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Archived: Bunji Puts On His Patriotic Hat- Makes it To MTV Iggy Again

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There’s no better time than the present to push T&T, at least for someone with a name like Bunji Garlin- a name that’s probably appeared in every Google search for the words Soca and Trinidad and Tobago, in the past year. Bunji has once again made a move that could very well benefit the country in a great way, having released a new track that speaks of all the the fine things that can be found in Trinidad and Tobago.

Bunji's 'Find Me In Trinidad' is patriotic in every sense of the word.

Bunji’s ‘Find Me In Trinidad’ is patriotic in every sense of the word.

The artiste has been on a roll in the past few weeks, having released several hit carnival anthems and with the latest release of his track, ‘Find Me In Trinidad’, the Viking is proving that he cannot be boxed in and he has no plans of stopping or slowing down. In a recent MTV Iggy ‘LIST’, Bunji’s name again popped up, this time alongside names like fellow soca artistes, Machel Montano, Nadia Batson, Kerwin Du Bois, Cassi and Blaxx, among a few others, who are expected to shine throughout this season.

We spoke with the Viking himself this afternoon and he told us that while he would love to say that the song was planned out, it really wasn’t. Produced by Dwain ‘Dwaingerous’ Antrobus, Bunji said the lyrics came immediatly to the sound he heard from the music sent by Dwaingerous. “The words were the first thing that came to my mind and out of my mouth and the song took its own shape,”said Bunji. Much like tracks done by artistes like Shurwayne Winchester and Isasha, who have in recent years contributed patriotic anthems, ‘Paradisin’ and ‘Red,White and Black’, respectively, Bunji’s, ‘Find Me in Trinidad’ is a perfect representation of the country and many would expect that it would be used in promoting the country. “With a  song like this, I will do my part and sell Trinidad and Tobago how I should sell it. I will not go out of my way to approach the Ministry of Tourism because we all know how that goes. I will do what I can with the strength that I hold. I will not wait on them,” he said. Bunji however indicated that if the Tourism officials were to approach him, he would cooperate to ensure that Trinidad and Tobago benefits from the carnival single.

Noting that the journey at the House of Vikings has been an amazing one thus far, Bunji explained that the respect received from promoters and other business persons, has been welcomed. “Things are progressing nicely- real nice,” he said, this of course as the band has been booked by almost every promotional entity this carnival. “We are thinking out of the box,” said Garlin, when asked what patrons at events can expect, especially so for his upcoming Redlight District concert being held on February 7th at the O2 Park in Chaguaramas. “As we feel it we do it,” he said, telling us that the Asylum Vikings will not conform to what is expected. They will do as they feel and they will do it for the people.

With Soca Monarch the talk of the town among artistes, Bunji has made it clear that he will not be participating in the competition this year, nor any year in the future. He explained that conversations with international record execs have made it even clearer to him that, after having won the Soul Train Award last year, jumping back into a competitive arena just isn’t necessary.

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T&T Gets The Gift of Music with ‘Sweet Pan Morning,’ Ahead of Independence.

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As Trinidad and Tobago prepares to usher in another Independence anniversary a daughter of the soil is paying tribute in a most fitting way- in song. Sabrina Marks has released her new single, “Sweet Pan Morning”- a tribute to the national instrument and the country that birthed it.

This sweeping musical tribute to the history, culture, resilience, and spirit of Trinidad and Tobago was skillfully curated by Executive Producer, Michael St. John. The song offers a timely reminder of what unites T&T, celebrating the people, traditions, and cultural contributions that have shaped the twin island nation. 

Combining grand orchestral arrangements with rich Caribbean rhythms, the music takes listeners on a journey through Trinidad and Tobago’s evolving history, tracing a path from the cocoa fields and industrial landscape, to the vibrant culture that defines the country today. 

The track recognizes the diverse communities that form the cultural fabric of the twin islands including people of African, East Indian, European, Chinese, Syrian-Lebanese, and First Peoples heritage. At its heart, “Sweet Pan Morning” celebrates two of Trinidad and Tobago’s most influential cultural gifts: Calypso and the Steelpan. It captures the uniquely national spirit, that allows its people to transform hardship into music, adversity into strength, and everyday life into celebration.

For audiences at home and abroad, the song is an invitation to honour Caribbean roots, celebrate what makes the twin-island nation unique, and recognize a creative spirit that continues to resonate globally. 

“Sweet Pan Morning” performed by Sabrina Marks and Executive Produced by Michael St John is available now for radio airplay, global syndication, and streaming across major digital music platforms. 

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Anika Berry Successfully Transitions To An Artiste Creating Opportunity. Brooklyn Concert Was So Sweet.

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The sweetest berry, Anika Berry reached a major milestone in her career with the successful staging of SO SWEET: The Concert, last weekend, in Brooklyn, New York. It was the entertainer’s first self-produced headline concert in the US.

Artistes backed by a live band, the event brought together generations of Caribbean music and featured performances and appearances by GBM Nutron, Lyrikal, the legendary Tigress, Denise ‘Saucy Wow’ Belfon, Imani Ray, and many others, creating a night that celebrated not only Berry’s journey, but the music and artistes who helped shape the culture she so proudly represents.

Anika Berry’s event was years in the making. Her journey in the Soca space has been built one performance at a time – the young artiste developing her sound, building her audience, releasing music, traveling to perform, and continuing to push forward in an industry where longevity must be earned. Over the years, she has grown from an emerging voice in Soca, into an international performer, while remaining committed to creating opportunities and moments that honor the culture. For that reason, the Brooklyn concert was especially significant.

Stepping into the role of headliner and producer, Anika brought her own vision to life with a full live band, guest artistes, production, and marketing dedicatedly to an audience that answered the call and came together to support the next chapter of her career.

Denise Belfon was one of the featured artistes at So Sweet.

One of the most meaningful moments of the evening came when Berry shared the stage with two women whose contributions helped pave the way for generations of female Soca artistes- that moment was standing on stage with both Tigress and Denise Belfon. “The appearance by Tigress became an emotional connection between Soca’s past and present,” said the artiste. “Hearing and reliving “Wo Donkey”, the unforgettable United Sisters classic, on a Brooklyn stage was more than a nostalgic moment,” she added. It was an opportunity to give flowers to a generation of women who helped establish a space for female voices in Calypso and Soca, long before many of today’s artistes entered the industry.

For Berry, being on stage beside Tigress was a full circle experience. The music of the  United Sisters – Tigress, Singing Sandra, Lady B and Marvellous Marva, represented strength, personality and fearless female expression. Their impact continues to live through the women who came after them. The presence of Denise Belfon, another woman whose unmistakable style, stage presence and catalogue have influenced generations of Soca performers, made the tribute even more meaningful. Rather than simply celebrating her own milestone, Berry used her first headline concert to recognize the women who helped make moments like hers possible. The night also represented the range of Soca itself, the event connecting different generations, sounds and audiences under one roof while keeping the focus on live Caribbean music.

For Berry and her team, successfully producing a headline concert in Brooklyn represents more than another performance credit. It marks a transition from being an artiste, working for opportunities, to becoming an artiste capable of creating the opportunity, building the platform and bringing other artistes onto it.

SO SWEET was a celebration of progress, but it was equally a celebration of gratitude.

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