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Could Sabrina Francis Be The Next Big Female Caribbean Sensation? Freetown’s Muhammed Muwakil Weighs In.

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A movement to take her creative authenticity to every corner of the Caribbean and beyond, has spurred a reaction. Grenada’s Sabrina Francis has piqued the interest of one of the region’s foremost creative minds, Muhammed Muwakil of Freetown Collective. Francis’ showcase at Kafe Blue in Trinidad on September 14th, has since generated interest among music lovers as to whether a collaboration between the two is on the way. 

Filled with gratitude on the ability to spark interest in Trinidad, Francis says she feels happy to have gained new fans, recalling that several persons approached her after the showcase, indicating that they were new to her music and were immediately blown away. “My trip to Trinidad and the show was everything I could have hoped for,” said Francis, highlighting the history of the venue, and the hospitality of its host – the legendary calypsonian, Carl Jacobs. “Carl is a special guy with a beautiful soul and I know I will be back in Trinidad soon so I am very happy to have made that connection,” said Sabrina. 

Her second trip to showcase her style of music in T&T, the young, talented singer is growing in popularity. Her appeal stems from an effortless truth – her ability to stand firmly in her authenticity as a vocalist with proud African ancestry. It’s an appeal that almost immediately grabs her audience- an unpretentious beauty that penetrates effortlessly. “I am so touched that Muhammed made it to the show. We did speak, and I am hopeful that we will work together in the near future,” she said of the Freetown Collective frontline artiste’s interaction at the showcase. 

Muhammed, in an honest expression at the event, said, “Sabrina is an amazing, amazing artiste. She opened for Freetown last year in London. Her vocals are flawless, her writing is amazing, her stage presence is just beautiful. Most likely we’ll be doing something with her in the future, but there definitely is a song I heard tonight that should be in 2026 Carnival, I feel. I think she has the ability to become one of the leading female voices in the region and it’s only a matter of time.” 

Sabrina says while she isn’t a Soca artiste, she is open to experimenting with her sound. “I’m open to experimenting and trying new things. I want to return to Trinidad in the first half of next year. The work that we’re doing is to build the audience. I know Trinidad and Grenada have a lot of cultural history and similarities. I am hoping that Muhammed and I can work together soon,” she said. 

Sabrina Francis’ catalogue of songs include, ‘Cocoa Tea,’ ‘Cool Me Down,’ ‘Woman’ and ‘Overflow’ among others. Her latest release is called, ‘Don’t Waste My Time.’ 

The young artiste’s musical style is categorized as Afro-Caribbean Pop. 

For more on her amazing musical journey, follow her HERE.

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Culture Minister Says There Is A Broader Vision for T&T Carnival. Assures Feting Will Continue.

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A move in line with government’s commitment to creating balance and encouraging expansion in T&T’s overall cultural experience; This is how the country’s Culture and Community Development Minister responded this afternoon to criticism meted out to government as word spread that the Brian Lara Cricket Academy would no longer be used as a fete venue.

Minister Michelle Benjamin, declaring her support for the Prime Minister said residents living in close proximity to the cricket academy, have voiced their concerns regarding the excessive sound levels generated by large scale events. Major carnival fetes have seen patron attendance exceeding 10,000 in recent years, according to promoters.

Soca artiste Lyrikal on stage at a fete during T&T’s Carnival 2025.

Opened in 2017, the Tarouba sporting facility is managed by the Urban Development Company of Trinidad and Tobago. UDECOTT Chairman, Shankar Bidaisee, speaking on the issue with the Trinidad Express said events hosted outside of the stadium have led to wear and tear of the facility. He explained that annual costs for the overall maintenance of the Brian Lara Cricket Academy, exceed $10million.

The Promoter’s Association of Trinidad and Tobago meanwhile, has condemned the move, saying, the government’s sudden ban on the use of UDeCOTT facilities for soca and other Carnival related events is destructive and short-sighted. Questioning the “real intent behind the move,” the association argues that the move is viewed as a top-down decision, made without consultation with the sector. Arguing that several promoters have already secured the venue ahead of Carnival 2026, the TTPA said, “For all those affected, tickets have been sold, venues advertised, and patrons have made travel and accommodation plans to align with confirmed events.” The organization is questioning how this move benefits the entire country.

Culture Minister Gives Reassurance

The Minister says T&T’s Carnival as a product will be expanded and enhanced.

In her statement, Minister Benjamin explained that citizens should view the decision as part of the government’s broader vision to not only expand carnival beyond its traditional footprint, but to ensure the wellbeing of all communities. “As part of the expansion of Carnival, we are not saying that we are stopping fetes. What we are doing is working to identify and promote more appropriate spaces that can enhance the experience, while reducing any negative impact that could possibly arise.”

The Minister said the ultimate aim is to ensure that carnival continues to thrive as a celebration of creativity, unity and national identity. She said Carnival must reflect the rhythm of T&T’s people while striking the right balance between culture, community and progress.

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The Brian Lara Cricket Academy is No Longer A Fete Venue. UDECOTT Claims Wear and Tear.

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The Brian Lara Cricket Academy in Tarouba, Trinidad will no longer be a venue option for events other than cricket. This announcement comes as preparations are well underway, by promoters for Carnival 2026.

The decision made by the Urban Development Corporation of Trinidad and Tobago (UDECOTT) now leaves some promoters scrambling, as the decision takes place with immediate effect. 

UDECOTT claims that the facility was not meant to facilitate fete events, noting that maintenance costs amount to approximately $15 million annually. 

Carnival events like Xperience, Stink N Dutty, and last year’s inaugural MEGA concert headlined by Machel Montano, attract in excess of 10,000 patrons according to promoters, leaving questions as to where such massive audience numbers can be contained, along with parking facilitation. 

The carnival events, while staged in the stadium’s car park, has led to significant wear and tear and damage to the facility, according to UDECOTT Chairman, Shankar Bidaisee. In an interview with the Trinidad Express newspaper, he is quoted as saying, “The Brian Lara Cricket Academy is for cricket. That is the purpose of it. It was not built for fetes.” He went on to affirm, “It’s for cricket and we will use it for cricket only. So there are to be no fetes at the stadium.” 

For quite some time, there have been concerns raised by carnival stakeholders, regarding the need for viable venues across the country, for the delivery of large scale events.

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