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Archived: Jamaican Dancehall Artist, Sean Paul Is Walking The Talk.

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On the heels of the release of his seventh studio album, ‘Live N Livin’, dancehall artist, Sean Paul has released the visuals for one of his tracks “Everest,”which features dancehall artistes Masicka and Skillibeng.

Sean Paul


The video was directed by Kieran Khan Productions and was shot in Kingston, Jamaica. The portrayal signifies the idea of “collaboration over confrontation,” which Sean Paul delivers throughout the album. “As the great Capleton says, music is a mission, not a competition. I believe we should use music to make a joyful noise unto the Lord. The division in our genre, many times is senseless,” he said, adding, “We are all here to entertain our fans, provide for our loved ones and live a good life. Together we can be so much more powerful if we collaborate, instead of segregating ourselves and our crews. Everest is a perfect example of that.”

The internationally recognised entertainer highlighted the production skills of Demarco and thanked fellow artistes, Masicka and Skillibeng for their involvement.

Sean Paul is currently gearing up for his virtual Dreamstage performance on Saturday, May 8 live from Jamaica.

SEAN PAUL ON TRINIBAD STYLE.

Over the past few weeks, Sean Paul has appeared on several Trinidad and Tobago media platforms. He’s discussed the Trinibad music genre in various contexts, even rating the talent of some of the artistes who are a part of the movement.

One of the most recent expressions covered by Overtime TT and published in the Newsday newspaper hears the artist call for balance. “This music is to tell people what’s going on in our lives and I encourage people fi talk the truth every time. A lot ah time now we kinda embellishing or over exaggerating or over glorifying ah violent type ah lifestyle like it is the realist thing – like we get up every morning and drink we tea and buss gun inna boy head – and that ain’t true, or else there would be none of us left on earth. Scene? So, that’s my only thing with the badness: meh just wha big up everybody who ah do music and say yes, yuh must reflect the badness that is in society cause yeah, because that is what the music is for, but also tell the real story dem – tell de story when yuh shoot somebody an afi go hide inna hill and yuh cyah see yuh baby mother nor yuh baby dem for months, yuh understand?. He went on to tell the TriniBad artiste, “Tell de story when police ah come look fuh yuh and yuh frighten and yuh paro because yuh cyah even trust yuh best friend cause dem will sell you out cause dem know wha yuh do. So tell dem story dey too, not just the ones where you afi the baddest ting and no boy cyah test cause if dem test ah pure problems and violence!”

Sean Paul has called on the artistes to strike a balance in the music even as he saluted Trinidad and Tobago acts like Jahllano and Prince Swanny for keeping the dancehall genre alive and telling the stories of life in Trinidad.

Caribbean Buzz

Caribbean Youths Zealously Welcome American Streamer, IShowSPEED.

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A Caribbean tour that started in Trinidad on Saturday and has continued in Grenada, this afternoon, has intrigued GenZ and GenAlphan fans across the Caribbean and internationally, all thanks to digital influencer, IShowSpeed, whose real name is Darren Jason Watkins Jr.

The 21-year-old Cincinnati, Ohio native who has racked up over 53 million YouTube subscribers touched down in Trinidad on Saturday, much to the excitement of local gaming and streaming fanatics, many of whom are teens and pre-teens.

Accompanied by several Trinidad and Tobago influencers and chaperoned by Machel Montano’s manager, Che Kothari, the vibrant young streamer was shown various parts of Port- of- Spain, Trinidad, and introduced to aspects of the culture often experienced by visitors to T&T, particularly at Carnival time.

From Saheena, to Roti, Bake and Shark and Doubles, IShowSpeed tried several Trinbagonian dishes and even some of the snacks manufactured locally. He was exposed to Carnival culture and traditional carnival characters and further to that, Trinidad and Tobago artistes like Lady Lava, Nessa Preppy and Jimmy October shared in the thrill of his visit. Many young, eager Trinbaonians, inclusive of parents who are familiar with the young influencer, engaged happily with Watkins Jr. throughout Saturday’s trip, all as he streamed the fun, live. Running through the streets as he moved through places like Tragarete Road and Charlotte Street in downtown Port-of-Spain, he was visibly excited to experience the country known especially for the Greatest Caribbean Carnival, the world over.

The trip, though quick, was streamed to some 7 millions online viewers and while some found it difficult to relate to the new wave of digital marketing and influencer branding potential for the small, twin island, others have since been marveling at the fact that this 21-year-old has managed to gift Trinidad and Tobago more publicity in mere hours, than that which Caribbean celebrities have been able to attain, over years in cultural ambassadorship.

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Caribbean Buzz

Destra Delivers Powerfully at Reflections.

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“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA

Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.

From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.

Destra with King David Michael Rudder.

Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.

One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.

Destra’s daughter, Xaiya on the piano.

The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.

As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.

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