International media has reported that a ninth person has died following last Friday’s tragic stampede at rapper, Travis Scott’s ‘Astroworld’ music festival in Houston, Texas. The ninth victim is a 22-year-old college student. The youngest to have succumbed to injuries so far is 14. A nine year old boy who was also seriously injured, is currently in a medically induced coma at hospital. Eighty civil lawsuits had been filed, up to Thursday, in connection with the incident. The attorney representing the entertainer, on Friday said, “There obviously was a systematic breakdown that we really need to get to the bottom of before we start pointing fingers at anyone.”
Jules Sobion at one of his major events.
Caribbean event promotional outfit, Caesars Army is just one of many global promotional teams that often facilitate mass gatherings for the entertainment of all, and while its founder, Jules Sobian admits that none of his events exceed 10,000 patrons, he believes there are serious lessons to be learnt from this tragedy.
“This seemed like a predictable but preventable tragedy,” said Sobion, in an exclusive chat with EBUZZTT on Thursday. He lamented the devastation, but said Travis Scott has a history of inciting crowds during his performances. “That in itself seems like a red flag for me, as I would not prescribe to anybody who is of total focus or attention, inciting my crowd in dangerous activities. It will only auger badly or negatively on the event organiser itself,” he explained. “I would remember when ‘Pick up Something,’ (Grenada’s Mr. Killa)was a big song. There were certain responsible event production managers that would ensure that if any song would incite rowdiness, or cause mayhem, the song would not be played, because we are responsible for the safety and security of the event,” he said. Beyond that however, Sobion pinpointed communication among key security and safety personnel as a major area of importance in hosting any event. “It’s the collaboration and cohesion of medical, fire, police, health and safety requirements; Based on this mass casualty event, it seemed that for a 50,000 crowd, they were not able to manage the complexities of such a crowd. In essence it seemed like from before, during and after the show, there were a number of failures.”
Sobion’s team produces events like A.M Bush, IN.De.Paint.Dance, Mai Tai, Bacchanal Blocko and Bacchanal Road to name a few. He believes that protocols established with communication at the centre of it all, could essentially safeguard all involved.“From a Trinidad and Tobago context and an event promoter’s context globally, it’s a matter of the cohesion and the buy- in, and the support from a cohesive team. It also comes down to communication among the personnel who are part and parcel of the event. There must be a hub- an area of communication where all officials will be in one station, or one workplace, to receive dilemmas in one hub. I don’t think Astroworld had that,” he noted.
Jules said while in the Caribbean, most events are usually on a much smaller scale, events of the Astroworld magnitude, require a high level of production. “I know for a fact that we, as simple Caribbean people – we tend to do the right thing. Police and Fire officials play an intrinsic role in the safety of any event and that is the main thing. Communication among all involved- a cohesive collaboration of entities, is responsible for a safe event production, and that just seemed like it was not the case last weekend,” he said.
Apart from the establishment of the communications hub, which Sobion said he certainly established for Bacchanal Road, he said it is imperative that the units attached to these crucial entities, are put into place in the most strategic way. “The communications hub is necessary but you also have to strategically put in place the units of these entities, within the event so that they can actually execute in the scenario of incidents to make sure that it’s dealt with immediately,” he highlighted, adding, “Communications coming centrally is important and having all persons on alert where you can actually communicate with the entities within the event and know how to deal with the incidents – whether to have the show stopped etcetera- that’s key.” Sobion said agents under the purview of the critical safety departments are tasked with communicating any emergencies immediately so that incidents do not carry on and end up causing mass casualties.
Last Friday in Houston, concert goers said the crowd surge that essentially led to nine deaths, began when Travis Scott took the stage. According to President of the Houston Firefighters Association, Patrick Lancton, Firefighters who were stationed outside the venue were not in radio communication with the emergency medical providers hired by the concert organisers as the situation unfolded.
She may be a Trinbagonian soca artiste but she’s also a proud Caribbean woman, so it was only right that rapper, Drake’s team at October’s Very Own – OVO, deliver to the entertainer, an OVO branded dominos set. It was quite possibly the package inclusion that brought out Belfon’s excitement earlier this week, when she received and opened it up.
Denise has been basking in the joy of being a part of Drake’s recently released, Maid of Honor’ album – her single ‘Work’ sampled on a track called, ‘BBW’. Fans, pretty much elated by the news, have been expressing their congratulations to the New York based singer, many saying it was only a matter of time before this type of breakthrough came for her.
Denise’s journey in music began decades ago, and even though her presence on the Soca circuit in the Caribbean has been limited for some time, her past hits have proven to be legacy-leavers, with DJs, artistes and social media users quite often returning to her sound.
The OVO gift package included merchandise and the special Dominos game set, something Denise automatically hailed out her Jamaican friends on, noting that they’d me meeting up for a game soon. When news of the sample emerged in May, many questioned whether Belfon had agreed to the use of her work. She has since allayed all concerns, saying all is above board on the project.
A riddim built on pure Jamaican nostalgia that’s dominating with several acclaimed artistes releasing hit singles, the ‘Hill And’ Gully’ folk riddim is undeniably a major influencer this year. Like butter, several releases smoothly resonate, with artistes like Masicka, Mr. Vegas, Kees Dieffenthaller, Valiant, Elephant Man and Sheneil Muir delivering catchy singles for the masses.
Outside of multiple releases produced by Jamaican DJ/ Singer/ Songwriter/ Stephen ‘Di Genius’ McGregor, Trinidad and Tobago artiste, Anisha, has risen to the occasion, urging social transformation using her creativity as the vessel. “Plea for Peace is meant to uplift communities and spark conversation because I believe music can preserve tradition, while creating space for meaningful dialogue,” said the Belmont,Trinidad native.
Known in creative spaces as The Goddess of Love, Anisha was raised in Belle-Eau Road in Belmont. She understands the need for thought provoking messages through music. “I compose my own songs and I’ve been involved in music for several years,” she said, explaining that she uses music as a tool to express herself, tell stories and tap into her emotions while addressing issues that affect communities.
For Anisha, the Hill and Gully Riddim offers music lovers a timeless cultural connection. “I felt it was a riddim that could help carry this message of peace to both the young and the old in a way that’s relatable and impactful,” said the singer. Acknowledging the criticism by veteran Jamaican broadcaster, Fae Ellington over some of the lyrics sung by artistes on the traditional folk riddim, Anisha says she respects Ms. Ellington’s perspective. “I respect her perspective because cultural and musical traditions are important and should always be valued.” She however admits that music continues to evolve as a reflection of society. “Each artiste chooses to use music to express himself/herself based on personal experience, however my approach with ‘Plea for Peace,’ was to honor the riddim’s cultural significance by using it to address an issue that is affecting my country, Trinidad and Tobago.”
The song was born out of Anisha’s concern for the people of T&T. “It’s really a mixture of concern, frustration and hope. This song addresses the growing impact that crime and violence continues to have on families, communities and the youth,” she declared, adding that it serves as a heartfelt appeal for the population to reflect on what society has become, while establishing a blueprint for a better future. “If this song encourages even one young person to choose a different path, or reminds communities that love, respect and unity still matter, then I’d consider it a success,” she said.
Anisha says she admires the dedication to peace, shown by fellow T&T artiste, Orlando Octave. “We share a similar passion for spreading positive messages through music. I often refer to him as ‘The Prince of Peace,” she said, noting that she would be honored to work with Orlando, if the opportunity presents itself. “My mission as an artiste is to use my music as a bridge that brings people together, rather than divides humanity. ‘Plea for Peace is more than just a song. It’s a reminder that despite the challenges we face, peace, love and unity are still very possible if we choose to lift each other up.”
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