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Archived: Bunji Garlin Faces Unnecessary Repercussion after Breaking One Big Rule.

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1. NEVER LISTEN TO ANYONE’S MATERIAL. 

2. NEVER SING ANYONE’S MATERIAL.

Those were two major rules created by Trinidad and Tobago’s most powerful musical couple, Fay-Ann and Bunji Garlin, when they first established themselves as a unit. In recent hours, Bunji Garlin’s name has been caught in a web of Twitter posts started by an unknown musician, who goes by the name of  Jason Shields with the sobriquet, Fireone. Bunji, in an exclusive interview with ETCETERABUZZ.COM this morning said while he did in fact listen to the song sent by the artiste, approximately one year ago via Twitter, he found it hard to tell the budding artiste that he did not particularly like it. He simply said nothing.

Fay-Ann and Bunji made a music pact that included not listening to anyone else's music. PHOTO COURTESY: Teeography.

Fay-Ann and Bunji made a musical pact that included not listening to anyone else’s music.
PHOTO COURTESY: Teeography.

Bunji told us that years ago both he and his wife, Fay-Ann Lyons had vowed, in a musical agreement with each other that they would never listen to anyone else’s music or sing anyone else’s material. He said he was now feeling the effect of having broken that agreement in part, by simply listening to a song created by a budding artiste, who had so requested. “Unless we are really going to work on a song, we try not to even listen to the music from producers,” he told us. He explained that over time, because of the limitation of musical chords and scales, there is the possibility that music created could sound similar to older music. He said this was not the case with this particular song however, noting that the song submitted by FireOne himself, really sounded nothing like his hit single, “Carnival Tabanca.”

In earnest, both singles do in fact carry identical titles but then again, how many times before have we seen this occur? Numerous. For Bunji Garlin however, this isn’t the issue. He noted that when “Carnival Tabanca” was released a few weeks ago, fellow entertainer, Shurwayne Winchester congratulated him on the song and even mentioned that he too had just wrapped up production on a song that was very similar. “I never even heard Shurwayne’s song. So these things do happen,” said Bunji. “It’s an unfortunate situation but I’m not going to dwell on it. God knows my heart and sometimes God is the only witness,” he rationalised.

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Set for the weekend with gigs in Antigua and Barbados, the Viking of Soca as he’s been coined, says he understands what all artistes, especially budding artistes go through to get their music out and he could never see himself damaging a new entertainer’s chances of making it. He also reminded us of his ability to freestyle, saying, “After a man see me freestyle on stage, what would make anybody think that I would need to steal someone else’s material?”

Regretful for having broken the vow he made with his musical and life partner relative to listening to other people’s music, Bunji Garlin says this is a lesson. He advised other entertainers to cover their bases where this was concerned, noting that things often happen very innocently.

 

FIREONE’S ‘CARNIVAL TABANCA’                 

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BUNJI ‘CARNIVAL ‘TABANCA’

[youtube width=”600″ height=”350″]hBElF1WPclA[/youtube]

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T&T Gets The Gift of Music with ‘Sweet Pan Morning,’ Ahead of Independence.

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As Trinidad and Tobago prepares to usher in another Independence anniversary a daughter of the soil is paying tribute in a most fitting way- in song. Sabrina Marks has released her new single, “Sweet Pan Morning”- a tribute to the national instrument and the country that birthed it.

This sweeping musical tribute to the history, culture, resilience, and spirit of Trinidad and Tobago was skillfully curated by Executive Producer, Michael St. John. The song offers a timely reminder of what unites T&T, celebrating the people, traditions, and cultural contributions that have shaped the twin island nation. 

Combining grand orchestral arrangements with rich Caribbean rhythms, the music takes listeners on a journey through Trinidad and Tobago’s evolving history, tracing a path from the cocoa fields and industrial landscape, to the vibrant culture that defines the country today. 

The track recognizes the diverse communities that form the cultural fabric of the twin islands including people of African, East Indian, European, Chinese, Syrian-Lebanese, and First Peoples heritage. At its heart, “Sweet Pan Morning” celebrates two of Trinidad and Tobago’s most influential cultural gifts: Calypso and the Steelpan. It captures the uniquely national spirit, that allows its people to transform hardship into music, adversity into strength, and everyday life into celebration.

For audiences at home and abroad, the song is an invitation to honour Caribbean roots, celebrate what makes the twin-island nation unique, and recognize a creative spirit that continues to resonate globally. 

“Sweet Pan Morning” performed by Sabrina Marks and Executive Produced by Michael St John is available now for radio airplay, global syndication, and streaming across major digital music platforms. 

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Anika Berry Successfully Transitions To An Artiste Creating Opportunity. Brooklyn Concert Was So Sweet.

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The sweetest berry, Anika Berry reached a major milestone in her career with the successful staging of SO SWEET: The Concert, last weekend, in Brooklyn, New York. It was the entertainer’s first self-produced headline concert in the US.

Artistes backed by a live band, the event brought together generations of Caribbean music and featured performances and appearances by GBM Nutron, Lyrikal, the legendary Tigress, Denise ‘Saucy Wow’ Belfon, Imani Ray, and many others, creating a night that celebrated not only Berry’s journey, but the music and artistes who helped shape the culture she so proudly represents.

Anika Berry’s event was years in the making. Her journey in the Soca space has been built one performance at a time – the young artiste developing her sound, building her audience, releasing music, traveling to perform, and continuing to push forward in an industry where longevity must be earned. Over the years, she has grown from an emerging voice in Soca, into an international performer, while remaining committed to creating opportunities and moments that honor the culture. For that reason, the Brooklyn concert was especially significant.

Stepping into the role of headliner and producer, Anika brought her own vision to life with a full live band, guest artistes, production, and marketing dedicatedly to an audience that answered the call and came together to support the next chapter of her career.

Denise Belfon was one of the featured artistes at So Sweet.

One of the most meaningful moments of the evening came when Berry shared the stage with two women whose contributions helped pave the way for generations of female Soca artistes- that moment was standing on stage with both Tigress and Denise Belfon. “The appearance by Tigress became an emotional connection between Soca’s past and present,” said the artiste. “Hearing and reliving “Wo Donkey”, the unforgettable United Sisters classic, on a Brooklyn stage was more than a nostalgic moment,” she added. It was an opportunity to give flowers to a generation of women who helped establish a space for female voices in Calypso and Soca, long before many of today’s artistes entered the industry.

For Berry, being on stage beside Tigress was a full circle experience. The music of the  United Sisters – Tigress, Singing Sandra, Lady B and Marvellous Marva, represented strength, personality and fearless female expression. Their impact continues to live through the women who came after them. The presence of Denise Belfon, another woman whose unmistakable style, stage presence and catalogue have influenced generations of Soca performers, made the tribute even more meaningful. Rather than simply celebrating her own milestone, Berry used her first headline concert to recognize the women who helped make moments like hers possible. The night also represented the range of Soca itself, the event connecting different generations, sounds and audiences under one roof while keeping the focus on live Caribbean music.

For Berry and her team, successfully producing a headline concert in Brooklyn represents more than another performance credit. It marks a transition from being an artiste, working for opportunities, to becoming an artiste capable of creating the opportunity, building the platform and bringing other artistes onto it.

SO SWEET was a celebration of progress, but it was equally a celebration of gratitude.

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