The steadfast, though sometimes underestimated, are often the ones who leave the most memorable impression. In Trinidad and Tobago, like many parts of the world, there are youths from all walks of life who are pursuing dreams, and even amid a pandemic that has changed the face of the world as we know it, one young artist from East Dry River, Port-of-Spain, Trinidad, says his dreams will be realized.
Kibwee is here to change the game, shuffle the cards and assert himself in the music industry, as one of the most talented vocalists and stage performers, Trinidad and Tobago and the Caribbean, has ever seen. Undaunted by what some may deem, a less than favorable welcome and inclusion in the Soca industry over the past 15 years, Kibwee says now is as good a time as any, to take charge of his destiny.
Armed with a brand new Soca track called, “Station,” the young artist who is no stranger to competitions like the International Soca Monarch and the now defunct, Synergy Soca Star, is on a winning trajectory and he knows it. In fact, his new single comes complete with a story line that many will perhaps find relatable, considering Trinidad and Tobago’s current Covid-19 restrictions.
Kibwee has released, “Station.”
“Earlier this year, I went to a lime at a housing scheme in Couva. Just about five of us were hanging out and a DJ was in the centre of the field. Other people were there but socially distanced,” said the artist. What he and his friends hadn’t expected however, was the impromptu arrival of the Trinidad and Tobago police who essentially broke up the gathering, citing the pandemic.
Kibwee immediately got the idea to pen the track, saying to himself, “well maybe we should take the party to the station.” He got in studio with WMG Lab Records and together, they concocted a catchy, lyrically entertaining and melodious Soca release that’s as timely as it is enjoyable. “This song was written to help express how we, the fetters, feel about the lockdown,” the artist explained. In the same breath however, he urged folks to be patient and do what is required to get the country back on track, post pandemic.
Versatility in his veins, Kibwee also delivers dancehall and keenly attributes much of his dancehall flavour to the inspiration of Jamaican artist, Vybz Kartel. He however has his eyes set on making waves as far as the mind can perceive and as such, the East Port-of-Spain native intently observes RnB artist, Chris Brown, noting that he is not only exceptional when it comes to his vocals, but he’s a true crowd pleaser on stage. Commenting on the current direction of Soca music, Kibwee says he’s optimistic about the genre and its potential to appeal to a wider audience. “I look at what Voice has been able to do with the lyrics- taking it away from the wine and jam that we are so accustomed to, and it makes me feel good. I know the music will now cross over into a broader market,” he said.
“Station” is now available on all popular streaming platforms and with plans to unleash more music in the weeks and months ahead, this promising youth says his greatest hope at this time, is that the DJs now show him the love, “I’ve sent the song to all of the radio stations so I’m hoping that now, they’ll play the song- give it a chance to be heard by the people, after all, it was created for the people.”
She may be a Trinbagonian soca artiste but she’s also a proud Caribbean woman, so it was only right that rapper, Drake’s team at October’s Very Own – OVO, deliver to the entertainer, an OVO branded dominos set. It was quite possibly the package inclusion that brought out Belfon’s excitement earlier this week, when she received and opened it up.
Denise has been basking in the joy of being a part of Drake’s recently released, Maid of Honor’ album – her single ‘Work’ sampled on a track called, ‘BBW’. Fans, pretty much elated by the news, have been expressing their congratulations to the New York based singer, many saying it was only a matter of time before this type of breakthrough came for her.
Denise’s journey in music began decades ago, and even though her presence on the Soca circuit in the Caribbean has been limited for some time, her past hits have proven to be legacy-leavers, with DJs, artistes and social media users quite often returning to her sound.
The OVO gift package included merchandise and the special Dominos game set, something Denise automatically hailed out her Jamaican friends on, noting that they’d me meeting up for a game soon. When news of the sample emerged in May, many questioned whether Belfon had agreed to the use of her work. She has since allayed all concerns, saying all is above board on the project.
A riddim built on pure Jamaican nostalgia that’s dominating with several acclaimed artistes releasing hit singles, the ‘Hill And’ Gully’ folk riddim is undeniably a major influencer this year. Like butter, several releases smoothly resonate, with artistes like Masicka, Mr. Vegas, Kees Dieffenthaller, Valiant, Elephant Man and Sheneil Muir delivering catchy singles for the masses.
Outside of multiple releases produced by Jamaican DJ/ Singer/ Songwriter/ Stephen ‘Di Genius’ McGregor, Trinidad and Tobago artiste, Anisha, has risen to the occasion, urging social transformation using her creativity as the vessel. “Plea for Peace is meant to uplift communities and spark conversation because I believe music can preserve tradition, while creating space for meaningful dialogue,” said the Belmont,Trinidad native.
Known in creative spaces as The Goddess of Love, Anisha was raised in Belle-Eau Road in Belmont. She understands the need for thought provoking messages through music. “I compose my own songs and I’ve been involved in music for several years,” she said, explaining that she uses music as a tool to express herself, tell stories and tap into her emotions while addressing issues that affect communities.
For Anisha, the Hill and Gully Riddim offers music lovers a timeless cultural connection. “I felt it was a riddim that could help carry this message of peace to both the young and the old in a way that’s relatable and impactful,” said the singer. Acknowledging the criticism by veteran Jamaican broadcaster, Fae Ellington over some of the lyrics sung by artistes on the traditional folk riddim, Anisha says she respects Ms. Ellington’s perspective. “I respect her perspective because cultural and musical traditions are important and should always be valued.” She however admits that music continues to evolve as a reflection of society. “Each artiste chooses to use music to express himself/herself based on personal experience, however my approach with ‘Plea for Peace,’ was to honor the riddim’s cultural significance by using it to address an issue that is affecting my country, Trinidad and Tobago.”
The song was born out of Anisha’s concern for the people of T&T. “It’s really a mixture of concern, frustration and hope. This song addresses the growing impact that crime and violence continues to have on families, communities and the youth,” she declared, adding that it serves as a heartfelt appeal for the population to reflect on what society has become, while establishing a blueprint for a better future. “If this song encourages even one young person to choose a different path, or reminds communities that love, respect and unity still matter, then I’d consider it a success,” she said.
Anisha says she admires the dedication to peace, shown by fellow T&T artiste, Orlando Octave. “We share a similar passion for spreading positive messages through music. I often refer to him as ‘The Prince of Peace,” she said, noting that she would be honored to work with Orlando, if the opportunity presents itself. “My mission as an artiste is to use my music as a bridge that brings people together, rather than divides humanity. ‘Plea for Peace is more than just a song. It’s a reminder that despite the challenges we face, peace, love and unity are still very possible if we choose to lift each other up.”
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