Trinidad & Tobago soca stars KES (aka KES THE BAND) invite viewers to experience a vintage slice of island life in the video for their latest single, “Jolene.” Trinidadian filmmaker Maya Cozier (She Paradise) directed the nostalgic visuals, which center the song in a small Caribbean fishing village, circa mid-20th century.
There we find KES frontman Kees Diefenthaller — also known as KES — competing with other villagers to win the affection of the track’s namesake character. The clip captures the rich, lulling rhythm of island life, with images of fishing, coconuts, dancing and rum, while taking inspiration from Brazil’s ‘60s-era cinema novo movement with its vibrant saturated colors and period attire.
A blend of soca, afrobeats, calypso and island pop flavors produced by British-Trinidadian producer Dwala, “Jolene” is the first taste of KES’ next full-length album, coming this Summer through California-based Ineffable Records.
The buoyant celebration of good vibes and rolling waistlines arrives amidst Trinidad & Tobago’s traditional Carnival season — a time of year when soca artists typically roll out new music to soundtrack the season’s coming festivities. With Carnival celebrations on pause for a second year, KES reached outside the box to create a record that could pull listeners from around the world into the Caribbean, no matter where they find themselves in the world.
“I wanted to transport you to a place where, even if you’ve never been to the islands before, you would feel like you are there,” KES says. “The Caribbean is a melting pot of cultures and people together in this beautiful place, and this song captures all of these vibes.”
Cozier, whose music video credits include Kranium’s “In Charge” and Freetown Collective’s “Human Form,” earned widespread acclaim in 2021 with her debut feature film, She Paradise. The soca-fueled, coming-of-age story, which premiered at the Tribeca Film Festival, was distributed theatrically this past fall by Samuel Goldwyn Films.
“I’ve always been a huge fan of Kes, and when I heard the song I got excited,” Cozier says of “Jolene.” “I immediately thought of calypso, and wanted to capture that time period.” Shot in Las Cuevas, a fishing village on Trinidad’s secluded North Coast, the video’s imagery takes cues from documentary footage of Trinidad & Tobago in calypso’s 1950s heyday; Brazilian director Glauber Rocha’s 1962 film Barrevento; and Trinidad & Tobago’s folkloric theater tradition.
In spite of the pandemic, recent times have brought a string of highlights for KES. 2021 saw the band make its U.S. TV debut on Late Night with Steven Colbert, and return to the States for their first tour dates in over two years, including their climactic IzWe concert in New York City, which brought nearly 10,000 fans to Brooklyn’s Boardwalk Lot on Labor Day. In August 2020, they released the live album We Home (Ineffable Records), a project which earned them plaudits in outlets ranging from Essence to The FADER.
Over the last two years, the band has organized a run of virtual concerts that have aired live on TV across the Caribbean and streamed worldwide ontheir YouTube channel, timed to key dates on Trinidad & Tobago’s cultural calendar.
After two decades in the business, Lil’ Bitts—aka Shivonne Churche-Isaacs—has made a vow she plans to keep: never again will she sit out Carnival. The multi-talented artiste, known for her infectious energy and stage presence, has had a front-row seat to Trinidad and Tobago’s iconic festival season for years, but it wasn’t always smooth sailing. She still remembers the shock she felt when she made the decision to skip the parades on Carnival Monday and Tuesday one season, only to end up physically sick. “I got sick—like, literally,” she admits. “I’ll never ignore Carnival’s call again.”
This year, Bitts is more than ready to hit the streets with Yuma for an unforgettable Carnival 2025. The excitement is palpable as she gears up for what’s sure to be a thrilling season, both on and off the road.
Rising to the Occasion with “Brighter Days”
With five songs under her belt and a growing social media presence, Lil’ Bitts is enjoying a well-deserved moment in the spotlight. Her Instagram and other platforms have become hubs of interaction with fans, opening doors to new collaborations and promotional opportunities. “Social media is the ultimate artiste toolkit,” she says, urging fellow performers to embrace the digital world to connect with their audiences.
One of her most highly anticipated projects is the track “Brighter Days,” which she says has been in the works for three years. Produced by Gaffa Productions, the song has become a personal passion project. “This one is really special,” she shares. “The world needs positivity right now, and I feel like this song is necessary.” She credits the magic of modern technology for making it all come together, working with talented producers like Stemz, District 6 Studios, and Benje Music in hybrid mode from different locations in the region. She’s also collaborated with M1 on a single called “Wetter” for the 2025 season. “We’ve been talking about working together for years, and I’m so happy it’s finally happened,” she says. “M1’s a unique talent; there aren’t a lot of artistes like him.”
A Dream Come True: Chutney and Multi-Cultural Magic
As if things weren’t busy enough, Lil’ Bitts has recently ventured into the world of chutney music. She got a call from the Pungalunks Factory to contribute vocals for a track with Reshma Ramlal, the Warrior Princess herself. The track, “Poowah Nah Ready,” is a dream come true for Bitts, who has always had an affinity for East Indian culture. “When I was a kid, I loved dressing in Indian clothes and watching Bollywood movies. I knew I wanted to do a Chutney song one day, but it had to feel natural. And this—this feels right,” she said. Bitts reflects on how much she’s learned and appreciated about Trinidad and Tobago’s multicultural beauty through this experience. “The energy on set, the unity—it was amazing. We’re one people, and that’s something I never want to forget.” The collaboration has already earned a place in the spotlight, with Ramlal making it into the semi-finals of the Chutney Soca Monarch competition.
Trinidad and Tobago is set to stage a revamped International Soca Monarch competition in what is now dubbed The Ultimate Soca Champion competition. The event’s final will be staged on Thursday, February 20th, with the semi final round set for Sunday, February 9th. The announcement was made earlier today by organisers, at a media conference held at Queen’s Hall, Port of Spain.
The organisers said the competition will not be split into Groovy/Power categories, however they said there will be special prizes for Best Groovy Soca, Best Power Soca and People’s Champion, based on public votes.
The event will feature the Ultimate Soca Champion reality TV show which organizers say is aimed at giving viewers an intimate look into the competition. “We believe this will help our culture to reach international audiences when packaged properly,” the team said.
In-Person Auditions will take place on Saturday, January 25th, 2025 at 9:00 AM at the Fernando Academy of the Performing Arts (SAPA). Regional/ International Artistes who are not in Trinidad and Tobago, are required to submit video auditions from January 20th at 8:00am to January 26th at 11:59pm.
“We aim to make this a production that captivates audiences worldwide,” said Rome. “The Ultimate Soca Champion Competition will not only elevate soca to international standards but also inspire the next generation of artistes.”
For registration, submission guidelines, and updates, visit ultimatesocachampion.com from Monday January 20th, or email ultimatesocachampion@gmail.com.
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