Chutney soca superstar, Ravi B is one of two Caribbean entertainers who are being chastised for music they’ve sung, deemed to be promoting gender based violence. The source of the scrutiny is the Women and Gender Equality Commission of Guyana who’s actually calling for Ravi’s ‘Prescription’, which was certainly a hit during Carnival 2013 celebrations in T&T, to be banned from the airwaves in Guyana. The second single facing the axe at this time is the 2012 Antigua Road March hit, ‘Kick In She Back Door’ by Burning Flames. That single too, has been receiving the embrace of radio specialists and their listeners in Trinidad and Tobago.
Ravi B’s video for Prescription features a pharmacist and other medical props.
According to the Guyana Times, the group’s commissioner, Nicole Cole has said ‘Prescription’ promotes substance abuse and gender based violence, which she says is linked to substance abuse and often times leads to the murder or the sudden demise of many innocent women. “We want it to be banned, because that prescription is a recipe for disaster,” she said in the article. The Antiguan single, Cole says promotes rape and sodomy of women which the commission is highly against.
In a statement to ETCETERABUZZ.COM, Ravi said he really wasn’t aware that this situation had reared its head and while he preferred to say little on the matter, he couldn’t help himself from questioning why it is that politicians and persons in such positions, often get themselves involved in the business of music. “It’s a party song and it’s also a positive song because it tells people that they should not drink and drive,” he rationalized. The songwriter and vocalist of ‘Prescription,’ Ravi told us the song has become a worldwide hit and he personally sees nothing wrong with it. “I think I’m a very smart writer and my songs always have a message- this one is don’t drink and drive. You’ll always find that when a song gets too big, there are people who are just waiting to pull it down,” he said.
As to whether he would be reaching out to the gender group himself, Ravi said he had no immediate intention of doing so.
The national Carnival Commission says more than 10,000 patrons came out to Flava Village at the Queen’s Park Savannah on Thursday night to see female Soca artiste, Patrice Roberts.
An event dubbed, ‘Always Us,’ held as a free showcase for Carnival lovers, delivered a number of truly entertaining soca stars, among them, Shal Marshall, Shurwayne Winchester, Nadia Batson, Farmer Nappy and Mical Teja. The NCC, in a media statement said, “an estimated 8,000 people filled the popular Carnival venue, with an additional 2,000patrons enjoying the show from viewing screens along The Drag, creating an electric Carnival atmosphere despite heavy rainfall earlier in the day.”
With her usual high energy performances, Patrice held the attention of fans throughout the night.The concert was described by the artiste as a heartfelt “thank you” to her fans and supporters. NCC’s Chief Executive Officer, Keiba Jacob-Mottley, said the organisation welcomed the opportunity to partner with Roberts. “We commend Patrice for her decision to give back in this meaningful way and applaud her commitment to ensuring that high-quality local entertainment remains accessible to everyone during the Carnival season, Mottley said, adding, “Our collaboration reinforces the NCC’s focus on creating memorable Carnival experiences that celebrate our artistes while removing financial barriers for the public,” she added.
The NCC CEO noted that the Flava Food Village, one of two signature Carnival villages at the Savannah, alongside the John Cupid Carnival Village, is offered as a vibrant, inclusive space where patrons can enjoy food, culture, and nightly performances free of charge. She added that other NCC events, such as “Welcome to the Gayelle” represent the continuing work at delivering a successful Carnival 2026.
David Baptiste, President of the Carnival Entrepreneurs Association, described the night as a milestone for vendors at the Savannah. “Last night was truly beautiful and something I have never seen before – an event of this magnitude in terms of crowd size, and people supporting the vendors. Many vendors sold out last night. We need more of this, and I am looking forward to the next event. Events like these boost business for our vendors at the Savannah and make them truly feel like they are a part of the Carnival festival,” Baptiste said.
From dancehall music with rough lyrical content to social commentary that aims at changing mindsets, East Trinidad native, Squeezy Rankin says he has found his true calling in Calypso music. The entertainer is on the road to the preliminary round of the Calypso Monarch Competition later this month, with a single called ‘Rat Race’ – this, one year after ‘Justice’ influenced younger audiences to take a stronger look at the Calypso genre, something that he hopes he can continue to do as his journey in music continues.
Squeezy Rankin has been an artiste on the ground for many years. He has pivoted from dancehall into Calypso music.
In a recent radio interview, the reigning Young King, whose real name is Anthony La Fleur, said prior to 2025, he had not done music professionally in 13 years. Jumping back into the spotlight, he said, was a bit intimidating, but the exposure last year has prepared him for 2026 and the artiste is expected to confidently claim his space in the Calypso Monarch competition this year.
As real as it gets, Squeezy Rankin- a man on the ground, has always fought for his place in the music industry locally. Now, as Calypso music embraces him even more, he says he believes he’s found his place. “I plan on releasing two songs during the year because I want to change the narrative that Calypso music is old people music,” he said, adding that his hope is that urban radio stations see the value in sharing topics of social commentary, such as ‘Justice’ and ‘Rat Race’- songs deep in meaning and valuable beyond measure, in the greater scheme of things.
Determined to change mindsets one song at a time, Squeezy Rankin says his strong suit is certainly social commentary and he will not, at any time, delve into political commentary. “I was advised by someone who is deep in politics to stay out of it and I literally listened. You know sometimes we hear people, but we aren’t listening. I thought about what he said, and it made sense. I literally listened, even though they say I don’t listen,” he said with a laugh.
‘Rat Race’ was written by Squeezy and Angelo Pantin with production by Q-Ban Production.
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