Cassi says the stroke he suffered in April has made him a much more conscious person.
A stroke is no easy thing to recover from. In April of 2015, soca artiste, Cassiano Sylvester suffered the unexpected health condition which left him with a slightly twisted mouth and the task of learning to speak and eat again. The stroke, he learnt, came as a result of stress. Thinking about it, Cassi told ETCETERABUZZ that his inability to please his fans and Soca lovers for Carnival 2015, may have been at the root of the condition.
Fast forward to the end of the year and hurdles have been crossed. Smiles are now back and Cassi is among his peers again, enjoying the success of a song that came pretty unexpectedly, much like his stroke had. It’s a witty ditty, created by highly rated lyricist, Dale Ryan in collaboration with Emmanuel Rudder. Cassi, Ryan felt, was the right person for the song. In it, the artiste’s unembellished style that merges Calypso and Soca is powerfully delivered, as usual. You see, for Cassiano Sylvester, music lives within. He’s had some pretty awesome tracks in the past, starting with ‘Town T’ing’ in 2011, followed by ‘Inside De Party’ in 2012, then ‘Whistle and Horn’ in 2013 and ‘Man in Yuh House’ in 2014. One year later however, the singles he presented to mass audiences in T&T, didn’t seem to go down very well.
“I’ve had to find ways to rid myself of stress. I had to begin exercising, eating better and all of that. The experience has made me a bigger believer in God. It has made me more spiritual. I used to drink a lot but I don’t drink like I used to anymore. I play football more now. I feel younger and this stroke has made me look at life more consciously,” said Sylvester. Cassi explained that his tribulation even affected his friends but in quite a positive way, as they began looking at their own lives and their indulgences. “They changed their lifestyles too,” he said. He told ETCETERABUZZ.COM that Kernal Roberts was a true supporter during his trying time. “Kernal encouraged me to come into the studio and practice singing, which I did. I am so thankful for that. I had to do acupuncture to get my face to smile again. I believe the experience made me a more disciplined person and it has made me more conscious,” said the entertainer, adding that he considers himself one of the lucky ones.
The song has amassed over twelve thousand views on YouTube.
The song, ‘Two Dumplings’ which was produced by Wiz Records, was actually Cassi’s fourth release for the Carnival 2016 season. His three previous songs were not embraced by radio DJs. ‘Freedom’, one of those songs released early in the season, was produced at Rama Studios, and was a representation of his real-life issue faced. The song speaks of his journey following the stroke. Cassi says he however understands that sometimes the music just isn’t felt by DJs as quickly as one would want it to be felt. Thanking the people who stood by him during his health condition, Cassi said many were God-sent. “I want to thank Glenroy Watson and Uncle Pie,” he said, referring first to the Flirt Carnival bandleader and event promoter and secondly to the man who has kept Maraval Road in Port-of-Spain a weekly after work entertainment hub, for years. He says Watson was responsible for taking him to the hospital while Uncle Pie helped him with his medication. Sylvester says there are countless others whose goodness aided him tremendously and he wished to extend words of thanks to everyone who helped.
Now with Carnival 2016 looking a little brighter for the artiste than 2015 was, he is urging his peers in the business not to allow what happened to him, to become a part of their personal life story. Take a listen:
Now, listen to the song and let us know what you think!
Well known event promoter, Glenroy Watson, has passed away. He died of natural causes on April 1st, in Port -of- Spain, Trinidad.
Watson’s legacy in the event landscape in Trinidad and Tobago stands as one rooted in the philosophy of delivering value to patrons, something that was the benchmark of every ‘I Am Legend’ concert in T&T and certainly countless other events hosted across the region and internationally.
Hands on and meticulous in his approach, Watson prided himself as a no nonsense promoter.
Most recently, in the aftermath of Carnival 2026, he hosted the Majah Hype comedy show, ‘Majah Issues’, at the Southern Academy for the Performing Arts, in Trinidad and was preparing for a major concert event in Trinidad, at the time of his passing.
At this time, the bereaved extends gratitude to well- wishers and asks for privacy and understanding as preparations for Watson’s home-going ceremony get underway.
All further details will be relayed at a later time.
“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA
Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.
From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.
Destra with King David Michael Rudder.
Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.
One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.
Destra’s daughter, Xaiya on the piano.
The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.
As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.
Reflections certainly delivered a powerful blend of music, filled with deep messages and meaning. In what is a very spiritual season, Destra, through the delivery of ‘Reflections,’ has carved out a space for inspiration and connection within Trinidad and Tobago’s cultural landscape – something that many would agree, is a necessity more than an option.
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