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Archived: Bunji's Got Another Surprise Coming!

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Bunji Garlin’s name seems to be synonymous with surprises. The artiste has been using social media in the past year or so, to make revelations of things to come. His latest Instagram post has left many speculating, but one thing’s for sure and that’s the fact that whatever this imminent surprise is, it’s got iSpaniard smiling.

Bunji's expression of indifference.

Bunji’s expression of indifference.

Bunji’s been reeling from the success of ‘Differentology’- a song that impacted Trinidad and Tobago in a phenomenal way, having even captured international television audiences, after it was used by the producers of Grey’s Anatomy in the opening of one of the show’s episodes in November 2013. From that time to now, so much has happened. Bunji and Fay-Ann, the woman he cherishes no doubt, appeared side by side on BET’s 106th and Park, where the song was performed and enjoyed by the hosts and live audience. Most recently, Bunji Garlin’s name was once again receiving heavy promotion- this after the release of the remixed version of ‘Truck On De Road’- his 2014 carnival hit, with Hip Hop artiste, A$AP Ferg.

Bunji has hinted that he's received news that will make for a tremendous surprise.

Bunji has hinted that he’s received news that will make for a tremendous surprise.

In a Twitter post two weeks ago, New York’s HOT97FM’s Funk Master Flex mentioned the collab. On Tuesday, Bunji said, “NORMALLY this is the expression I would wear whether good news, bad news or any news lol. Today was different though. Who says soca have nowhere to go probably jumping off cliffs or jumping on wagons now or will soon be……Again.” What or who he was referencing, we can’t say but Bunji was certainly happy about something.

He subsequently Instagrammed a photo of himself with the caption, I NORMALLY won’t wear this expression for absolutely any reason at all but with all the blessings that has been happening in our family to get this news and development where this career is concerned is just another wow. Stay tuned people. Things are for real on this side of happenings.”

T&T’s carnival season is coming and with it usually comes a natural stir of energy within the soca fraternity, and among the artistes. Stay tuned, we’ll keep you in the know every step of the way!

Ebuzz News

‘I Am Legend’ Concert Promoter, Glenroy Watson Has Passed Away.

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Well known event promoter, Glenroy Watson, has passed away. He died of natural causes on April 1st, in Port -of- Spain, Trinidad. 

Watson’s legacy in the event landscape in Trinidad and Tobago stands as one rooted in the philosophy of delivering value to patrons, something that was the benchmark of every ‘I Am Legend’ concert in T&T and certainly countless other events hosted across the region and internationally. 

Hands on and meticulous in his approach, Watson prided himself as a no nonsense promoter. 

Most recently, in the aftermath of Carnival 2026, he hosted the Majah Hype comedy show, ‘Majah Issues’, at the Southern Academy for the Performing Arts, in Trinidad and was preparing for a major concert event in Trinidad, at the time of his passing. 

At this time, the bereaved extends gratitude to well- wishers and asks for privacy and understanding as preparations for Watson’s home-going ceremony get underway. 

All further details will be relayed at a later time. 

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Caribbean Buzz

Destra Delivers Powerfully at Reflections.

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“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA

Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.

From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.

Destra with King David Michael Rudder.

Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.

One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.

Destra’s daughter, Xaiya on the piano.

The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.

As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.

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