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Archived: Politics & Soca. Differentology Stars On PP Political Platform But What's Bunji Saying?
Bunji Garlin isn’t fuming today. Contrary to popular belief by some who waded into the People’s Partnership government in Trinidad and Tobago last night, via social media and even up to this morning via radio, the artiste whose hit singles, ‘Differentology’ and ‘Carnival Tabanca’ were repeatedly looped by the party’s DJ during their presentation of candidates for the upcoming local government elections on the island, isn’t upset.
Differentology’s Bunji Garlin and Nigel Rojas.
Bunji in a chat with ETCETERABUZZ.COM this morning said once the lyrics of his songs aren’t altered to market their campaign and as long as an official advertisement isn’t made with the songs and once a public performance license has been paid for the world repertoire to be publicly performed at the event, the People’s Partnership was well in its right to use the songs belonging to COTT’s (Copyright Organisation of Trinidad and Tobago’s) repertoire.
Last night, a number of the artiste’s fans made mention via Twitter, of the party’s use of his music in their massive campaign held in San Fernando. This morning, Bunji who is nominated for Best International Performance at the Soul Train Music Awards this year, said notification is also being sent to the respective labels to which the songs are signed to, since there are clauses in the contractual agreements which allows them to ensure that their products are not used in any way by any established body or entity to incite or promote discord among humanity for the sake of personal gain.
Clear of his rights as an artiste but still mindful that there may be many looking on, who may not fully understand just how the mechanics of such matters work, Bunji was eager to share this information. Asked whether he would perform on any political platform, if offered the job, the artiste said he would prefer to steer clear of that generally. “I have grown into a new understanding of things and while I may have been naive some time ago during youth’s bloom, what we face now is a society that is not yet mature to the point where they understand that a job is a job.”
Bunji says he knows such a move would be perceived by the masses as though he is aligned to the party- rather than having been hired for his services. He said such a move could have severe backlash. “I have seen tradesmen labeled because they went to do a job for a particular political party group’s place of business,” he recalled, adding that while he thought that was unfair, he would leave it there.
Bunji and his wife Fay-Ann performed in Jamaica last weekend at the Arthur Guinness Day concert event held on that island.
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Destra Delivers Powerfully at Reflections.
“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA
Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.
From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.
Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.
One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.
The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.
As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.
Reflections certainly delivered a powerful blend of music, filled with deep messages and meaning. In what is a very spiritual season, Destra, through the delivery of ‘Reflections,’ has carved out a space for inspiration and connection within Trinidad and Tobago’s cultural landscape – something that many would agree, is a necessity more than an option.
