He may have started off singing parang as a pre-teen, but at 22, Trinidad and Tobago’s Tyrel Ross is delivering island pop- a genre saturated with that fresh Caribbean vibe that the world just can’t seem to get enough of. If you’ve never heard about Tyrel, here’s what you should know :
Tyrel’s studying International Transportation and Trade at Suny Maritime College in New York but he’s presently at home in Trinidad until the end of August when he’ll return to continue his studies. His passion for music just cannot be overlooked however, and he told EBUZZTT that he’s received a lot of support from his step-father in the pursuit of his musical ambitions. His mother, he says, keeps him driven academically and for that, he is tremendously grateful.
The release of his brand new single, ‘This Girl is Hot’, complete with a video that’s already uploaded to YouTube, boasts a message that’s much bigger than what’s shared on the surface level. “For me personally, the song’s hook, ‘this girl is hot’, stands for a lot more than physical beauty. I want women to understand that hot doesn’t just mean their physical makeup, but their mind, their attitude, their vibe, their flair, the way they carry themselves,” he said, encouraging females to believe in themselves. “No matter how you think others perceive you, that shouldn’t really matter. You should know that no matter what, you are beautiful ; you were made beautiful. Just believe in yourself and you”ll be just fine.”
A former Holy Cross College student, Tyrel plays the guitar and says he wants to learn the piano. He has a great appreciation for music and it shows in the quality of what he delivers. The new track, which was produced at Dan Borgers Studios in Toronto Canada was co-written by Jenna Nation Music out of Toronto and Ross himself. “I worked with Dan Borgers and Jenna Nation on my previous release and I really enjoyed that experience so we did it again,” he said. Already, Tyrel says he’s been receiving a lot of good feedback on the new release, explaining that while at home in Trinidad and Tobago, the urban market facilitates mostly Soca and Dancehall music, he feels there’s a growing appreciation for Island Pop. “I’ve been influenced musically by many of our local artistes. I love what Kalpee’s been doing musically and it’s good to see how far he’s reached,” said Tyrel, noting that Kees and Voice are two other favourites of his. “Internationally, I love all kinds of musical genres really. From John Legend to Chronixx, Hood Celebrity, Koffee, Ed Sheran ; once the music sounding good, I’m vibin’ to it..”
Well known event promoter, Glenroy Watson, has passed away. He died of natural causes on April 1st, in Port -of- Spain, Trinidad.
Watson’s legacy in the event landscape in Trinidad and Tobago stands as one rooted in the philosophy of delivering value to patrons, something that was the benchmark of every ‘I Am Legend’ concert in T&T and certainly countless other events hosted across the region and internationally.
Hands on and meticulous in his approach, Watson prided himself as a no nonsense promoter.
Most recently, in the aftermath of Carnival 2026, he hosted the Majah Hype comedy show, ‘Majah Issues’, at the Southern Academy for the Performing Arts, in Trinidad and was preparing for a major concert event in Trinidad, at the time of his passing.
At this time, the bereaved extends gratitude to well- wishers and asks for privacy and understanding as preparations for Watson’s home-going ceremony get underway.
All further details will be relayed at a later time.
“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA
Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.
From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.
Destra with King David Michael Rudder.
Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.
One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.
Destra’s daughter, Xaiya on the piano.
The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.
As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.
Reflections certainly delivered a powerful blend of music, filled with deep messages and meaning. In what is a very spiritual season, Destra, through the delivery of ‘Reflections,’ has carved out a space for inspiration and connection within Trinidad and Tobago’s cultural landscape – something that many would agree, is a necessity more than an option.
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