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Archived: Kerwin Does It Right At Army Fete

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The name Kerwin Du Bois is popping up in every conversation relative to the Groovy Soca Monarch competition these days, and judging by the response of the massive crowd who came out to Army Fete on Friday night at the Queen’s Park Savannah, the people are in his corner.

Kerwin Du Bois

Kerwin Du Bois

Du Bois appeared on a stage that featured top billing acts of the season, Bunji Garlin, Fay-Ann Lyons, Destra Garcia, Cassi, Lyrikal, Blaxx, Mr Killa, Skinny Fabulous and others, however his appeal seemed to have been way higher than any entertainer who graced the Army Fete stage last night- in fact, some may say, Kerwin killed it.

Humble and simple are possibly the two words that could easily define Du Bois and walking onto the stage at the QPS to the instrumental of his hit ‘Too Real’, Du Bois showed fetters that it really doesn’t take too much to put on a good show. Cool as a cucumber and real with his emotions, Du Bois spoke to his fans, telling them that he couldn’t believe how many people had gathered at the spacious venue, and when he erred on stage, with humility he said, “ah look bad dey boy.”  But realistically, this season, Kerwin Du Bois can do no wrong in the eyes of carnival lovers.

Less talk and more action seemingly his slogan, the super producer and vocalist brought an incredibly high level of energy to the fete when he was introduced during the set of Blaxx and the Roy Cape all stars. Hands were almost immediately flung into the air crowd-side as Du Bois delivered songs like, ‘Too Real’, ‘Press A Button’ and ‘Monster Wine’ among others. For approximately 12 minutes he gave the fete lovers just what they wanted- just what they had come out to experience.

Army Fete, a staple on the carnival events calendar enjoyed another great turn out in 2014. Crowd capacity was in excess of 5,000 and the fete went on into the wee hours of the morning with no major incidents reported. Touting its slogan, ‘The safest fete in carnival,’ organisers delivered no doubt and now we look forward with bated breath to Army Fete 2015.

Now, take a look at Kerwin’s performance at Army Fete 2014, courtesy Triniscene.com- just in case you couldn’t be there to experience it yourself.

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Ebuzz News

‘I Am Legend’ Concert Promoter, Glenroy Watson Has Passed Away.

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Well known event promoter, Glenroy Watson, has passed away. He died of natural causes on April 1st, in Port -of- Spain, Trinidad. 

Watson’s legacy in the event landscape in Trinidad and Tobago stands as one rooted in the philosophy of delivering value to patrons, something that was the benchmark of every ‘I Am Legend’ concert in T&T and certainly countless other events hosted across the region and internationally. 

Hands on and meticulous in his approach, Watson prided himself as a no nonsense promoter. 

Most recently, in the aftermath of Carnival 2026, he hosted the Majah Hype comedy show, ‘Majah Issues’, at the Southern Academy for the Performing Arts, in Trinidad and was preparing for a major concert event in Trinidad, at the time of his passing. 

At this time, the bereaved extends gratitude to well- wishers and asks for privacy and understanding as preparations for Watson’s home-going ceremony get underway. 

All further details will be relayed at a later time. 

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Destra Delivers Powerfully at Reflections.

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“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA

Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.

From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.

Destra with King David Michael Rudder.

Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.

One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.

Destra’s daughter, Xaiya on the piano.

The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.

As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.

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