Trinidad and Tobago is never without some kind of entertainment. At the end of November, as the Christmas season peaks, local promotional entity, Wenton Promotions plans on delivering a special pre-Christmas blessing to the people of Trinidad and Tobago. With conscious energy and a desire to uplift, artistes like Luciano, Everton Blender, Bushman and Duane Stephenson will raise their voices in one accord at the paddock, Queen’s Park Savannah.
The show- Culture Reggae Fest, has been on the lips of many in recent weeks, as it’s been a while since Everton Blender has performed in T&T. Meanwhile, Luciano’s catalogue of hit singles and his stage show are always anticipated by fans and reggae music lovers in general. Duane Stephenson- an artiste who prides himself on creating music that uplifts and enlightens with a greater mission for the betterment of humanity, is also carded for the show. Of his music, Stephenson has said, “When we do an album, we do music that people can relate to because any situation you find yourself in, chances are someone else has found themselves in that situation. It is real life situations, so the real life emotions come out, that is how it is.”
Event organiser Ashton Wenton is eager to bring such a show to the people of T&T, explaining to ETCETERABUZZ that he has seen first hand how much of an impact this type of music has had on the people of his generation. “With so much negative vibes we hear in songs from some of these younger artistes, it’s important for the elders of reggae and even the young ones who preach good, to be showcased. The messages they bring are good messages and this is what today’s society needs,”he said.
Wenton highlighted that Luciano’s music often encourages people to praise God- something he feels isn’t emphasised enough nowadays. Separately, he said Duane Stephenson’s, ‘August Town,’ ‘Negril’, ‘Ghetto Pain’ and even ‘I’m a Fool For You’ are hits that have left lasting impressions on people from all walks of life. “I just want people to come out and listen to the positive lyrics, be infected by it in a show that’s just before Christmas. Just maybe this will wake up the population- help us to think clearer, more positively and effect that change that society really needs,” he said.
ETCETERABUZZ.COM will be bringing you further coverage of this event as the days progress. In the meantime however, we encourage you to check out the show’s Facebook page- KEYWORD : Culture Reggae Fest.
Well known event promoter, Glenroy Watson, has passed away. He died of natural causes on April 1st, in Port -of- Spain, Trinidad.
Watson’s legacy in the event landscape in Trinidad and Tobago stands as one rooted in the philosophy of delivering value to patrons, something that was the benchmark of every ‘I Am Legend’ concert in T&T and certainly countless other events hosted across the region and internationally.
Hands on and meticulous in his approach, Watson prided himself as a no nonsense promoter.
Most recently, in the aftermath of Carnival 2026, he hosted the Majah Hype comedy show, ‘Majah Issues’, at the Southern Academy for the Performing Arts, in Trinidad and was preparing for a major concert event in Trinidad, at the time of his passing.
At this time, the bereaved extends gratitude to well- wishers and asks for privacy and understanding as preparations for Watson’s home-going ceremony get underway.
All further details will be relayed at a later time.
“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA
Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.
From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.
Destra with King David Michael Rudder.
Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.
One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.
Destra’s daughter, Xaiya on the piano.
The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.
As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.
Reflections certainly delivered a powerful blend of music, filled with deep messages and meaning. In what is a very spiritual season, Destra, through the delivery of ‘Reflections,’ has carved out a space for inspiration and connection within Trinidad and Tobago’s cultural landscape – something that many would agree, is a necessity more than an option.
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