The US has quickly become the Carnival capital of the world, the pandemic having forced the relocation of many of the Caribbean’s Soca artistes, but even before that there were Soca artistes like De Postman who represented hard for the genre.
His real name is Sherwin Rogers, and he’s been living in the US for over 30 years. Despite taking up residence overseas, De Postman has remained a patriot of his homeland, Trinidad and Tobago. Since the late 90s, he’s been knocking on the doors of radio stations, delivering Soca tracks religiously. Over 50 singles to his credit, Rogers who’s dubbed, ‘The Coast to Coast man,’ says songs like ‘Riot,’ which kick started his career, and others like, ‘Fetterholic’ and ‘Spread Out,’ are just a sample of the music he’s worked on and effectively released for Soca lovers. Now, following a hiatus that saw Rogers become a certified plumber in the US, and even following the release of a song called, ‘Yes Everybody Matters’ in the summer of 2020, he has released a new single with hopes of making further inroads toward 2022.
The new single, “Party Nice,” came to Rogers after he’d secured a beat by Rapid Beats out of St Lucia. “I’d been on a job and while working, I got the melody for the beat. It definitely had a vibe and I was excited to lay it down in studio,” he said. His time away from music allowed the artiste to do a lot of self-introspection, and with that has come a greater awareness of his calling – his love for music.
‘Party Nice’ was released on November 5th, complete with a video. “I believe this song has the potential to be a break through hit; I think it’s a song to watch,” he said excitedly. Happy to be back at music, De Postman is reveling in his re-established tie to the Caribbean music industry. “My heart has never left Soca. I love the music and the people, the culture and the energy of it all. I am proud to contribute, even as I live in the US,” he said.
For more on De Postman, and to discover his music, log on to solo.to/depostman.
As Trinidad and Tobago prepares to usher in another Independence anniversary a daughter of the soil is paying tribute in a most fitting way- in song. Sabrina Marks has released her new single, “Sweet Pan Morning”- a tribute to the national instrument and the country that birthed it.
This sweeping musical tribute to the history, culture, resilience, and spirit of Trinidad and Tobago was skillfully curated by Executive Producer, Michael St. John. The song offers a timely reminder of what unites T&T, celebrating the people, traditions, and cultural contributions that have shaped the twin island nation.
Combining grand orchestral arrangements with rich Caribbean rhythms, the music takes listeners on a journey through Trinidad and Tobago’s evolving history, tracing a path from the cocoa fields and industrial landscape, to the vibrant culture that defines the country today.
The track recognizes the diverse communities that form the cultural fabric of the twin islands including people of African, East Indian, European, Chinese, Syrian-Lebanese, and First Peoples heritage. At its heart, “Sweet Pan Morning” celebrates two of Trinidad and Tobago’s most influential cultural gifts: Calypso and the Steelpan. It captures the uniquely national spirit, that allows its people to transform hardship into music, adversity into strength, and everyday life into celebration.
For audiences at home and abroad, the song is an invitation to honour Caribbean roots, celebrate what makes the twin-island nation unique, and recognize a creative spirit that continues to resonate globally.
“Sweet Pan Morning” performed by Sabrina Marks and Executive Produced by Michael St John is available now for radio airplay, global syndication, and streaming across major digital music platforms.
The sweetest berry, Anika Berry reached a major milestone in her career with the successful staging of SO SWEET:The Concert, last weekend, in Brooklyn, New York. It was the entertainer’s first self-produced headline concert in the US.
Artistes backed by a live band, the event brought together generations of Caribbean music and featured performances and appearances by GBM Nutron, Lyrikal, the legendary Tigress, Denise ‘Saucy Wow’ Belfon, Imani Ray, and many others, creating a night that celebrated not only Berry’s journey, but the music and artistes who helped shape the culture she so proudly represents.
Anika Berry’s event was years in the making. Her journey in the Soca space has been built one performance at a time – the young artiste developing her sound, building her audience, releasing music, traveling to perform, and continuing to push forward in an industry where longevity must be earned. Over the years, she has grown from an emerging voice in Soca, into an international performer, while remaining committed to creating opportunities and moments that honor the culture. For that reason, the Brooklyn concert was especially significant.
Stepping into the role of headliner and producer, Anika brought her own vision to life with a full live band, guest artistes, production, and marketing dedicatedly to an audience that answered the call and came together to support the next chapter of her career.
Denise Belfon was one of the featured artistes at So Sweet.
One of the most meaningful moments of the evening came when Berry shared the stage with two women whose contributions helped pave the way for generations of female Soca artistes- that moment was standing on stage with both Tigress and Denise Belfon. “The appearance by Tigress became an emotional connection between Soca’s past and present,” said the artiste. “Hearing and reliving “Wo Donkey”, the unforgettable United Sisters classic, on a Brooklyn stage was more than a nostalgic moment,” she added. It was an opportunity to give flowers to a generation of women who helped establish a space for female voices in Calypso and Soca, long before many of today’s artistes entered the industry.
For Berry, being on stage beside Tigress was a full circle experience. The music of the United Sisters – Tigress, Singing Sandra, Lady B and Marvellous Marva, represented strength, personality and fearless female expression. Their impact continues to live through the women who came after them. The presence of Denise Belfon, another woman whose unmistakable style, stage presence and catalogue have influenced generations of Soca performers, made the tribute even more meaningful. Rather than simply celebrating her own milestone, Berry used her first headline concert to recognize the women who helped make moments like hers possible. The night also represented the range of Soca itself, the event connecting different generations, sounds and audiences under one roof while keeping the focus on live Caribbean music.
For Berry and her team, successfully producing a headline concert in Brooklyn represents more than another performance credit. It marks a transition from being an artiste, working for opportunities, to becoming an artiste capable of creating the opportunity, building the platform and bringing other artistes onto it.
SO SWEET was a celebration of progress, but it was equally a celebration of gratitude.
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