The US has quickly become the Carnival capital of the world, the pandemic having forced the relocation of many of the Caribbean’s Soca artistes, but even before that there were Soca artistes like De Postman who represented hard for the genre.
His real name is Sherwin Rogers, and he’s been living in the US for over 30 years. Despite taking up residence overseas, De Postman has remained a patriot of his homeland, Trinidad and Tobago. Since the late 90s, he’s been knocking on the doors of radio stations, delivering Soca tracks religiously. Over 50 singles to his credit, Rogers who’s dubbed, ‘The Coast to Coast man,’ says songs like ‘Riot,’ which kick started his career, and others like, ‘Fetterholic’ and ‘Spread Out,’ are just a sample of the music he’s worked on and effectively released for Soca lovers. Now, following a hiatus that saw Rogers become a certified plumber in the US, and even following the release of a song called, ‘Yes Everybody Matters’ in the summer of 2020, he has released a new single with hopes of making further inroads toward 2022.
The new single, “Party Nice,” came to Rogers after he’d secured a beat by Rapid Beats out of St Lucia. “I’d been on a job and while working, I got the melody for the beat. It definitely had a vibe and I was excited to lay it down in studio,” he said. His time away from music allowed the artiste to do a lot of self-introspection, and with that has come a greater awareness of his calling – his love for music.
‘Party Nice’ was released on November 5th, complete with a video. “I believe this song has the potential to be a break through hit; I think it’s a song to watch,” he said excitedly. Happy to be back at music, De Postman is reveling in his re-established tie to the Caribbean music industry. “My heart has never left Soca. I love the music and the people, the culture and the energy of it all. I am proud to contribute, even as I live in the US,” he said.
For more on De Postman, and to discover his music, log on to solo.to/depostman.
Well known event promoter, Glenroy Watson, has passed away. He died of natural causes on April 1st, in Port -of- Spain, Trinidad.
Watson’s legacy in the event landscape in Trinidad and Tobago stands as one rooted in the philosophy of delivering value to patrons, something that was the benchmark of every ‘I Am Legend’ concert in T&T and certainly countless other events hosted across the region and internationally.
Hands on and meticulous in his approach, Watson prided himself as a no nonsense promoter.
Most recently, in the aftermath of Carnival 2026, he hosted the Majah Hype comedy show, ‘Majah Issues’, at the Southern Academy for the Performing Arts, in Trinidad and was preparing for a major concert event in Trinidad, at the time of his passing.
At this time, the bereaved extends gratitude to well- wishers and asks for privacy and understanding as preparations for Watson’s home-going ceremony get underway.
All further details will be relayed at a later time.
“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA
Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.
From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.
Destra with King David Michael Rudder.
Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.
One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.
Destra’s daughter, Xaiya on the piano.
The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.
As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.
Reflections certainly delivered a powerful blend of music, filled with deep messages and meaning. In what is a very spiritual season, Destra, through the delivery of ‘Reflections,’ has carved out a space for inspiration and connection within Trinidad and Tobago’s cultural landscape – something that many would agree, is a necessity more than an option.
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