Silent he will never remain. Through music, he has always fought against oppressive voices and the characters who disseminate oppressive information. Buju Banton, on Saturday took the big stage at the Queen’s Park Savannah in Trinidad for Redemption 8. It would be his second performance in T&T, following his release from prison. On Saturday night, though careful with his expressions, Buju remained true to himself and true to the people.
“Listen to me. Everything wa gwan ah foreign, why de Trini get de blame. Why everything ah gwan America, ah de Trini get de blame,” he sang, before adding, “Yuh see all de youth dem, make unno money.” His words sounded almost rebellious and reactive; almost as though he was triggered by something, personally. The artiste then drove his point home with the track, “Deportees.” That was quickly followed by ‘Don’t Be Silly,’ a rational anthem that calls for youths to be mindful amid promiscuity.
THE PEOPLE ARE SUFFERING
Buju appeared on stage donned in a personalized blazer. On it were the flags of both Trinidad and Tobago and Jamaica. His performance followed those of Black Loyalty, Luciano and Beres Hammond. It would make way for the late arrival of Anthony B who, as it was explained, had experienced flight delays en route to Trinidad.
With the stage well set musically by the three artistes who came before him, Buju’s return to the embrace of his massive fanbase in T&T, proved electrifying. Fireworks ushering him onstage, the artiste humbly made his way to the fore singing, ‘Destiny,’ – a song that carries as much meaning, as it does lessons for those young and old. He would remove the blazer in less than five minutes, getting down to the business at hand.
Limitless in his musical approach, Buju took moments in between songs to express feelings of anguish. “Tell government we suffering. We are suffering. Tell the leaders we are suffering. Cause we need jobs, my people are suffering , and we need food, my people are suffering. We need justice, my people are suffering. We need equality, my people are suffering,” he started in song, as he made it to the chorus of his hit single, “How Could You.”
PANDEMIC
The Covid-19 pandemic was also a point that he would not be silent on. “They tried to keep us a part. They destroyed out businesses, destroyed our family members and friends. What happen? This is that time when you the people of the world will have to stand up whether you want to do it today, tomorrow, next week or next year. They have already shown us who they are. When are we gonna show them who we are? Let’s free the people inna this BomboClart,” he said in a revolutionary stance.
A Caribbean tour that started in Trinidad on Saturday and has continued in Grenada, this afternoon, has intrigued GenZ and GenAlphan fans across the Caribbean and internationally, all thanks to digital influencer, IShowSpeed, whose real name is Darren Jason Watkins Jr.
The 21-year-old Cincinnati, Ohio native who has racked up over 53 million YouTube subscribers touched down in Trinidad on Saturday, much to the excitement of local gaming and streaming fanatics, many of whom are teens and pre-teens.
Accompanied by several Trinidad and Tobago influencers and chaperoned by Machel Montano’s manager, Che Kothari, the vibrant young streamer was shown various parts of Port- of- Spain, Trinidad, and introduced to aspects of the culture often experienced by visitors to T&T, particularly at Carnival time.
From Saheena, to Roti, Bake and Shark and Doubles, IShowSpeed tried several Trinbagonian dishes and even some of the snacks manufactured locally. He was exposed to Carnival culture and traditional carnival characters and further to that, Trinidad and Tobago artistes like Lady Lava, Nessa Preppy and Jimmy October shared in the thrill of his visit. Many young, eager Trinbaonians, inclusive of parents who are familiar with the young influencer, engaged happily with Watkins Jr. throughout Saturday’s trip, all as he streamed the fun, live. Running through the streets as he moved through places like Tragarete Road and Charlotte Street in downtown Port-of-Spain, he was visibly excited to experience the country known especially for the Greatest Caribbean Carnival, the world over.
The trip, though quick, was streamed to some 7 millions online viewers and while some found it difficult to relate to the new wave of digital marketing and influencer branding potential for the small, twin island, others have since been marveling at the fact that this 21-year-old has managed to gift Trinidad and Tobago more publicity in mere hours, than that which Caribbean celebrities have been able to attain, over years in cultural ambassadorship.
Now, he turns his energy to Grenada. He was welcomed to the island by Grenadian cultural ambassador, Mr. Killa on Sunday, and Grenada’s signature Jab is expected to be on full display as the opportunity to reach millions around the world, now presents itself. The tour will continue to other Caribbean tourist destinations, inclusive of Antigua and Barbuda, St. Lucia, Bahamas, St Vincent and the Grenadines, St. Kitts and Nevis, Sint Maarten, Dominica, The Dominican Republic and Jamaica.
“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA
Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.
From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.
Destra with King David Michael Rudder.
Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.
One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.
Destra’s daughter, Xaiya on the piano.
The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.
As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.
Reflections certainly delivered a powerful blend of music, filled with deep messages and meaning. In what is a very spiritual season, Destra, through the delivery of ‘Reflections,’ has carved out a space for inspiration and connection within Trinidad and Tobago’s cultural landscape – something that many would agree, is a necessity more than an option.
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