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Archived: Soca Artistes All Impress At Soca In Moka! 

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Endless food, endless drinks and soca artistes defending Power soca like never before. Soca In Moka, held on Sunday evening at Trinity College in Moka was definitely a success for yet another year, with hundreds filling the venue from as early as 5pm. It was at this fete that Fay-Ann Lyons once again made it clear that she defends the artform, but it was also there that artistes like Jaiga, Third Bass, Sekon Star, Voice, Shal and GBM Nutron and others, proved their worth.

The Soca In Moka committee, lived up to their name again this year.

The Soca In Moka committee, lived up to their name again this year.

A smorgasbord of food and Caribbean delicacies presented itself, leaving many impressed as usual. From Chinese, Creole and Indian dishes to Ribs, crab and dumplings and more, food was certainly in abundance on Sunday night. Entertainment too, was first class at Soca In Moka this year! Raymond Ramnarine and the Dil E Nadan team were spot on with their renditions of popular cover tracks, priming things up perfectly for the big bands and stage performers that would come.

The Asylum Vikings had a blast at Soca In Moka on Sunday night.

The Asylum Vikings had a blast at Soca In Moka on Sunday night.

The Asylum Vikings, led by Bunji Garlin and wife, Fay Ann Lyons later came to the fore, initializing an atmosphere of carnival excitement and enjoyment as many had been anticipating. Lyons- Alvarez’s powerful demeanor saw her strut on stage in commandeer mode, belting out her hit single, “Raze” followed by familiar renditions and of course newer hits like, “Block De Road” and later, after a stern warning to those who’ve been saying Power Soca is dying, her power track, “Hands In The Air.” Her husband too, donning an all black get up, somewhat mirroring RUNDMC, delivered awsomely, between it all, smiling with fetters and showing fans a good time.

The event wasn’t without some of Carnival 2016’s unexpected blockbuster artistes. St. Lucia’s Teddyson John enjoyed his stint on stage, even delivering the remix of his track “Allez” with Garlin. Even Third Bass who’s been commanding the circuit for weeks with his hit, Bum Bum, penetrated Soca In Moka in a way only he could. Walking with his own “bush” (guava tree branches), Bass belted out the track to fetters who lapped it up, singing along and enjoying every bit of his stage show. Also delivering well was Jaiga, who’s Shaft Vibes written track, “Anyway” has been growing in popularity and Shal Marshal with Brooklyn based producer and singer, GBM Nutron. Together, they brought a sweet feting flavour, that people truly seemed to enjoy.

Teddison John joined Bunji Garlin on stage.

Teddyson John joined Bunji Garlin on stage.

The final band to hit the stage at Soca In Moka was Roy Cape which featured heavyweights, Blaxx and Ricardo Drue. Drue, who’s been making big waves on the soca circuit with his hits, “Professional” and “BET” impressed big time with a level of confidence and personality that couldn’t be ignored. Youth on his side, the reigning Antigua Jumpy monarch, worked the stage with endless charisma, much to the enjoyment of the crowd. Later, fans would enjoy performances by Farmer Nappy and Alison Hinds, Benjai, Voice- who certainly had a great show and Asten Isaac who’s track, “Gallery” has been widely played since the season reared its head.

Alsion Hinds and Benjai backstage at Soca In Moka

Alison Hinds and Benjai backstage at Soca In Moka

Backstage, several artistes were spotted chilling out and enjoying each other’s company. Miami native, Giselle ‘The Wassi One’ Le Blanche, Lyrikal, Screws, Barber boy Dev, Yankey Boy, Ace of 3Suns, DJ Stephen and even, Patrice Roberts made Moka a fete they simply had to attend, performance or not. Olatunji Yearwood, the reigning Groovy Soca Monarch king was the final performer, taking the stage closer to the 11pm hour. He too was enjoyed, as brief as his time on stage was.

Now, with Carnival just weeks away, the feting season has been pushed into 1st gear. Check out our event calendar, for all the info on where you should be next!

 

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Dominica, Martinique Connect in the Name of Bouyon, Just in Time For World Creole Festival This Weekend.

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Dominican Bouyon artiste Reo (Dario Sebastien) is heating up YouTube with his latest release, “Jolie BB,” a collaboration with Martinique’s Maurane Voyer.  In just a week since its release, the official music video racked up an impressive 115,000 plus views on YouTube, drawing attention to the song among French-speaking audiences and highlighting the potential for Bouyon to reach new listeners across Martinque and the wider French Caribbean.

Building Connections In the Name of Music.

For Reo, this represents an opportunity to build stronger connections between Dominica and Martinique, expand Bouyon’s reach and open new markets for Dominican artistes. “It’s a good opportunity to connect Dominica and Martinique. We don’t have that much of a relationship musically, so let’s do it to push Bouyon in Martinique and build that relationship,” Reo explained.

Maurane Voyer x Reo

Voyer shares that vision. Already familiar with Reo’s music and a longtime admirer the Dominican genre, she saw the collaboration as an opportunity to bring their musical worlds together. “I was already familiar with Reo’s universe. I knew a lot of songs, and I always loved Bouyon music,” she said.

The two artistes met in July while performing at the same festival in Saint Barts. Voyer approached Reo about working together in the studio, and the idea soon became a reality when they reunited in Guadeloupe at HMC Studio, where the artistes began developing the song. 

Reo developed the concept for the song with Voyer contributing her vocals. The beat was produced by Guadeloupe’s own YSN and mixed in Dominica by Dernz (Dernel Green). Reo insisted on the addition of live drums to preserve Bouyon’s Dominican identity in the bi-lingual song. That distinction was particularly important to the collaboration. Voyer explained that the Bouyon most familiar to audiences in Martinique has traditionally come from Guadeloupe, while interest in the original Dominican sound has grown in recent years.

Taking A Look at What Unifies.

“In Martinique, the first Bouyon that we know is from Guadeloupe. And it’s maybe since three years that we are more and more interested in the real Bouyon, the Bouyon from Dominica,” she said. For her, the recording process also offered a valuable opportunity to explore the similarities and differences between their cultures. “It was very interesting to see what differences we have and also what brings us together. I really enjoyed it,” she said.

The creative partnership extended to the music video, where Reo contributed ideas that helped the team bring their vision to life within a short timeframe. The response has been encouraging. “I get a lot of messages from different kinds of people, women, men, of all kinds of ages. And I’m happy to see that they like the song, the radios too,” said Voyer.

Beyond the immediate response, both artistes hope the collaboration will encourage more musical exchanges between Caribbean territories that do not always connect as frequently as they could.  Stronger relationships with French Caribbean artistes, radio stations, DJs, promoters and audiences could create additional performance opportunities and revenue streams for Dominican Bouyon artistes seeking to expand their reach.

“Martinique for example, is another market for Bouyon artistes to build their fan base and get bookings. We can literally see Martinique from Dominica, it should not feel so far away,” he added.

The collaboration is particularly timely as Voyer prepares to visit Dominica for the World Creole Music Festival this weekend, where Reo will also perform. She described working with Reo ahead of her first visit to the island as an exciting opportunity to establish a musical connection before experiencing Dominica firsthand.

The release also builds on Reo’s recent international momentum following the success of his La Vie Dou Tour in New York and London. With previous million-view songs including “Sa Ka Bay” feat. DJ Bling (2.9m views), “Doudou” with Litleboy (3.8m views), “You Mad” (1.5m views), and La Vie Doux feat. T éhilah (2.8 m views), Reo continues to pursue opportunities to introduce his music to audiences outside Dominica.

With Jolie BB, Reo and Voyer have combined their respective musical influences to create a collaboration that celebrates both their differences and common ground. Its early YouTube performance provides an encouraging start, while the wider ambition is to turn that attention into lasting connections between the music communities of Dominica, Martinique and the wider Caribbean.

The official music video for “Jolie BB” by Reo featuring Maurane Voyer is available now on YouTube.

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Tobago’s Trendsetter Goofy, A Different Kind of Cultural Ambassador. Show Some Respect.

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As Tobago Carnival looms, one artiste who wears the hat of DJ as well, is being singled out as an example of cultural ambassadors who seldom receive the love and support they tremendously deserve.

Trendsetter Goofy, a Soca artist and international DJ from Tobago. In 2025, he took a significant step forward with his first European tour, including an appearance at Munich Carnival in Germany, where he represented Tobago, alongside performances in Frankfurt, Amsterdam and Rotterdam. His international appearances also extended to Toronto and Miami. His efforts have gone by relatively unnoticed by the general public at home in T&T.

In a statement shared by Marion Nwankwo, she notes there is a strong will to change this sad reality. “They pay out of their own pockets. They sacrifice time with their families, take leave from their jobs, face financial setbacks and travel thousands of miles, all to share the music and culture of Trinidad and Tobago with the world. Yet, too often, their stories go untold,” Marion says.

Noting that people like Trendsetter Goofy are “a different kind of cultural ambassador,” she says they are quietly making an impact. “These are the independent artistes and DJs who believe in their music so deeply that they are willing to invest their own hard-earned money, take personal risks and create opportunities for themselves when the industry does not open its doors for them,”she adds.

Trendsetter Goofy is Daren Phillips. This season, he released ‘Take Ah Drink’ on the Bumper Sticker Riddim. He followed that up with ‘This Is Life.’ Marion, in her statement said, “His story raises a question that deserves our attention. Why do we so often celebrate our culture on the world stage without giving enough recognition to the people who personally sacrifice so much to bring it there?”

Trendsetter Goofy, a Soca artist and international DJ from Tobago who is building his career through determination, personal investment and an unwavering commitment to his craft. His journey is a powerful example of the dedication required to represent his homeland internationally, often without the financial rewards or public recognition that such efforts deserve.

Last year, he took a significant step forward with his first European tour, including an appearance at Munich Carnival in Germany, where he represented Tobago, alongside performances in Frankfurt, Amsterdam and Rotterdam. His international appearances also extended to Toronto and Miami. “Behind these achievements were not only performances and travel, but also the realities of everyday life: arranging time away from work, making family commitments work, investing personal resources and dealing with opportunities that did not always go to plan,” shared Marion.

This heartfelt plea for consideration to the less publicly known creatives and cultural ambassadors comes as Tobago announces its first ever Road March competition on the island. It begs the question : Who are the Tobago artistes in the race and are the contenders all known to the public at large who will be in attendance at this year’s Carnival in Tobago?

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