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The Lost Tribe Set to Shake Off Heaviness of The Past, With ‘Fly’ in 2024. Here’s The Launch Details!

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On Friday, July 21st, THE LOST TRIBE will launch its Carnival 2024 presentation, “Fly”, at Adam Smith Square, Woodbrook. The 2023 Large Band of the Year winner will reveal its costumes at the end of the Sunset Theatre, a theatrical and cultural street parade that marks the start of SunsetWKN, the TRIBE Group’s launch of Carnival 2024.

According to THE LOST TRIBE’s band leader and Creative Director, Valmiki Maharaj, this year was the perfect opportunity to try a new approach to launching the band.
“This year we’re celebrating twenty years of TRIBE, twenty years of innovation in the Carnival industry and so, as part of that, THE LOST TRIBE wanted to launch as we never have before – on the street, free to the public, an immersive experience in the Band Launch Capital, during a time that has become known as the band launch season of Trinidad and Tobago.”

Sunset Theatre, which precedes the launch of THE LOST TRIBE’s costumes, is also free to the public and starts at Ana Street at 7 pm.


The event, which debuted in 2022 in the inaugural SunsetWKN, drew throngs of spectators to Ariapita Avenue, with performances staged at various corners along the avenue, celebrating each of Trinidad and Tobago’s myriad of cultural influences.

For Maharaj, it is a fitting juxtaposition of the two brands. He said, “Sunset Theatre is a very LOST TRIBE-infused product from the TRIBE Group. Last year we introduced the concept to resoundingly positive feedback from the public, many of whom came with their families to enjoy the show. Sunset Theatre celebrates our culture in the way that THE LOST TRIBE seeks to celebrate those aspects of Trinbagonian identity through mas. Many of our dancers and performers also work with us on the road for Carnival, so really, this is like a reunion and a precursor to the road. We’re very fortunate to have the support of our corporate partner CARIB Brewery, and the Ministry of Tourism, Culture and the Arts, who understood the vision and enabled us to execute it again this year,” he said.

Sunset Theatre concludes at Adam Smith Square at 8 pm, after which THE LOST TRIBE’s 2024 costumes will take flight. The theme for 2024, “Fly” is inspired by the winged fauna of Trinidad and Tobago, both literally and figuratively.


Maharaj said, “After 202WE, when we fashioned our costumes after affirmations and our vision for the future, we figured it was time to shake off the heaviness of the last few years and take to the sky. If there is one thing you can count on our masqueraders to do is embody a theme, so I am looking forward to seeing the lightness of being that comes with playing mas, the euphoria of the road stretched in front of you, and the very real joy we feel in finding our flock. “Fly” is also dedicated to TRIBE and their twenty years of making room for us to spread our wings and explore all the corners of this world we call Carnival.”

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Ebuzz News

‘I Am Legend’ Concert Promoter, Glenroy Watson Has Passed Away.

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Well known event promoter, Glenroy Watson, has passed away. He died of natural causes on April 1st, in Port -of- Spain, Trinidad. 

Watson’s legacy in the event landscape in Trinidad and Tobago stands as one rooted in the philosophy of delivering value to patrons, something that was the benchmark of every ‘I Am Legend’ concert in T&T and certainly countless other events hosted across the region and internationally. 

Hands on and meticulous in his approach, Watson prided himself as a no nonsense promoter. 

Most recently, in the aftermath of Carnival 2026, he hosted the Majah Hype comedy show, ‘Majah Issues’, at the Southern Academy for the Performing Arts, in Trinidad and was preparing for a major concert event in Trinidad, at the time of his passing. 

At this time, the bereaved extends gratitude to well- wishers and asks for privacy and understanding as preparations for Watson’s home-going ceremony get underway. 

All further details will be relayed at a later time. 

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Destra Delivers Powerfully at Reflections.

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“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA

Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.

From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.

Destra with King David Michael Rudder.

Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.

One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.

Destra’s daughter, Xaiya on the piano.

The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.

As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.

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