They’re two artistes who’ve got a lot of support from the masses, generally. Swappi’s been a man in demand in T&T and even overseas for some time and even when things seem slow, he has a way of putting himself right back into the mix- and undoubtedly that’s a sign of a true superstar. Fellow entertainer, Orlando Octave’s been out of the loop for quite a few months, having been seemingly laying low and focusing on, as we understand it, his Mayan movement. Recently, however the names of both Trinidad entertainers have been generating some buzz. There’s news this week that both artistes have been selected for a project that’s quite unique- one that was conceptualised by Pengco Music’s Randal Alexander.
Randal with Orlando Octave in studio.
In our chat with Alexander he noted that both Swappi and Octave have mass appeal when it comes to the youth demographic. For that reason, he chose them strategically in a bid to attract a young, bubbly crowd to his new project he’s calling, Riddim 868… and don’t you for a second, get it mixed up- this is not a riddim as Randal explained, the project will consist of only these two artistes. “It’s not a riddim and it’s not a solo. It’s two artistes and that’s what makes it unique. I was trying to find the median here so that’s what makes this project special- makes it different,” he said.
Swappi is also a part of Riddim 868
Riddim 868 consists of Swappi’s single, “Protect Me” and Octave’s “Twerk It.” Asked about the project’s name, Randal said he simply wanted to make it completely relative to Trinidad and Tobago. “I want people who are looking on from outside of Trinidad and Tobago to know that we’re not only about carnival, Trinidad James and Nicki Minaj- we’ve got a lot more to offer.”
Videos for both singles are already in the works with Swappi’s having been started this past weekend in the Sealots, Trinidad community he grew up in. It was the first time Swappi had returned to the area to shoot a video since he shot to fame, some years ago.
Randal’s Pengco Music has been hard at work, teaming up with a number of entertainers to create good music. His focus in recent months however, has been on local entertainer, Aaron Marquez. They’ve been arduously seeking perfection on an album being completed by Marquez. “It’s almost completed,” said Alexander, in the same breath noting that he has a lot of faith in Marquez’s ability. Amid all of that, Randal’s been working on other musical projects with Swappi, Orlando, Nigel Rojas and others, including Jamaican entertainer, Gyptian. “I have over 30 new songs to release from various artistes out of T&T and Jamaica,” said Alexander. He said he expects these to be released continuously between this present time and the next 18 months.
As Trinidad and Tobago prepares to usher in another Independence anniversary a daughter of the soil is paying tribute in a most fitting way- in song. Sabrina Marks has released her new single, “Sweet Pan Morning”- a tribute to the national instrument and the country that birthed it.
This sweeping musical tribute to the history, culture, resilience, and spirit of Trinidad and Tobago was skillfully curated by Executive Producer, Michael St. John. The song offers a timely reminder of what unites T&T, celebrating the people, traditions, and cultural contributions that have shaped the twin island nation.
Combining grand orchestral arrangements with rich Caribbean rhythms, the music takes listeners on a journey through Trinidad and Tobago’s evolving history, tracing a path from the cocoa fields and industrial landscape, to the vibrant culture that defines the country today.
The track recognizes the diverse communities that form the cultural fabric of the twin islands including people of African, East Indian, European, Chinese, Syrian-Lebanese, and First Peoples heritage. At its heart, “Sweet Pan Morning” celebrates two of Trinidad and Tobago’s most influential cultural gifts: Calypso and the Steelpan. It captures the uniquely national spirit, that allows its people to transform hardship into music, adversity into strength, and everyday life into celebration.
For audiences at home and abroad, the song is an invitation to honour Caribbean roots, celebrate what makes the twin-island nation unique, and recognize a creative spirit that continues to resonate globally.
“Sweet Pan Morning” performed by Sabrina Marks and Executive Produced by Michael St John is available now for radio airplay, global syndication, and streaming across major digital music platforms.
The sweetest berry, Anika Berry reached a major milestone in her career with the successful staging of SO SWEET:The Concert, last weekend, in Brooklyn, New York. It was the entertainer’s first self-produced headline concert in the US.
Artistes backed by a live band, the event brought together generations of Caribbean music and featured performances and appearances by GBM Nutron, Lyrikal, the legendary Tigress, Denise ‘Saucy Wow’ Belfon, Imani Ray, and many others, creating a night that celebrated not only Berry’s journey, but the music and artistes who helped shape the culture she so proudly represents.
Anika Berry’s event was years in the making. Her journey in the Soca space has been built one performance at a time – the young artiste developing her sound, building her audience, releasing music, traveling to perform, and continuing to push forward in an industry where longevity must be earned. Over the years, she has grown from an emerging voice in Soca, into an international performer, while remaining committed to creating opportunities and moments that honor the culture. For that reason, the Brooklyn concert was especially significant.
Stepping into the role of headliner and producer, Anika brought her own vision to life with a full live band, guest artistes, production, and marketing dedicatedly to an audience that answered the call and came together to support the next chapter of her career.
Denise Belfon was one of the featured artistes at So Sweet.
One of the most meaningful moments of the evening came when Berry shared the stage with two women whose contributions helped pave the way for generations of female Soca artistes- that moment was standing on stage with both Tigress and Denise Belfon. “The appearance by Tigress became an emotional connection between Soca’s past and present,” said the artiste. “Hearing and reliving “Wo Donkey”, the unforgettable United Sisters classic, on a Brooklyn stage was more than a nostalgic moment,” she added. It was an opportunity to give flowers to a generation of women who helped establish a space for female voices in Calypso and Soca, long before many of today’s artistes entered the industry.
For Berry, being on stage beside Tigress was a full circle experience. The music of the United Sisters – Tigress, Singing Sandra, Lady B and Marvellous Marva, represented strength, personality and fearless female expression. Their impact continues to live through the women who came after them. The presence of Denise Belfon, another woman whose unmistakable style, stage presence and catalogue have influenced generations of Soca performers, made the tribute even more meaningful. Rather than simply celebrating her own milestone, Berry used her first headline concert to recognize the women who helped make moments like hers possible. The night also represented the range of Soca itself, the event connecting different generations, sounds and audiences under one roof while keeping the focus on live Caribbean music.
For Berry and her team, successfully producing a headline concert in Brooklyn represents more than another performance credit. It marks a transition from being an artiste, working for opportunities, to becoming an artiste capable of creating the opportunity, building the platform and bringing other artistes onto it.
SO SWEET was a celebration of progress, but it was equally a celebration of gratitude.
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