Ebuzz News
Yung Kymani Takes Home the Junior Soca Monarch Crown. Artiste Advocates for Authenticity in Soca.
Pure heart and true spirit, a focused mind and the understanding that faith conquers all fear, has secured the Junior Soca Monarch crown for 12-year-old artiste, Yung Kymani. In the aftermath of his success on February 10th, the young artiste attested to the support of his parents, saying he was grateful that they pushed him and motivated him to keep going.
It’s certainly not his first roll in the hay, but this year he was more confident than ever that his music could engage his peers and the judges in the competition. Kymani was also a semi-finalist in the Junior Calypso Monarch competition this year, and while his goal had been to successfully make it into the finals, he will have to try again in 2027.
No matter the challenge, the young, ambitious student who puts culture above hype, says he isn’t concerned with titles as much as he’s focused on creating quality music that can live on for many years to come. His mother, Kezia Hector says she’s incredibly proud of her son’s attitude. “He is preparing for the SEA exam in March and he has been balancing his studies and his music very well. He told me that he is focused on making quality music and the winning track, ‘Link Up’ was created based on that mindset,” she explained.
‘Link Up,’ written by Kymani, his mother Kezia Hector, and Nigel Lopez, expresses in song, the diversity and variety that Trinidad and Tobago’s culture presents to the world. “The song is mid-groovy and it’s all about the culture, the music, the events, the carnival vibes and all else carnival. There’s a dual meaning as well, since the musical styles in the song are varied. There is a little Calypso, Soca, rhythm section and dub,” said Hector, as she highlighted Kymani’s desire to promote the authenticity of Trinidad and Tobago’s cultural product. “The song is really a poem and it’s written with a poetic flow. It’s done in a way that everyone can enjoy,” she explained. “We really wanted to address the fact that Soca is sounding a bit different now- more like RnB, and we wanted to bring back the original sound of our music,” she added. Acknowledging the public discourse on the sound of Soca, she highlighted that while a Grammy award would be nice for Trinidad and Tobago’s music and culture, authenticity should not be compromised. “We are making every attempt to help our son stay close to the true energy of Soca music. Kymani is very versatile and he can pivot outside of the carnival season,” she said.
Machel Montano, a source of tremendous inspiration for Kymani, he hopes to follow in the megastar’s footsteps, sharing good music with people, the world over. “This year my goals also include reaching more people around the world with my music and building a bigger fan base,” he said.
Amid the hard work and dedication to ensure her son is healthy and mentally prepared for any outcome, Kezia Hector says she consistently reassures Kymani. “As a parent you have to encourage them and even if they don’t win, we have to explain the importance of trusting in God always,” she said.
On the topic of Soca’s continuity, Kezia said, “We are hoping that people his age who are in the entertainment sector, can pick up the mantle and push the culture, and that’s why we are sticking to the sound of our music.” Additionally, she said, “I do think there are a lot of young people, Kymani’s age, who do enjoy the music of our country, however these children are not showcased enough. They need to do a better job of showcasing the youths to encourage them. We can’t just stop at Machel Montano or Terri Lyons. There are so many talented youths out there. You can’t keep the focus only on 5 or 10 artistes,” she reinforced.
Ebuzz News
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Caribbean Buzz
Destra Delivers Powerfully at Reflections.
“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA
Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.
From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.
Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.
One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.
The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.
As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.
Reflections certainly delivered a powerful blend of music, filled with deep messages and meaning. In what is a very spiritual season, Destra, through the delivery of ‘Reflections,’ has carved out a space for inspiration and connection within Trinidad and Tobago’s cultural landscape – something that many would agree, is a necessity more than an option.