Trinidad and Tobago’s most influential cultural gifts: Calypso and the Steelpan. It captures the uniquely national spirit, that allows its people to transform hardship into music, adversity into strength, and everyday life into celebration.

For audiences at home and abroad, the song is an invitation to honour Caribbean roots, celebrate what makes the twin-island nation unique, and recognize a creative spirit that continues to resonate globally. 

“Sweet Pan Morning” performed by Sabrina Marks and Executive Produced by Michael St John is available now for radio airplay, global syndication, and streaming across major digital music platforms. 

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Anika Berry Successfully Transitions To An Artiste Creating Opportunity. Brooklyn Concert Was So Sweet.

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The sweetest berry, Anika Berry reached a major milestone in her career with the successful staging of SO SWEET: The Concert, last weekend, in Brooklyn, New York. It was the entertainer’s first self-produced headline concert in the US.

Artistes backed by a live band, the event brought together generations of Caribbean music and featured performances and appearances by GBM Nutron, Lyrikal, the legendary Tigress, Denise ‘Saucy Wow’ Belfon, Imani Ray, and many others, creating a night that celebrated not only Berry’s journey, but the music and artistes who helped shape the culture she so proudly represents.

Anika Berry’s event was years in the making. Her journey in the Soca space has been built one performance at a time – the young artiste developing her sound, building her audience, releasing music, traveling to perform, and continuing to push forward in an industry where longevity must be earned. Over the years, she has grown from an emerging voice in Soca, into an international performer, while remaining committed to creating opportunities and moments that honor the culture. For that reason, the Brooklyn concert was especially significant.

Stepping into the role of headliner and producer, Anika brought her own vision to life with a full live band, guest artistes, production, and marketing dedicatedly to an audience that answered the call and came together to support the next chapter of her career.

Denise Belfon was one of the featured artistes at So Sweet.

One of the most meaningful moments of the evening came when Berry shared the stage with two women whose contributions helped pave the way for generations of female Soca artistes- that moment was standing on stage with both Tigress and Denise Belfon. “The appearance by Tigress became an emotional connection between Soca’s past and present,” said the artiste. “Hearing and reliving “Wo Donkey”, the unforgettable United Sisters classic, on a Brooklyn stage was more than a nostalgic moment,” she added. It was an opportunity to give flowers to a generation of women who helped establish a space for female voices in Calypso and Soca, long before many of today’s artistes entered the industry.

For Berry, being on stage beside Tigress was a full circle experience. The music of the  United Sisters – Tigress, Singing Sandra, Lady B and Marvellous Marva, represented strength, personality and fearless female expression. Their impact continues to live through the women who came after them. The presence of Denise Belfon, another woman whose unmistakable style, stage presence and catalogue have influenced generations of Soca performers, made the tribute even more meaningful. Rather than simply celebrating her own milestone, Berry used her first headline concert to recognize the women who helped make moments like hers possible. The night also represented the range of Soca itself, the event connecting different generations, sounds and audiences under one roof while keeping the focus on live Caribbean music.

For Berry and her team, successfully producing a headline concert in Brooklyn represents more than another performance credit. It marks a transition from being an artiste, working for opportunities, to becoming an artiste capable of creating the opportunity, building the platform and bringing other artistes onto it.

SO SWEET was a celebration of progress, but it was equally a celebration of gratitude.

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