Those were two major rules created by Trinidad and Tobago’s most powerful musical couple, Fay-Ann and Bunji Garlin, when they first established themselves as a unit. In recent hours, Bunji Garlin’s name has been caught in a web of Twitter posts started by an unknown musician, who goes by the name of Jason Shields with the sobriquet, Fireone. Bunji, in an exclusive interview with ETCETERABUZZ.COM this morning said while he did in fact listen to the song sent by the artiste, approximately one year ago via Twitter, he found it hard to tell the budding artiste that he did not particularly like it. He simply said nothing.
Fay-Ann and Bunji made a musical pact that included not listening to anyone else’s music. PHOTO COURTESY: Teeography.
Bunji told us that years ago both he and his wife, Fay-Ann Lyons had vowed, in a musical agreement with each other that they would never listen to anyone else’s music or sing anyone else’s material. He said he was now feeling the effect of having broken that agreement in part, by simply listening to a song created by a budding artiste, who had so requested. “Unless we are really going to work on a song, we try not to even listen to the music from producers,” he told us. He explained that over time, because of the limitation of musical chords and scales, there is the possibility that music created could sound similar to older music. He said this was not the case with this particular song however, noting that the song submitted by FireOne himself, really sounded nothing like his hit single, “Carnival Tabanca.”
In earnest, both singles do in fact carry identical titles but then again, how many times before have we seen this occur? Numerous. For Bunji Garlin however, this isn’t the issue. He noted that when “Carnival Tabanca” was released a few weeks ago, fellow entertainer, Shurwayne Winchester congratulated him on the song and even mentioned that he too had just wrapped up production on a song that was very similar. “I never even heard Shurwayne’s song. So these things do happen,” said Bunji. “It’s an unfortunate situation but I’m not going to dwell on it. God knows my heart and sometimes God is the only witness,” he rationalised.
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Set for the weekend with gigs in Antigua and Barbados, the Viking of Soca as he’s been coined, says he understands what all artistes, especially budding artistes go through to get their music out and he could never see himself damaging a new entertainer’s chances of making it. He also reminded us of his ability to freestyle, saying, “After a man see me freestyle on stage, what would make anybody think that I would need to steal someone else’s material?”
Regretful for having broken the vow he made with his musical and life partner relative to listening to other people’s music, Bunji Garlin says this is a lesson. He advised other entertainers to cover their bases where this was concerned, noting that things often happen very innocently.
She may be a Trinbagonian soca artiste but she’s also a proud Caribbean woman, so it was only right that rapper, Drake’s team at October’s Very Own – OVO, deliver to the entertainer, an OVO branded dominos set. It was quite possibly the package inclusion that brought out Belfon’s excitement earlier this week, when she received and opened it up.
Denise has been basking in the joy of being a part of Drake’s recently released, Maid of Honor’ album – her single ‘Work’ sampled on a track called, ‘BBW’. Fans, pretty much elated by the news, have been expressing their congratulations to the New York based singer, many saying it was only a matter of time before this type of breakthrough came for her.
Denise’s journey in music began decades ago, and even though her presence on the Soca circuit in the Caribbean has been limited for some time, her past hits have proven to be legacy-leavers, with DJs, artistes and social media users quite often returning to her sound.
The OVO gift package included merchandise and the special Dominos game set, something Denise automatically hailed out her Jamaican friends on, noting that they’d me meeting up for a game soon. When news of the sample emerged in May, many questioned whether Belfon had agreed to the use of her work. She has since allayed all concerns, saying all is above board on the project.
A riddim built on pure Jamaican nostalgia that’s dominating with several acclaimed artistes releasing hit singles, the ‘Hill And’ Gully’ folk riddim is undeniably a major influencer this year. Like butter, several releases smoothly resonate, with artistes like Masicka, Mr. Vegas, Kees Dieffenthaller, Valiant, Elephant Man and Sheneil Muir delivering catchy singles for the masses.
Outside of multiple releases produced by Jamaican DJ/ Singer/ Songwriter/ Stephen ‘Di Genius’ McGregor, Trinidad and Tobago artiste, Anisha, has risen to the occasion, urging social transformation using her creativity as the vessel. “Plea for Peace is meant to uplift communities and spark conversation because I believe music can preserve tradition, while creating space for meaningful dialogue,” said the Belmont,Trinidad native.
Known in creative spaces as The Goddess of Love, Anisha was raised in Belle-Eau Road in Belmont. She understands the need for thought provoking messages through music. “I compose my own songs and I’ve been involved in music for several years,” she said, explaining that she uses music as a tool to express herself, tell stories and tap into her emotions while addressing issues that affect communities.
For Anisha, the Hill and Gully Riddim offers music lovers a timeless cultural connection. “I felt it was a riddim that could help carry this message of peace to both the young and the old in a way that’s relatable and impactful,” said the singer. Acknowledging the criticism by veteran Jamaican broadcaster, Fae Ellington over some of the lyrics sung by artistes on the traditional folk riddim, Anisha says she respects Ms. Ellington’s perspective. “I respect her perspective because cultural and musical traditions are important and should always be valued.” She however admits that music continues to evolve as a reflection of society. “Each artiste chooses to use music to express himself/herself based on personal experience, however my approach with ‘Plea for Peace,’ was to honor the riddim’s cultural significance by using it to address an issue that is affecting my country, Trinidad and Tobago.”
The song was born out of Anisha’s concern for the people of T&T. “It’s really a mixture of concern, frustration and hope. This song addresses the growing impact that crime and violence continues to have on families, communities and the youth,” she declared, adding that it serves as a heartfelt appeal for the population to reflect on what society has become, while establishing a blueprint for a better future. “If this song encourages even one young person to choose a different path, or reminds communities that love, respect and unity still matter, then I’d consider it a success,” she said.
Anisha says she admires the dedication to peace, shown by fellow T&T artiste, Orlando Octave. “We share a similar passion for spreading positive messages through music. I often refer to him as ‘The Prince of Peace,” she said, noting that she would be honored to work with Orlando, if the opportunity presents itself. “My mission as an artiste is to use my music as a bridge that brings people together, rather than divides humanity. ‘Plea for Peace is more than just a song. It’s a reminder that despite the challenges we face, peace, love and unity are still very possible if we choose to lift each other up.”
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