As the world turns, so do opportunities to deliver music to global audiences. This is the knowledge one entertainer has acquired over time, persistently and ambitiously honing his craft and building his arsenal of resources and knowledge. Kwesi Paul is the artiste known as Shottalinkz and while he’s yet to make a major breakthrough in the music business in Trinidad and Tobago, he has managed to successfully attain a VPAL music distribution deal and is focused on the lucrative possibilities that are available via music streaming.
A father of two, the Cascade native who now resides in Belmont, is best known for his incredibly gifted touch on Trinidad and Tobago’s national instrument, the steelpan. “I am a musician. I play the steelpan and I’ve arranged for more than 17 steel orchestras in Trinidad and Tobago,” he revealed. He highlighted career highpoints, among them, working alongside the late St. Lucian Nobel Prize winner, Sir Derek Walcott. “I worked with Sir Walcott in 2005 on a play called, ‘Steel.’ I was the Musical Director for Desperados Steel Orchestra, which was a part of the play,” he said. Added to that, the father of two recalls working with Machel Montano and Sharlon Bailey- the son of the Mighty Shadow, among others. “Most recently, I worked with an artiste by the name of Tension. He is the brother of Kernal Roberts. I produced his first Soca track.
Paul says he knows his ability to easily deliver on the steelpan, is his gift, something passed on from his father. In 2020, having been exposed to vocal production and benefitting from production training, he expanded his vision and built a home studio, where he would go on to produce music for artistes locally and internationally. It was during that time that he began his vocal journey, exposing himself to yet another area of music that called out to him.
At his very own KSP Studios in Belmont, Paul has successfully produced songs for artistes in Ghana, Canada, Germany and even France. In 2023, he released two Soca singles, ‘Mash Up De Party,’ and a collaboration with an artiste called, ‘Mad Dog Fresh,’- that track is entitled, ‘Mud, Oil and Powder.’
Paul says he is without management at this time, and understands the importance that this portfolio holds. “I am self- motivated and I’m inspired by my children, but I do understand the importance of a good manager. It is a difficult task to do it all on your own.”
Certainly not an artiste who boxes himself into any one genre, Paul says he is capable of singing RnB, Hip Hop and Dancehall. He will however deliver two new Soca tracks for Carnival 2024. “I’ve released ‘Big and Serious’ – a Power Soca track produced by Level High Studios and I’ve written and produced a Groovy Soca track called, “What Ah Want.” He says these are the songs he will contribute to the carnival season.
No matter how the wind blows, Paul says he believes knowledge on the business of music, is imperative to any artiste’s growth in the sector. “From the very beginning, my plan has always been to build an international audience. A lot of artistes like me suffer from a lack of support from the local radio stations. People do not get an opportunity to hear our music and absorb it. I’m focused more on the streaming services internationally to get my music heard, and I believe it will be beneficial to me.”
He says that while he knows things happen differently for people, he knows music is his calling and he will do what is necessary to share his sound with the world. “You have to have information and some kind of insight about what the industry is about. When you find out and become knowledgeable on it, you understand how to operate in it,” he explained.
As Carnival 2025 in Trinidad and Tobago looms, one of the Caribbean’s most unique and intriguing male artistes, Skinny Banton, is gearing up to make his mark in a big way. With his latest release, Liquor, already causing waves, the Grenadian-born artist is proving he’s here to stay, bringing his personal style, and down- home Caribbean spirit to a global audience.
It’s been five years since his unforgettable hit, Wrong Again, took the world by storm and the track remains a fan favorite to this day. Its infectious energy and authentic vibe solidified Skinny as an artiste to watch, and since then, his music has resonated with listeners across the region and internationally. His ability to blend catchy rhythms with meaningful lyrics has made him a staple in Caribbean music, while his sound remains a perfect blend of traditional influences and contemporary flair.
The Jab culture of Grenada has always been a source of inspiration for the Carriacou native. But it’s not just one island or one genre that defines him. Skinny draws from the wider Caribbean experience, creating music that speaks to all the islands, enticing the international crowd along the way. As he explains, his music isn’t confined to one place or one story; It’s about sharing the universal joy of the Caribbean with the world.
“Music is for everyone,” says Skinny. “It’s not about where you’re from. It’s about connecting people from different walks of life through rhythm, melody, and energy. When people come to Carnival, they’re looking for an experience that will stay with them forever, and I want to be a part of that.”
Ahead of Trinidad and Tobago’s 2025 Carnival, Liquor is quickly becoming one of those intrinsic songs. With its irresistible beat and carefree lyrics, the song is a celebration of the Caribbean spirit — the good times, the laughter, and yes, the drinks that fuel the party. “This is a song for the drinkers, the ones who bring the vibes to the Carnival with every sip they take,” Skinny laughs. “But remember — everything in moderation! You don’t want to be the one ruining the vibes for everyone else.”
Last year, Carriacou, the artiste’s home island, was devastated by Hurricane Beryl. Amid that unfortunate circumstance, he stood up with a sense of determination to draw awareness to the plight of those left to clean up and get their lives back to normal. His popularity as an entertainer, aided somewhat in that effort as he was able to assist with food and necessities for those affected. Through his artistry, Skinny continues to shine a spotlight on his roots, celebrating the vibrant culture and resilience of his community.
In Trinidad recently, he reconnected with fans of his music, sharing the new songs ahead of the 2025 Carnival season. “Music is the universal language,” he said. “It doesn’t matter where you’re from or what language you speak. What matters is that it makes you feel something — and that’s what I try to give. The people know good music. They need music to lift their spirits, make them move, and sing along,” he explained, adding, “That’s what I strive to provide — music that resonates, that connects, music that brings people together.”
To stay connected with Skinny Banton and get the latest on his upcoming music and Carnival appearances, follow him on Instagram and Facebook @skinnybanton.
Soca music lovers from all around the world tuned in to Trinidad and Tobago radio station Scorch 101 FM on Friday as the station delivered what can only be described as a deep dive into the music genre. With 101 days to go to Carnival 2025 the team at Scorch Radio pushed out a plan to ensure listeners from around the world tuned in, and that they did.
The Internet could not get enough of the music that is so often attached only to the carnival culture. A list of what the Scorch team considers 101 of the top Soca tracks based on criteria such as danceability, cultural impact, lyrical content, music production, and versatility brought out Soca enthusiasts from every nook and cranny across the Internet. In one day, Scorch radio penetrated the Diaspora and brought people together, though via the Internet, to banter heartily over whether the choices were or were not valid.
Judges on the panel included DJ Adam, Travis World, and DJ Private Ryan among others. Scorch Radio CEO Kwesi ‘Hoppy’Hopkinson steered the event, giving his views throughout the day on the music that would be shared with listeners worldwide. In the end, the most impactful Soca single would be Machel Montano and Destra Garcia’s ‘It’s Carnival.’ Delivered in 2003, the collaboration between these two accomplished Soca artistes maintain a powerful presence at carnival fetes held around the world, annually. The song however, did not capture that year’s Road March in Trinidad and Tobago. That year, Fay Ann Lyons stole the show with ‘Display,’ a song that did not make it to the Scorch Radio 101 Soca Hit List. The multiple title holder’s ‘Meet SuperBlue’ was positioned at #90 on the Scorch 101 Soca Hit List.
The single-day Soca showcase perplexed some who questioned the rationale behind the choices and the placement on the list. Kevin Little’s globally known, ‘Turn Me On,’ made it to #2 while Rupee’s “Jump” was given the third spot on the list. The 2010 Road March “Palance,”made the list at #4.
Whether agreed upon in its entirety or not, the Scorch Radio team created an effective campaign that ignited the energy of Soca music lovers globally.
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