Iwer George is still the boss. Wondering how we’ve come to that conclusion? Well, even though Iwer announced his decision to opt out of future productions of the International Soca Monarch showcase recently, he continues to be booked for various events overseas- proving that he is an artiste in demand. This past weekend, George performed in the prelude to Washington DC and Baltimore Carnival at an event called Glow in the Dark and in usual Iwer fashion, he killed it!
Iwer George celebrated his birthday during DC’s carnival this past weekend.
Iwer’s presence has been a staple to many Caribbean carnivals hosted across the world, over the years. On his announcement a few weeks ago, that he would no longer be participating in the highly acclaimed, International Soca Monarch competition, many raised eyebrows, wondering if this would mean the end of the boss. Last weekend however, Iwer proved that his career is nowhere close to becoming defunct. He stepped on stage at Glow In The Dark and amid technical glitches, Iwer recreated a T&T carnival fete scene- a fetter’s dream, some might call it, delivering an A class performance, according to our EBUZZ foreign correspondent.
The Glow in The Dark event also saw performances by Mr. Famous- the artiste from Toco, Trinidad who pretty much proved to be the break through artiste of Carnival 2014. St. Vincent’s Skinny Fabulous was also in the lineup, delivering his hit single ‘Worst Behaviour’, a 2014 crowd favourite, among other big songs.
George celebrated his birthday last Friday. It was actually the same night of the Glow In The Dark event. He told his audience that he’d traveled all the way from Trinidad to be with them on his birthnite. ETCETERABUZZ.COM understands that Grenada’s Mr. Killa was also billed to perform at the event, however on show night he was a no show, according to our correspondent. On Saturday, the Caribbean revellers of Washington made their presence felt and as we understand it, Iwer George was the man of the moment, being blessed with lots of love and birthday wishes from his adoring foreign fans.
Today, another soca star celebrates his birthday. Much love and best wishes to Bunji Garlin- the ‘Differentology’ hit maker who continues to make inroads overseas, with his monstrous ragga soca anthems.
Well known event promoter, Glenroy Watson, has passed away. He died of natural causes on April 1st, in Port -of- Spain, Trinidad.
Watson’s legacy in the event landscape in Trinidad and Tobago stands as one rooted in the philosophy of delivering value to patrons, something that was the benchmark of every ‘I Am Legend’ concert in T&T and certainly countless other events hosted across the region and internationally.
Hands on and meticulous in his approach, Watson prided himself as a no nonsense promoter.
Most recently, in the aftermath of Carnival 2026, he hosted the Majah Hype comedy show, ‘Majah Issues’, at the Southern Academy for the Performing Arts, in Trinidad and was preparing for a major concert event in Trinidad, at the time of his passing.
At this time, the bereaved extends gratitude to well- wishers and asks for privacy and understanding as preparations for Watson’s home-going ceremony get underway.
All further details will be relayed at a later time.
“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA
Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.
From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.
Destra with King David Michael Rudder.
Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.
One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.
Destra’s daughter, Xaiya on the piano.
The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.
As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.
Reflections certainly delivered a powerful blend of music, filled with deep messages and meaning. In what is a very spiritual season, Destra, through the delivery of ‘Reflections,’ has carved out a space for inspiration and connection within Trinidad and Tobago’s cultural landscape – something that many would agree, is a necessity more than an option.
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