Wondering who created the much enjoyed video for Mr. Killa’s ‘Rolly Polly’ carnival anthem? Well, with over one million views since being posted to YouTube by RiddimCracker Tunes on November 2nd, the world has been viewing the work of Ronnie Homer- a Trinidadian video director and artiste who is currently in Trinidad where he’s said to be working on other videos for local entertainers. Nadia Batson is said to have employed Homer’s skills and up to yesterday, ETCETERABUZZ was reliably informed that Batson had been on set with Homer, shooting scenes for her ‘Rated R’ video. Her sister and fellow band mate, Jo Jo, whose single, ‘Shake Dat’ has been getting a lot of attention, has also approached Homer for his video expertise for her song’s visual accompaniment.
Mr. Killa’s Rolly Polly video has exceeded 1 million views on YouTube. The video was directed by La Horquetta, Trinidad native, Ronnie Homer.
Ronnie Homer’s name has been in the mix since September when his soca single, ‘Jam’ began receiving the love of radio DJ’s in Trinidad. Many were unaware that he was also the man behind the video for Mr. Killa’s smash hit, Rolly Polly, but indeed his Ahtik Studios production house, was. That video managed to breathe new life into the song which was released months ago, for Grenada’s carnival. Mr. Killa meanwhile has been enjoying the success of the single. His name has made it to major carnival fete casts and he’s even been featured on worldstarhiphop.com after a video of him at Trinidad’s Fuzion nightclub went viral.
For Ronnie Homer, the fun has only just begun and with artistes like Nadia Batson, Mr. Killa, Lyrikal and Yankee Boy endorsing his skills behind the video camera, we may very well be hearing his name a lot more in the months and years ahead.
Ronnie will be in Trinidad for the entire Carnival season and will be performing at an event dubbed, Stranded By The Pool on Carnival Thursday.
Well known event promoter, Glenroy Watson, has passed away. He died of natural causes on April 1st, in Port -of- Spain, Trinidad.
Watson’s legacy in the event landscape in Trinidad and Tobago stands as one rooted in the philosophy of delivering value to patrons, something that was the benchmark of every ‘I Am Legend’ concert in T&T and certainly countless other events hosted across the region and internationally.
Hands on and meticulous in his approach, Watson prided himself as a no nonsense promoter.
Most recently, in the aftermath of Carnival 2026, he hosted the Majah Hype comedy show, ‘Majah Issues’, at the Southern Academy for the Performing Arts, in Trinidad and was preparing for a major concert event in Trinidad, at the time of his passing.
At this time, the bereaved extends gratitude to well- wishers and asks for privacy and understanding as preparations for Watson’s home-going ceremony get underway.
All further details will be relayed at a later time.
“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA
Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.
From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.
Destra with King David Michael Rudder.
Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.
One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.
Destra’s daughter, Xaiya on the piano.
The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.
As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.
Reflections certainly delivered a powerful blend of music, filled with deep messages and meaning. In what is a very spiritual season, Destra, through the delivery of ‘Reflections,’ has carved out a space for inspiration and connection within Trinidad and Tobago’s cultural landscape – something that many would agree, is a necessity more than an option.
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