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Archived: The World Better Get Ready for Phia. Here’s Why…

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An unsuspecting, musically gifted trailblazer is slowly but surely taking her place. Much like Jamaica’s Koffee seemed to have emerged out of nowhere overnight, and quickly stamped her name into history, so too will Trinidad and Tobago born rising star, Phia.

Sophia Smith is a 20-year-old diamond in the rough. According to engineering mastermind, PengCo Music, she’s the real deal. In fact, so confident is PengCo in Phia’s natural talent, her passion and drive, that he’s ready to risk it all, to take her to the heights of the music business. 

Phia grew up in Gonzales, Belmont with her mother, grandmother and extended family members. She fondly recalls being called upon by her uncle to perform for friends who would come over to house parties held at the family home. They would encourage her talent, often gifting her with cash after her impromptu performances. An eventual relocation to Petite Bourg, in San Juan with her father brought with it an even greater appreciation for music and dance. Noting her father and uncles’ constant singing and dancing display at the house, Phia said it was not too long before she too became completely mesmerized by music. 

“All I think about is music,” relays a most recent Instagram post by the young soulful singer. Unlike most in the Caribbean, who’re attuned to island beats and the Caribbean flavour, this young artist stays true to herself, maintaining her love for soulful genres of music. “I grew up with my grandmother. Our neighbour would play music every morning,” she explains. “I grew up listening to Otis Redding, Sam Cooke and Johnny Cash, just to name a few.” 

Untraditional for a youth of this era some may argue, but for PengCo, Phia’s vibe is refreshing, new, exciting. “She’s going to be big,” he says confidently, and with that assurance, Phia too, stands ready to push even harder. On April 1st, Phia released visuals for her single, ‘Red,’ which she penned.  The track was recorded at Proden Studios and mixed and mastered by Pengco Music. Asserting herself as a GenZ neo-soul artist, Phia’s laid back delivery is reminiscent of that of RnB singer, the late, Aaliyah Haughton. 

“I’d describe my music as soothing. I think my music’s relatable to events that unfold in most people’s everyday lives,” she explains, admitting that her major contemporary influences have come from international RnB superstars, Chris Brown and Kehlani. “Dancing was really my first love. I used to watch Chris Brown’s music videos and try to emulate every move and his voice. On the flip side, Kehlani has influenced my style a bit. They’re both major vocal influences but I like the way Kehlani dresses,” she said. 

With her eye on the prize, her heart humble and her passion unwavering, Phia’s on a journey that’ll ultimately lead to the big leagues. Her only hope is that the support at home in the Caribbean is forthcoming, after all, the love and support of ‘home’ beats all else. 

Press Release: Etcetera The Company

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Stevie Wonder Joins KestheBand On Stage at DC Jazz Fest – A Big Moment for Caribbean Culture.

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Internationally loved and embraced Soca band, KesTheBand delivered yet another unforgettable moment for Caribbean music last Saturday, September 5th – this time at the DC Jazz Festival. It was there, in the midst of the enjoyment that a special opportunity presented itself – Kees Dieffentaller would meet the global music icon, Stevie Wonder.

The surprise appearance marked a continuation of a weekend that placed KestheBand and Caribbean music at the center of some of the most significant cultural moments of Labour Day weekend. The set included an uptempo lyrical mashup of “I Just Called To Say I Love You” and “Savannah Grass,” which received thunderous applause from adoring fans.

Crediting his parents in an emotional social media post following their debut at DC Jazz Fest, lead singer, Kees Dieffenthaller shared that the Stevie Wonder hit “was the first record I had on repeat as a child.” The moment was a powerful one as Soca music and a Trinidad and Tobago band that dedicatedly promotes the genre along with their country, came face to face with one of the most influential global artistes in music history.

Just one night earlier, on Friday, September 4th, KesTheBand electrified Soca Fest at Brooklyn museum in New York, where the band was introduced by Mayor Zohran Kwame Mamdani. The appearance brought together Caribbean music, culture and community in one of New York’s most prominent Labor Day weekend celebrations and venues.

Kees went on to serve as an Honorary Grand Marshal of the West Indian Day Parade. The honor was shared with dancehall and reggae superstar, Buju Banton.

Kes the Band with New York City Mayor, Zohran Kwame Mamdani

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A Band That’s Building Legacy for Culture. Blow Mano Blow Promises Memorable Carnival 2027 with Tribute to The Birdie.

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Amid a chorus of consistent calls across the length and breath of the country for more creativity and commitment to cultural preservation in Carnival in Trinidad and Tobago, one band continues to answer the call. Bert and Dianne Marcellin’s ‘Blow Mano Blow’ have once again stepped up to the cultural plate, prepared to remind the world, through mas, of the contributions made by a true stalwart of Trinidad and Tobago’s carnival and culture.

Though born in Grenada, The Mighty Sparrow was raised in Trinidad and Tobago from a young age. His achievements over decades at the forefront of Calypso music, have been plenty. World- over The Mighty Sparrow is known as The Calypso King of the World. Now, ahead of another Carnival in Trinidad and Tobago in 2027, ‘Blow Mano Blow’ – an all-inclusive, Carnival Monday T-Shirt band, is set to revel with five well thought-out sections that were revealed this past Saturday night, in Port-of-Spain. The theme is for 2027 is ‘To Birdie with Love.’

The Mighty Sparrow.

The band launch, hosted at the Garden Theatre of the Queen’s Hall in St. Ann’s, saw band faithfuls and friends gather to view and choose the sections they’d be hitting the streets in, come Monday, February 8th, 2027. A well-produced theatrical showcase unfolded just after 10pm – marking the start of what would be a band launch filled with much humour and excitement. From ‘Happy School Days’ to ‘Congo Man,’ ‘Marajhin,’ ‘Margarita’ and ‘Jean and Dinah,’ the songs that have brought great laughter and joy to Calypso lovers around the world for many years, now becomes tangible expressions for the road in T&T Carnival 2027.

On launch night, Bert Marcellin said he was pleased to continue the work that his father, Mano Marcellin began many years ago. With his father’s dedication at the core of Bert’s determination to keep culture alive, the younger Marcellin paid it forward on Saturday night.

Presenting a young, female musician with a gift from the the band, he shared that his father believed musicians were lovers. “Tonight we are paying tribute to Sparrow but we also need to pass the baton on. My dad used to say, musicians are lovers, not fighters so all the folks who have kids, get them to pick up an instrument and get into music; Do something positive,” said Bert, explaining that music is a recipe for stress relief. The owner of Brass 2 the World, the brass band that accompanies his mas band on the road on Carnival Monday, Bert advocates for creatives in a strong way. “Music is enjoyment, it’s an occupation and it makes people happy,” he said, before presenting Tiquana Joseph with an instrument, courtesy Brass 2 The World. “Tiquana started her music career. She is in the Trinidad and Tobago cadets and she just started her theory. She is reading music and we want to give her a start,” he said before presenting the young lady with her very own trombone.

The band is all-inclusive and presents an alternative option that’s reasonably priced, safe and at its core – an ode to Trinidad and Tobago’s culture. In 2026, Blow Mano Blow will be joined in partnership with Sweet 100FM. The radio station presents Jean and Dinah for the road. Over the years, Blow Mano Blow has paid tribute to several well known and well loved legends, among them, Calypso Rose and Lord Kitchener.

Fun, culturally sound and welcoming to every true fan of Trinidad and Tobago’s Greatest Show on Earth, Bert and Dianne Marcellin’s Blow Mano Blow is expected to once again offer patrons an amazing time on the road on Carnival Monday. Live instrumental accompaniment courtesy Brass 2 The World, with Snakey and Sanelle Dempster, food, drinks and a costume that pays homage – what more could a real culture lover want? On Saturday night, patrons got a taste of what’s to come on the road come 2027. The band delivered powerfully, Sanelle proving that she is still the woman who can command any audience. Also appearing as a guest at the event was Ding Dong who made the crowd feel every bit of excitement for yet another carnival on the way.

The energy of the season of revelry in T&T may be months away, but for die hard carnival lovers, this taste of what’s to come was incentive enough to go secure their costumes with Blow Mano Blow. In the audience, one patron could be heard discussing her choice for the road – “I like Congo Man,” she told her friend excitedly. “That is what we going with eh!”

No matter which section’s chosen, one thing’s for sure, Blow Mano Blow will deliver yet again, with the people in mind, on Carnival Monday next year.

For more information on how you can play with Blow Mano Blow, follow them on Facebook.

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