Soca music is definitely loved and appreciated by many people in Jamaica and the events of Jamaica Carnival this past weekend showed and proved this is true beyond a shadow of a doubt.
Thousands of Jamaican nationals joined tourists from across the region and outside of it and participated in numerous Carnival and Soca-themed events over the past two weekends in the land that’s renowned for reggae and dancehall music.
Kes The Band’s live concert hosted by SunNation at Sabina Park last Thursday and the first-ever “WI Fete” at the same venue last Saturday night attracted thousands of willing and eager participants, even as Trinidad staple events such as Private Ryan’s “Soca Brainwash”, Scorch’s “Duck Work” and Caesar’s Army’s “A.M. Bush” J’ouvert also drew massive crowds to different locations in and around the capital city of Kingston.
Creative Carnival decor, themes, customs, aesthetics and soundscapes prevailed throughout the festivities with sprinkes of dancehall and reggae for good measure, similar to the mix experienced during Trinidad Carnival. Soca superstar, Machel Montano made note of the evolution of the carnival music dynamic during his first performance with a full band on the island in many years, on Saturday night.
BUNJI GARLIN RECALLS BEING DISSED IN JA
Meanwhile, T&T Road March champion, Bunji Garlin also shared a story of a time when Soca artistes were not so readily accepted on the island. “The year is 2023,” he related after applauding the massive crowd for singing his hit song, “Differentology” word for word. “The last time I set foot inside here it was 2000. I didnt understand Jamaica dem times and ah come here with muh arrogant self and feel ah coulda do wha ah want. Delano from Rennaissance gimme de microphone and ah say gimme that dancehall riddim and ah woman in de crowd say ‘come offa dat, who is you’ and boo me straight off de stage. Ah fly back home to Trinidad that night and ah say ah never coming back to Jamaica again…”
Buni Garlin during his performance.
Ding Dong Ravers with Jules Sobion
Nailah Blackman with Jadel
The definition of Soca Squad.
Garlin freestyled the second half of the story in time with his hit song and the crowd’s response was tremendous. Performing with his live band, the ragga soca artiste showed masterful crowd control, stage presence and potent delivery, alongside his trademarked free-styling skills.
Nailah Blackman and Skinny Fabulous also enjoyed their time on stage, as did three-time Soca Monarch, Aaron “Voice” St. Louis when he appeared during Montano’s closing set. Jeffrey “Agent Sasco” Campbell who sings on the new Caribbean Airlines theme song “Welcome Home,” and rising star, Raheem “Valiant” Bowes were among the few Jamaican, non-Soca performers on the night and both were greeted warmly by the audience, but the Soca stars were definitely the highlight and main attraction at Wi Fete.
Similarly, at Kes’ concert two days prior, recent collaborator, reggae and dancehall star, Busy Signal was welcomed and enjoyed by the masses assembled, but it was Iwer George’s 2020 collaboration, “Stage Gone Bad” that sent the crowd into a frenzy. Event Coordinator, Damian Archie has been producing events with Caesar’s Army and others at Jamaica Carnival for over a decade and says the cultural integration is still a work in progress. “The Jamaicans have their own way of doing things generally, but over the years, they have observed us and taken stock of how we do things and so now they’re more willing to collaborate and trust us more to handle certain aspects, and there are still things that can be improved on all sides, but the music is there – Soca is at a level now where we have two and three different generations of talent who are professionals and have hits and catalogue and varying degrees of stage experience, so there are about two generations who have grown up loving them and loving Soca music as much as they love any other genre.”
Archie admitted that Jamaica’s Carnival is not on the level of Trinidad and Tobago’s in terms of size, organization and logistics just yet. He noted that Jamaicas are a very expressive and confident people, adding that their parade of bands is on a different level all by itsel, at the same time.
A Caribbean tour that started in Trinidad on Saturday and has continued in Grenada, this afternoon, has intrigued GenZ and GenAlphan fans across the Caribbean and internationally, all thanks to digital influencer, IShowSpeed, whose real name is Darren Jason Watkins Jr.
The 21-year-old Cincinnati, Ohio native who has racked up over 53 million YouTube subscribers touched down in Trinidad on Saturday, much to the excitement of local gaming and streaming fanatics, many of whom are teens and pre-teens.
Accompanied by several Trinidad and Tobago influencers and chaperoned by Machel Montano’s manager, Che Kothari, the vibrant young streamer was shown various parts of Port- of- Spain, Trinidad, and introduced to aspects of the culture often experienced by visitors to T&T, particularly at Carnival time.
From Saheena, to Roti, Bake and Shark and Doubles, IShowSpeed tried several Trinbagonian dishes and even some of the snacks manufactured locally. He was exposed to Carnival culture and traditional carnival characters and further to that, Trinidad and Tobago artistes like Lady Lava, Nessa Preppy and Jimmy October shared in the thrill of his visit. Many young, eager Trinbaonians, inclusive of parents who are familiar with the young influencer, engaged happily with Watkins Jr. throughout Saturday’s trip, all as he streamed the fun, live. Running through the streets as he moved through places like Tragarete Road and Charlotte Street in downtown Port-of-Spain, he was visibly excited to experience the country known especially for the Greatest Caribbean Carnival, the world over.
The trip, though quick, was streamed to some 7 millions online viewers and while some found it difficult to relate to the new wave of digital marketing and influencer branding potential for the small, twin island, others have since been marveling at the fact that this 21-year-old has managed to gift Trinidad and Tobago more publicity in mere hours, than that which Caribbean celebrities have been able to attain, over years in cultural ambassadorship.
Now, he turns his energy to Grenada. He was welcomed to the island by Grenadian cultural ambassador, Mr. Killa on Sunday, and Grenada’s signature Jab is expected to be on full display as the opportunity to reach millions around the world, now presents itself. The tour will continue to other Caribbean tourist destinations, inclusive of Antigua and Barbuda, St. Lucia, Bahamas, St Vincent and the Grenadines, St. Kitts and Nevis, Sint Maarten, Dominica, The Dominican Republic and Jamaica.
“If this sharing that I’m doing touches anyone, I’m truly grateful. None of us are perfect. Some days you’ll feel good, some days you won’t, but it’s all part of the journey. Sometimes what you’re looking for is right on the horizon, and the moment you give up, you miss it. If my testimony makes anyone feel something, then my work here is done.” – DESTRA GARCIA
Trinidad and Tobago received a musical showcase of spiritual awakening yet again this past Saturday, at Destra’s ‘Reflections: Sound. Spirit. Surrender.” The event took place at Queen’s Hall, St. Ann’s and proved to be a truly inspiring and uplifting musical experience.
From the onset, the show set a standard that fans of good music with powerful lyrics, would rave about for weeks. David Rudder – a cultural icon of Calypso music out of Trinidad and Tobago, welcomed the audience as he hit the stage first delivering the very fitting, ‘High Mas.’ It was a powerful blessing no doubt – something that would lead into a seamless spiritual production. He was subsequently joined on stage by Destra, something that created a full-circle moment that drew immediate emotion from the audience.
Destra with King David Michael Rudder.
Known for her unmistakeable vocal ability, Destra took her audience on a carefully curated musical journey, opening her set with Free Again before transitioning into slowed-down, soul-stirring renditions of some of her most beloved songs, including Love Somebody and Fly and with each performance, she revealed a different layer of her artistry, offering vulnerability, reflection, and strength.
One of the night’s most touching highlights came as Garcia shared the stage with her daughter, Xaiya, for a heartfelt duet of The Prayer. Beginning at the piano, Xaiya gently set the tone before joining her mother in song, creating an intimate moment that resonated deeply with the audience.
Destra’s daughter, Xaiya on the piano.
The production, which was creatively directed by Zara Bartels and Isoke Edwards, also showcased the incredible talent of father and son pan duo Martin and De’jean Cain as well as the Maria Regina Grade School and St. Joseph’s Convent Port- of- Spain choirs, whose vibrant and polished performances brought a refreshing, youthful energy to the stage. Gospel artiste, Nisa joined Garcia for a powerful duet of Bridge Over Troubled Water. She also performed her original composition Make Me Over, adding another layer of spiritual depth to the evening.
As the show built toward its finale, Garcia delivered a commanding rendition of Ella Andall’s Bring Down the Power, followed by classic hymns including A Little More Oil in My Lamp. This climactic segment was elevated by the presence of traditional belle dancers and African drummers, creating a rich, cultural fusion that brought the audience to its feet. Beyond the performances, the overall production, brought to life through Bridgette Wilson’s choreography and Atiba Borde’s costuming, stood out for its seamless execution, immersive ambience, and thoughtful storytelling, reinforcing Reflections as more than just a concert, but a transformative experience.
Reflections certainly delivered a powerful blend of music, filled with deep messages and meaning. In what is a very spiritual season, Destra, through the delivery of ‘Reflections,’ has carved out a space for inspiration and connection within Trinidad and Tobago’s cultural landscape – something that many would agree, is a necessity more than an option.
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